Sabri Moudallal
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Sabri Moudallal (
Arabic Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C ...
: ; 1918,
Aleppo )), is an adjective which means "white-colored mixed with black". , motto = , image_map = , mapsize = , map_caption = , image_map1 = ...
– August 2006,
Aleppo )), is an adjective which means "white-colored mixed with black". , motto = , image_map = , mapsize = , map_caption = , image_map1 = ...
) was a singer and composer of traditional Syrian music, as well as a businessman.


Biography

Sabri Moudallal was born in the Al-Jalloum neighborhood in Aleppo in 1918. Sabri Moudallal grew up in a musical environment, attending Sufi
Zikr ''Dhikr'' ( ar, ذِكْر}, , also spelled ''Zikr'', ''Thikr'', ''Zekr'', or ''Zikar'', literally meaning "remembrance, reminder" or "mention") is a form of Islamic meditation in which phrases or prayers are repeatedly chanted in order to remem ...
ceremonies with his father, who also sent him to Qur'anic school to memorize the Qur'an and study
Quranic recitation In Islam, ''Qirāah'', (pl. ''Qirāāt''; ar, قراءات , lit= recitations or readings) are different linguistic, lexical, phonetic, morphological and syntactical forms permitted with reciting the holy book of Islam, the Quran. Diffe ...
, the musical recitation of the holy text. The teacher, recognizing the student's musical potential, suggested he go study properly under one of the greatest masters of classical
Arabic music Arabic music or Arab music ( ar, الموسيقى العربية, al-mūsīqā al-ʿArabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also man ...
in Aleppo at the time, Omar al-Batsh. It was under al-Batsh that Moudallal learned the style and forms of classical Arabic music, the maqams, the
muwashshah ''Muwashshah'' ( ar, موشح '  literally means "girdled" in Classical Arabic; plural ' or ' ) is the name for both an Arabic poetic form and a secular musical genre. The poetic form consists of a multi-lined strophic verse poem written ...
, the
dawr A ''dawr'' (Arabic: دور or الدور; plural: ''adwar'', أدوار; also spelled ''dour'') is a genre of Arabic vocal music sung in regional or colloquial Arabic. The genre faded in popularity after the 1920s and often used the melismatic tech ...
, the
layali ''Layālī'' (ليالي) is a style of unmetered modal improvisation, based on a '' maqam'', performed by a singing voice in Arabic music. It is similar to the ''taqsim'', which is performed by a solo instrument. The ''layali'' generally serves a ...
, the
qasidah The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writin ...
and mawal and of course the traditional Aleppine qudūd. Moudallal has stated that the first piece he was taught by al-Batsh was al-Batsh's very own composition for the muwashshah ''Kaḥḥal as-Siḥr Oyunan'' in the Bayat maqam. He eventually came to work as a
muezzin The muezzin ( ar, مُؤَذِّن) is the person who proclaims the call to the daily prayer ( ṣalāt) five times a day (Fajr prayer, Zuhr prayer, Asr prayer, Maghrib prayer and Isha prayer) at a mosque. The muezzin plays an important role ...
at the
Great Mosque of Aleppo The Great Mosque of Aleppo ( ar, جَـامِـع حَـلَـب الْـكَـبِـيْـر, ''Jāmi‘ Ḥalab al-Kabīr'') is the largest and one of the oldest mosques in the city of Aleppo, Syria. It is located in al-Jalloum district of the ...
. In 1949, he first sang on Syrian radio. In 1954, he founded a religious music ensemble along with fellow Aleppian sacred music singer, Hassan Haffar. Moudallal's repertoire consisted primarily of sacred Islamic music, and he was best known for his vast knowledge and mastery of the
muwashshah ''Muwashshah'' ( ar, موشح '  literally means "girdled" in Classical Arabic; plural ' or ' ) is the name for both an Arabic poetic form and a secular musical genre. The poetic form consists of a multi-lined strophic verse poem written ...
, an old Andalusian poetic form which he studied under al-Batsh, but he was known to perform secular music as well. He was also well known for his mastery of the waslah form, a type of suite common in classical
