Savoy Operas
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Savoy opera was a style of
comic opera Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a ne ...
that developed in
Victorian England In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardia ...
in the late 19th century, with
W. S. Gilbert Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most f ...
and
Arthur Sullivan Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinaf ...
as the original and most successful practitioners. The name is derived from the
Savoy Theatre The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Pala ...
, which
impresario An impresario (from the Italian ''impresa'', "an enterprise or undertaking") is a person who organizes and often finances concerts, plays, or operas, performing a role in stage arts that is similar to that of a film or television producer. Hist ...
Richard D'Oyly Carte Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establi ...
built to house the
Gilbert and Sullivan Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ...
pieces, and later those by other composer–librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term "Savoy Opera" as practically synonymous with Gilbert and Sullivan. The Savoy operas (in both senses) were seminal influences on the creation of the modern
musical Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narr ...
. Gilbert, Sullivan, Carte and other
Victorian era In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardia ...
British composers, librettists and producers, as well as the contemporary British press and literature, called works of this kind "comic operas" to distinguish their content and style from that of the often risqué continental European
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...
s that they wished to displace. Most of the published literature on Gilbert and Sullivan since that time refers to these works as "Savoy Operas", "
comic operas Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a ne ...
", or both. However, the ''Penguin Opera Guides'' and many other general music dictionaries and encyclopedias classify the Gilbert and Sullivan works as operettas. Gilbert and Sullivan's early operas played at other London theatres, and ''
Patience (or forbearance) is the ability to endure difficult circumstances. Patience may involve perseverance in the face of delay; tolerance of provocation without responding in disrespect/anger; or forbearance when under strain, especially when faced ...
'' (1881) was the first opera to appear at the Savoy Theatre, and thus, in a strict sense, the first true "Savoy Opera", although the term "Savoy Opera" has, for over a century, referred to all thirteen operas that Gilbert and Sullivan wrote for Richard D'Oyly Carte.


