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music theory Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (ke ...
, the scale degree is the position of a particular
note Note, notes, or NOTE may refer to: Music and entertainment * Musical note, a pitched sound (or a symbol for a sound) in music * ''Notes'' (album), a 1987 album by Paul Bley and Paul Motian * ''Notes'', a common (yet unofficial) shortened version ...
on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of
intervals Interval may refer to: Mathematics and physics * Interval (mathematics), a range of numbers ** Partially ordered set#Intervals, its generalization from numbers to arbitrary partially ordered sets * A statistical level of measurement * Interval e ...
and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified. For instance, the 7-tone
diatonic scale In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, ...
may become the major scale once the proper degree has been chosen as tonic (e.g. the C-major scale C–D–E–F–G–A–B, in which C is the tonic). If the scale has no tonic, the starting degree must be chosen arbitrarily. In
set theory Set theory is the branch of mathematical logic that studies sets, which can be informally described as collections of objects. Although objects of any kind can be collected into a set, set theory, as a branch of mathematics, is mostly conce ...
, for instance, the 12 degrees of the
chromatic scale The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce th ...
usually are numbered starting from C=0, the twelve
pitch class In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave positio ...
es being numbered from 0 to 11. In a more specific sense, scale degrees are given names that indicate their particular
function Function or functionality may refer to: Computing * Function key, a type of key on computer keyboards * Function model, a structured representation of processes in a system * Function object or functor or functionoid, a concept of object-oriente ...
within the scale (see table below). This implies a functional scale, as is the case in
tonal music Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is cal ...
. This example gives the names of the functions of the scale degrees in the seven note
diatonic scale In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, ...
. The names are the same for the major and minor scales, only the seventh degree changes name when flattened: The term ''scale step'' is sometimes used synonymously with scale degree, but it may alternatively refer to the distance ''between'' two successive and adjacent scale degrees (see
steps and skips In music, a step, or conjunct motion,Bonds, Mark Evan (2006). ''A History of Music in Western Culture'', p.123. 2nd ed. . is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between ...
). The terms "
whole step In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more de ...
" and "
half step A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent no ...
" are commonly used as interval names (though "whole scale step" or "half scale step" are not used). The number of scale degrees and the distance between them together define the scale they are in. In Schenkerian analysis, "scale degree" (or "scale step") translates Schenker's German ''Stufe'', denoting "a chord having gained structural significance" (see Schenkerian analysis#Harmony).


Major and minor scales

The degrees of the traditional major and
minor scale In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which ...
s may be identified several ways: * by their
ordinal numbers In set theory, an ordinal number, or ordinal, is a generalization of ordinal numerals (first, second, th, etc.) aimed to extend enumeration to infinite sets. A finite set can be enumerated by successively labeling each element with the least ...
, as the first, second, third, fourth, fifth, sixth, or seventh degrees of the scale, sometimes raised or lowered; * by Arabic numerals (1, 2, 3, 4 …), as in the
Nashville Number System The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews in the late 1950s as a simplified system for the Jordanaires to use in the studio and furthe ...
, sometimes with carets (, , , …); * by
Roman numerals Roman numerals are a numeral system that originated in ancient Rome and remained the usual way of writing numbers throughout Europe well into the Late Middle Ages. Numbers are written with combinations of letters from the Latin alphabet, eac ...
(I, II, III, IV …); * by the English name for their function: tonic,
supertonic In music, the supertonic is the second degree () of a diatonic scale, one whole step above the tonic. In the movable do solfège system, the supertonic note is sung as ''re''. The triad built on the supertonic note is called the supertonic ch ...
, mediant,
subdominant In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdomina ...
, dominant,
submediant In music, the submediant is the sixth degree () of a diatonic scale. The submediant ("lower mediant") is named thus because it is halfway between tonic and subdominant ("lower dominant") or because its position below the tonic is symmetrical to ...
,
subtonic In music, the subtonic is the degree of a musical scale which is a whole step below the tonic note. In a major key, it is a lowered, or flattened, seventh scale degree (). It appears as the seventh scale degree in the natural minor and descendin ...
or
leading note In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, ''the ...
(''leading tone'' in the United States), and tonic again. These names are derived from a scheme where the tonic note is the 'centre'. Then the supertonic and subtonic are, respectively, a ''second'' above and below the tonic; the mediant and submediant are a ''third'' above and below it; and the dominant and subdominant are a ''fifth'' above and below the tonic:Nicolas Meeùs, "Scale, polifonia, armonia", ''Enciclopedia della musica'', J.-J. Nattiez ed. Torino, Einaudi, vol. II, ''Il sapere musicale'', 2002. p. 84. :The word ''subtonic'' is used when the interval between it and the tonic in the upper octave is a
whole step In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more de ...
; ''
leading note In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, ''the ...
'' is used when that interval is a
half-step A semitone, also called a half step or a half tone, is the smallest interval (music), musical interval commonly used in Western tonal music, and it is considered the most Consonance and dissonance#Dissonance, dissonant when sounded harmonically ...
. * by their name according to the
movable do solfège Moveable may refer to: * A Moveable Feast * Moveable feast * Movable type * Moveable bridge * History of printing in East Asia Printing in East Asia originated from the Han dynasty (220 BCE – 206 CE) in China, evolving from ink rubbings made on p ...
system: ''do'', ''re'', ''mi'', ''fa'', ''so''(''l''), ''la'', and ''si'' (or ''ti'').


Scale degree names


See also

*
Factor (chord) In music, a factor or chord factor is a member or component of a chord (music), chord. These are named root (chord), root, third (chord), third, fifth (chord), fifth, sixth chord, sixth, seventh (chord), seventh, ninth (compound interval, compo ...
*
Ear training Ear training or aural skills is a music theory study in which musicians learn to identify pitches, intervals, melody, chords, rhythms, solfeges, and other basic elements of music, solely by hearing. The application of this skill is analogous t ...
and music education


References

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