The School of Fontainbleau (french: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...

centered on the royal

Palace of Fontainebleau Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence ...

that were crucial in forming the

Northern Mannerism Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...

First School of Fontainebleau (from 1531)

In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by

François I Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once ...

to come to France, where he began an extensive decorative program for the

Château de Fontainebleau Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence ...

. In 1532 he was joined by another Italian artist,

Francesco Primaticcio Francesco Primaticcio (April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil ...

(from

Bologna Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different na ...

). Rosso died in France in 1540. On the advice of Primaticcio,

Niccolò dell'Abbate Niccolò dell'Abbate, sometimes Nicolò and Abate (1509 or 15121571) was a Mannerist Italian painter in fresco and oils. He was of the Emilian school, and was part of the team of artists called the School of Fontainebleau that introduced the I ...

(from

Modena Modena (, , ; egl, label= Modenese, Mòdna ; ett, Mutna; la, Mutina) is a city and '' comune'' (municipality) on the south side of the Po Valley, in the Province of Modena in the Emilia-Romagna region of northern Italy. A town, and seat o ...

) was invited to France in 1552 by François's son Henri II. Although known for their work at Fontainebleau, these artists were also invited to create works of art for other noble families of the period and were much esteemed and well-paid. The works of this "first school of Fontainebleau" are characterized by the extensive use of

stucco Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and a ...

(moldings and picture frames) and

fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plast ...

s, and an elaborate (and often mysterious) system of

allegories As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory th ...

and

mythological Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrat ...

iconography. Renaissance decorative motifs such as

grotesque Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus ...

strapwork In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms. These may loosely imitate leather straps, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in ...

and

putti A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University o ...

are common, as well as a certain degree of eroticism. The figures are elegant and show the influence of the techniques of the Italian

Mannerism Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Ital ...

Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...

Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...

and especially

Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, B ...

. Primaticcio was also directed to make copies of antique

Roman Roman or Romans most often refers to: * Rome, the capital city of Italy * Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a lett ...

statues for the king, thus spreading the influence of classical statuary. Many of the works of Rosso, Primaticcio and dell'Abate have not survived; parts of the Chateau were remodelled at various dates. The paintings of the group were reproduced in

prints In molecular biology, the PRINTS database is a collection of so-called "fingerprints": it provides both a detailed annotation resource for protein families, and a diagnostic tool for newly determined sequences. A fingerprint is a group of conserved ...

, mostly

etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...

s, which were apparently produced initially at Fontainebleau itself, and later in Paris. These disseminated the style through France and beyond, and also record several paintings that have not survived. The mannerist style of the

Fontainebleau Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissemen ...

school influenced French artists (with whom the Italians worked) such as the painter

Jean Cousin the Elder Jean Cousin (1500 – before 1593) was a French painter, sculptor, etcher, engraver, and geometrician. He is known as "Jean Cousin the Elder" to distinguish him from his son Jean Cousin the Younger, also an artist. Career Cousin was born at ...

, the

sculptors Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...

Jean Goujon Jean Goujon (c. 1510 – c. 1565)Thirion, Jacques (1996). "Goujon, Jean" in ''The Dictionary of Art'', edited by Jane Turner; vol. 13, pp. 225–227. London: Macmillan. Reprinted 1998 with minor corrections: . was a French Renaissance sculpt ...

and

Germain Pilon Germain Pilon (c. 1525 – 3 February 1590)Connat & Colombier 1951; Thirion 1996. was a French Renaissance sculptor. Biography He was born in Paris and trained with his father, Andre Pilon. Documents show that he and his father executed sever ...

, and, to a lesser degree, the painter and portraitist

François Clouet François Clouet (c. 1510 – 22 December 1572), son of Jean Clouet, was a French Renaissance miniaturist and painter, particularly known for his detailed portraits of the French ruling family. Historical references François Clouet was born ...

the son of

Jean Clouet Jean (or Janet) Clouet (1480–1541) was a miniaturist and painter who worked in France during the High Renaissance. He was the father of François Clouet. Biography The authentic presence of this artist at the French court is first mentione ...

Printmaking workshop

Although there is no certain proof, most scholars have agreed that there was a printmaking workshop at the Palace of Fontainebleau itself, reproducing the designs of the artists for their works in the palace, as well as other compositions they produced. The most productive printmakers were

Léon Davent Léon Davent was a French printmaker in the mid 16th century, closely associated with the First School of Fontainebleau. He worked in both engraving and etching and many of his works are based on designs by Francesco Primaticcio, "rendered boldl ...

Antonio Fantuzzi Antonio Fantuzzi (active in the 1540s) was an Italian painter and printmaker active in the French Renaissance in a Mannerist style. All that is known about his early life is that he was born in Bologna, from the accounts at Fontainebleau and ...

, and Jean Mignon, followed by the "mysterious" artist known from his monogram as "Master I♀V" (♀ being the

alchemical symbol Alchemical symbols, originally devised as part of alchemy, were used to denote some elements and some compounds until the 18th century. Although notation like this was mostly standardized, style and symbol varied between alchemists, so this pag ...

for

copper Copper is a chemical element with the symbol Cu (from la, cuprum) and atomic number 29. It is a soft, malleable, and ductile metal with very high thermal and electrical conductivity. A freshly exposed surface of pure copper has a pink ...