Other definitions

During the years when the
Gilbert and Sullivan Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ...
("G&S") operas were being written,
Richard D'Oyly Carte Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establi ...
also produced, at the Savoy Theatre, operas by other composer–librettist teams, either as
curtain raisers A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashio ...
to the G&S pieces, or to fill the theatre when no G&S piece was available.Walters, Michael and George Low
"Curtain Raisers"
The Gilbert and Sullivan Archive, 16 August 2011, retrieved 27 February 2017
To his contemporaries, the term "Savoy Opera" referred to any opera that appeared at that theatre, regardless of who wrote it. Aside from curtain raisers (which are listed in the second table below), the G&S operas were the only works produced at the
Savoy Theatre The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Pala ...
from the date it opened (10 October 1881) until ''
The Gondoliers ''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances (at that time the ...
'' closed on 20 June 1891. Over the next decade, there were only two new G&S pieces (''
Utopia Limited ''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for ...
'' and ''
The Grand Duke ''The Grand Duke; or, The Statutory Duel'', is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on 7 March 1896, and ran for 12 ...
''), both of which had comparatively brief runs. To fill the gap, Carte mounted G&S revivals, Sullivan operas with different librettists, and works by other composer–librettist teams. Richard D'Oyly Carte died on 3 April 1901. If the nexus of Carte and the
Savoy Theatre The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Pala ...
is used to define "Savoy Opera," then the last new Savoy Opera was ''
The Rose of Persia ''The Rose of Persia''; ''or, The Story-Teller and the Slave'', is a two-act comic opera, with music by Arthur Sullivan and a libretto by Basil Hood. It premiered at the Savoy Theatre on 29 November 1899, closing on 28 June 1900 after a profitabl ...
'' (music by Sullivan, libretto by
Basil Hood Basil Willett Charles Hood (5 April 1864 – 7 August 1917) was a British dramatist and lyricist, perhaps best known for writing the libretti of half a dozen Savoy Operas and for his English adaptations of operettas, including ''The Merry Wi ...
), which ran from 28 November 1899 – 28 June 1900. After Carte's death, his wife
Helen Carte Helen Carte Boulter (born Susan Helen Couper Black; 12 May 1852 – 5 May 1913), also known as Helen Lenoir, was a Scottish businesswoman known for her diplomatic skills and grasp of detail. Beginning as his secretary, and later marrying, impre ...
assumed management of the theatre. In 1901, she produced Sullivan's last opera, ''
The Emerald Isle ''The Emerald Isle''; ''or, The Caves of Carrig-Cleena'', is a two-act comic opera, with music by Arthur Sullivan and Edward German, and a libretto by Basil Hood. The plot concerns the efforts of an Irish patriot to resist the oppressive "re-ed ...
'' (finished after Sullivan's death by
Edward German Sir Edward German (17 February 1862 – 11 November 1936) was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of En ...
), and during the run of that opera, she hired
William Greet William Greet (1851 – 25 April 1914) was a British theatre manager from the end of the 19th century and into the 20th century. Originally a business manager for other theatre licensees in the 1880s, he branched out as an independent manager ...
as manager of the theatre. Later that year, she leased the theatre to Greet, who then produced ''
Ib and Little Christina ''Ib and Little Christina'' refers to two theatrical adaptations by Basil Hood of the 1855 fairy tale by Hans Christian Andersen, Hans Andersen of the same name: a play (1900) and an opera (1901). Play The first version was a play subtitled "A Pi ...
'', ''
The Willow Pattern ''The Willow Pattern'' is a one-act comic opera with a libretto by Basil Hood and music by Cecil Cook. It was first produced by William Greet at the Savoy Theatre on 14 November 1901, running for a total of 110 performances until 29 March 1902. ...
'', a revival of ''Iolanthe'', '' Merrie England'' (1902) and ''
A Princess of Kensington ''A Princess of Kensington'' is an English comic opera in two acts by Edward German to a libretto by Basil Hood, produced by William Greet. The first performance was at the Savoy Theatre, London, on 22 January 1903 and ran for 115 performances. ...
'' (1903), each with a cast made up largely of Carte's Savoy company. Cyril Rollins and R. John Witts adopt ''A Princes of Kensington'' as the last of the Savoy Operas. After ''A Princess of Kensington'' closed in May 1903, Mrs. Carte leased the theatre to unrelated parties until late 1906, when she produced the first of her two seasons of G&S revivals in repertory at the Savoy, with Gilbert returning to direct. In March 1909, Charles H. Workman leased the theatre, producing three new pieces, including one by Gilbert, ''
Fallen Fairies ''Fallen Fairies''; ''or, The Wicked World'', is a two-act comic opera, with a libretto by W. S. Gilbert and music by Edward German. The story is an operatic adaptation of Gilbert's 1873 blank-verse fairy comedy, '' The Wicked World''. In Fairy ...
'' (music by Edward German). The last of these Workman-produced works came in early 1910, ''
Two Merry Monarchs ''Two Merry Monarchs'' is an Edwardian musical comedy in two acts with a book by Arthur Anderson and George Levy, lyrics by Anderson and Hartley Carrick, and music by Orlando Morgan. It opened at the Savoy Theatre in London on 10 March 1910, und ...
'', by Arthur Anderson, George Levy, and Hartley Carrick, with music by
Orlando Morgan Robert Orlando Morgan (1865 – 16 May 1956) was an English music teacher, composer and musicologist. He is best remembered as an influential teacher at the Guildhall School of Music in London, where he taught for 64 years, from 1887 to 1951, as ...
. The contemporary press referred to these works as "Savoy Operas", and S. J. Adair Fitz-Gerald regarded Workman's pieces as the last Savoy Operas. Fitz-Gerald wrote his book, ''The Story of the Savoy Opera'', in 1924, when these other pieces were still within living memory. But over the ensuing decades, the works produced at the Savoy by composers and librettists other than
Gilbert and Sullivan Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ...
were forgotten or infrequently revived. The term "Savoy Opera" came to be synonymous with the thirteen extant works of Gilbert and Sullivan. The first collaboration of Gilbert and Sullivan – the 1871 opera ''
Thespis Thespis (; grc-gre, Θέσπις; fl. 6th century BC) was an Ancient Greek poet. He was born in the ancient city of Icarius (present-day Dionysos, Greece). According to certain Ancient Greek sources and especially Aristotle, he was the first pe ...
'' – was not a Savoy Opera under any of the definitions mentioned to this point, as Richard D'Oyly Carte did not produce it, nor was it ever performed at the Savoy Theatre. Nevertheless, Rollins & Witts include it in their compendium of the Savoy Operas, as does Geoffrey Smith. The ''Oxford English Dictionary'' defines the phrase as: "Designating any of the Gilbert and Sullivan operas originally presented at the Savoy Theatre in London by the D'Oyly Carte company. Also used more generally to designate any of the Gilbert and Sullivan operas, including those first presented before the Savoy Theatre opened in 1881, or to designate any comic opera of a similar style which appeared at the theatre".