Arabic music Arabic music or Arab music ( ar, الموسيقى العربية, al-mūsīqā al-ʿArabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also man ...
. He played a central role in popularizing the traditional musical style of Aleppo throughout Syria and internationally, along with his younger and more popular contemporary,
Sabah Fakhri Sabah al-Din Abu Qaws ( ar, صباح الدين أبو قوس), also known as Sabah Fakhri ( ar, صباح فخري; May 2, 1933 – November 2, 2021), was a Syrian tenor singer from Aleppo. With over 50 years of fame and popularity as a sing ...
. He was the original performer of several well-known Syrian songs, such as Ib'atli Jawab, which he first performed in 1949, later to become well known through its rendition by Sabah Fakhri, who regularly included it in his performances. According the Aleppian musicologist Muhammad Qadri Dallal, who studied Moudallal's music, his style was influenced by the great modern Egyptian composers, such as
Sayyid Darwish Sayed Darwish ( ar, سيد درويش, ; 17 March 1892 – 15 September 1923) was an Egyptian singer and composer who was considered the father of Egyptian popular music and one of Egypt's greatest musicians and seen by some as its single gre ...
,
Mohamed El Qasabgi Mohamed el-Qasabgi ( ar, محمد القصبجي; pronounced in local Egyptian dialect as Mohamed el-Asabgi; 1892 – 25 March 1966) was an Egyptian musician and composer, and is regarded as one of the five leading composers of Egypt in the 20 ...
,
Mohammed Abdel Wahab ''Mohamed Abdel Wahab'' ( ar, محمد عبد الوهاب), also transliteration, transliterated ''Mohamed Abd El-Wahhab'' (March 13, 1902 – May 4, 1991), was a prominent 20th-century Egyptian singer, actor, and composer. He is best known fo ...
, Zakariya Ahmed and Dawood Hosni, which gave his music a new color that didn't previously exist in sacred Islamic music. Moudallal was also known for his circular breathing technique, which enabled him to breathe while singing, thus making it possible to sing for long periods of time without a pause. In 1975, Moudallal and his ensemble, including Abdel Raouf Hallak and Hassan Haffar, travelled to Paris to perform a concert of sacred Islamic music. In 1980, the recording of this concert would become Moudallal's first album appearance. In 1997, a documentary for Syrian television called ''Aleppo... Maqamat of Pleasure and Delight'', directed by Syrian director
Mohamed Malas Mohammad Malas ( ar, محمد ملص; born 1945) is a prominent Syrian filmmaker. Malas directed several documentary and feature films that garnered international recognition. He is among the first auteur filmmakers in Syrian cinema.Ginsberg; Li ...
, was produced about Moudallal and his life. The film includes extensive interviews with Moudallal about his life and musical career. In 1990s, he began to performed with Ensemble Al-Kindi, an Aleppian-based
Sufi Sufism ( ar, ''aṣ-ṣūfiyya''), also known as Tasawwuf ( ''at-taṣawwuf''), is a mystic body of religious practice, found mainly within Sunni Islam but also within Shia Islam, which is characterized by a focus on Islamic spirituality, ...
musical group. This collaboration led to the album ''The Aleppian Music Room'', which came out in 1998. In 2006, Muhammad Qadri Dallal published a study on Moudallal's music and its roots in the traditional Aleppine style.


Discography

* ''Muezzins d'Alep – Chants religieux de l'Islam'', Ocora, Paris, 1980. * ''Wasla d'Alep – Chants traditionnels de Syrie'', Inedit, France, 1988. * ''Sacred and Profane Songs of Syria'', Institut de Monde Arabe, Paris, 1998. * ''The Aleppian Music Room'' (with Ensemble Al-Kindi), 1998. * ''Songs from Aleppo'', Institut de Monde Arabe, Paris, 1999.


References


External links


Part 1
of the Documentary on Sabri Moudallal (
Arabic Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C ...
with French subtitles)
Part 2
of the Documentary on Sabri Moudallal (
Arabic Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C ...
with French subtitles)
YouTube Playlist
of Moudallal's last album, ''Songs from Aleppo'' {{DEFAULTSORT:Moudallal, Sabri 20th-century Syrian male singers 1918 births 2006 deaths Musicians from Aleppo Arab musicians