, from which the printing plates were made), and the workshop seems to have been active between about 1542 and 1548 at the latest; François I died in March 1547, after which funding for the palace ended, and the school dispersed. These were the first etchings made in France, and not far behind the first Italian uses of the technique, which originated in Germany. The earliest impressions of all the Fontainebleau prints are in brown ink, and their intention seems to have been essentially reproductive. P1290819 Fontainebleau chateau rwk

The intention of the workshop was to disseminate the new style developing at the palace more widely, both to France and to the Italians' peers back in Italy. Whether the initiative to do this came from the king or another patron, or from the artists alone, is unclear. David Landau believes that Primaticcio was the driving force; he had stepped up to become the director of the work at Fontainebleau after the suicide of Rosso Fiorentino in 1540. The enterprise seems to have been "just slightly premature" in terms of catching a market. The etched prints were often marked by signs of the workshop's inexperience and sometimes incompetence with the technique of etching, and according to Sue Welsh Reed: "Few impressions survive from these plates, and it is questionable whether many were pulled. The plates were often poorly executed and not well printed; they were often scratched or not well polished and did not wipe clean. Some may have been made of metals soft as copper, such as

pewter Pewter () is a malleable metal alloy consisting of tin (85–99%), antimony (approximately 5–10%), copper (2%), bismuth, and sometimes silver. Copper and antimony (and in antiquity lead) act as hardeners, but lead may be used in lower grades ...

." A broadening market for prints preferred the "highly finished textures" of

Nicolas Beatrizet __NOTOC__ Nicolas Béatrizet (or ''Beatrizet'', or ''Beatricetto'') was a 16th century French engraver, working in Rome. Life Béatrizet was born at Luneville in or before 1520. From his style, it has been conjectured that he was a scholar of ...

, and later "proficient but ultimately uninspired" engravers such as

René Boyvin René Boyvin (1525–1598) was an influential French engraver who lived in Angers Angers (, , ) is a city in western France, about southwest of Paris. It is the prefecture of the Maine-et-Loire department and was the capital of the province ...

and

Pierre Milan Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation ...

.Landau, 309

Notable artists of the first school

(c. 1509–1571) (Italian) *

Damiano del Barbiere Damiano del Barbiere was an Italian stuccoist and sculptor of the Renaissance period, recruited by Primaticcio to help in the labors at the palace of Fontainebleau. See also School of Fontainebleau The School of Fontainbleau (french: École de ...

, Italian stuccoist and sculptor *

Francesco Scibec da Carpi Francesco Scibec, called Scibec da Carpi, was a 16th-century Italian furniture maker from Carpi near Modena. He worked for the French royal court amongst a group of artists now called the first school of Fontainebleau. Francesco arrived at the b ...

(died c. 1557) Italian furniture maker, who worked on the ''boiseries''. *

, French etcher *

, Italian painter and etcher * Rosso Fiorentino (Giovanni Battista di Jacopo de' Rossi) (1494–1540) (

Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...

) * Juste de Juste (c. 1505–1559) Franco-Italian sculptor and etcher *

Luca Penni Luca Penni (c.1500/1504–1556) was an Italian painter of the 16th century best known for his work in France as part of the First School of Fontainebleau. He was nicknamed ''Le Romain'' (the Roman). Life Penni was born in Florence. He and his ...

(c. 1500/1504–1556) (Italian) *

(c. 1505–1570) (Italian) * Léonard Thiry, Flemish, painter and etcher

Second School of Fontainebleau (from 1594)

From 1584 to 1594, during the

Wars of Religion A religious war or a war of religion, sometimes also known as a holy war ( la, sanctum bellum), is a war which is primarily caused or justified by differences in religion. In the modern period, there are frequent debates over the extent to wh ...

the château of Fontainebleau was abandoned. Upon his accession to the throne,

Henri IV Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarc ...

undertook a renovation of the Fontainebleau buildings using a group of artists: the Flemish born

Ambroise Dubois Ambroise Dubois (1542/43–1614/15) was a Flemish-born French painter. Dubois was born in Antwerp and became a painter of the second School of Fontainebleau. His influences were Niccolò dell'Abbate and Francesco Primaticcio. Dubois painte ...

(from Antwerp) and the Parisians Toussaint Dubreuil and Martin Fréminet. They are sometimes referred to as the "second school of Fontainebleau". Their late mannerist works, many of which have been lost, continue in the use of elongated and undulating forms and crowded compositions. Many of their subjects include mythological scenes and scenes from works of fiction by the Italian

Torquato Tasso Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' ( Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between ...

and the ancient Greek novelist

Heliodorus of Emesa Heliodorus Emesenus or Heliodorus of Emesa ( grc, Ἡλιόδωρος ὁ Ἐμεσηνός) is the author of the ancient Greek novel called the ''Aethiopica'' () or ''Theagenes and Chariclea'' (), which has been dated to the 220s or 370s AD. Ide ...

. Their style continued to have an influence on artists through the first decades of the 17th century, but other artistic currents (

Peter Paul Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradit ...

Caravaggio Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of h ...

, the

Dutch Dutch commonly refers to: * Something of, from, or related to the Netherlands * Dutch people () * Dutch language () Dutch may also refer to: Places * Dutch, West Virginia, a community in the United States * Pennsylvania Dutch Country People E ...

and Flemish naturalist schools) soon eclipsed them.

Notable artists of the second school

(c. 1542–1614,

Flemish Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; ...

born) * Toussaint Dubreuil (c. 1561–1602) * Martin Fréminet (1567–1619)

Notes

References

*Jacobson, Karen (ed), (often wrongly cat. as

Georg Baselitz Georg Baselitz (born 23 January 1938) is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the ...

), ''The French Renaissance in Prints'', 1994, Grunwald Center, UCLA, *Landau, David, in Landau, David, and Parshall, Peter, ''The Renaissance Print'', Yale, 1996, *Reed, Sue Welsh, in: Reed, Sue Welsh & Wallace, Richard (eds), ''Italian Etchers of the Renaissance and Baroque'', Museum of Fine Arts, Boston 1989, or 304-4 (pb)