Complete list

The following table shows all of the full-length operas that could be considered "Savoy Operas" under any of the definitions mentioned above. Only first runs are shown. Curtain-raisers and afterpieces that played with the Savoy Operas are included in the next table below.


Companion pieces

The fashion in the late
Victorian era In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardia ...
and
Edwardian era The Edwardian era or Edwardian period of British history spanned the reign of King Edward VII, 1901 to 1910 and is sometimes extended to the start of the First World War. The death of Queen Victoria in January 1901 marked the end of the Victori ...
was to present long evenings in the theatre, and so full-length pieces were often presented together with companion pieces. During the original runs of the Savoy Operas, each full-length work was normally accompanied by one or two short companion pieces. A piece that began the performance was called a
curtain raiser A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashio ...
, and one that ended the performance was called an afterpiece.
W. J. MacQueen-Pope Walter James MacQueen-Pope (11 April 1888 – 27 June 1960), known familiarly as Popie, was an English theatre historian and publicist. From a theatrical family which could be traced back to contemporaries of Shakespeare, he was in management for ...
commented, concerning the curtain raisers:
This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserved much better treatment than they got, but those who saw them delighted in them. …
hey Hey or Hey! may refer to: Music * Hey (band), a Polish rock band Albums * ''Hey'' (Andreas Bourani album) or the title song (see below), 2014 * ''Hey!'' (Julio Iglesias album) or the title song, 1980 * ''Hey!'' (Jullie album) or the title s ...
served to give young actors and actresses a chance to win their spurs…the stalls and the boxes lost much by missing the curtain-raiser, but to them dinner was more important.MacQueen-Pope, Walter James. ''Carriages at Eleven'' (1947), London: Robert Hale and Co., p. 23
The following table lists the known companion pieces that appeared at the Opera Comique or the Savoy Theatre during the original runs and principal revivals of the Savoy Operas through 1909. There may have been more such pieces that have not yet been identified. In a number of cases, the exact opening and closing dates are not known. Date ranges overlap, since it was common to rotate two or more companion pieces at performances during the same period to be played with the main piece. Many of these pieces also played elsewhere (and often on tour by D'Oyly Carte touring companies). Only the runs at the Opera Comique and the Savoy are shown here. *Indicates an approximate date.


Notes


References


Sources

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Further reading

* * * * * * * * * *


External links


The Gilbert and Sullivan Archive
* ttps://web.archive.org/web/20060709194209/http://www.cris.com/~oakapple/savoynet/ Savoynet – an email-based G&S listservbr>Who Was Who in the D'Oyly Carte
{{authority control Gilbert and Sullivan Opera genres Comedy genres