Séni Camara
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Seyni Awa Camara is a
Senegal Senegal, officially the Republic of Senegal, is the westernmost country in West Africa, situated on the Atlantic Ocean coastline. It borders Mauritania to Mauritania–Senegal border, the north, Mali to Mali–Senegal border, the east, Guinea t ...
ese
sculptor Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...
from the Jola ethnic group. She was born c. 1945 in
Oussouye Oussouye (or Husuy in JolaWilson, William André Auquier. 2007. ''Guinea Languages of the Atlantic group: description and internal classification''. (Schriften zur Afrikanistik, 12.) Frankfurt am Main: Peter Lang.) is a small town and urban commu ...
, Senegal, and currently resides in Bignona, where she works with clay creating
statue A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or Casting (metalworking), cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to ...
s that range from 12 inches to 8 feet tall.


Biography

Seyni Awa Camara's father, a man named Sousou, was originally from
Guinea Guinea, officially the Republic of Guinea, is a coastal country in West Africa. It borders the Atlantic Ocean to the west, Guinea-Bissau to the northwest, Senegal to the north, Mali to the northeast, Côte d'Ivoire to the southeast, and Sier ...
and moved to Ziguinchor. Her mother, a woman named Sereer, was from Oussouye, Ziguinchor Region, Senegal, where Camara was born c. 1945. It is unknown how many siblings she has, although it is known that she is the only daughter of her family. According to Michèle Odeyé-Finzi, a sociologist, at the age of 12 Camara, alongside her brothers, wandered into the woods. After being lost for four months, she and her brothers returned within days of one another, each holding the same sculpture. Both Camara and her brothers claim during their time in the woods, God taught them how to make statues and sculptures such as the ones they brought home with them. In contrast, Moustapha Sall, an anthropologist, states that Seyni learned from her mother's practice of
pottery Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a ''potter'' is al ...
as a child. Fatou Kandé Senghor, a Senegalese film director who has known Camara for several years and interviewed her, also agrees with this narrative, stating that the mystical tale of Camara being lost is a made up narrative to appeal to white people who might buy Camara's work. She was married to Samba Diallo until he passed. Diallo had multiple wives, as his Islamic faith, which Camara shares, permitted. Those wives had children, but Camara struggled with child-bearing and did not produce any biological children.


Artwork

Even though she learned how to sculpt and fire from her mother, Camara's art strongly differs from the typically functional pottery of the Senegalese region. She creates figure-like sculptures ranging in size from 12 inches tall to 8 feet tall, representing personal symbols. Her three sons help her fire them in an open hearth
kiln A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or Chemical Changes, chemical changes. Kilns have been used for millennia to turn objects m ...
before displaying them in and around her house. She has authorized the use of bronze castings of her work since the
terracotta Terracotta, also known as terra cotta or terra-cotta (; ; ), is a clay-based non-vitreous ceramic OED, "Terracotta""Terracotta" MFA Boston, "Cameo" database fired at relatively low temperatures. It is therefore a term used for earthenware obj ...
s are too delicate to travel.


Themes

Camara's art touches on many themes, most notably her struggles with childbearing and not having any biological children of her own. Fatou Kandé Senghor made a film on her entitled ''Giving Birth'' in 2015, based on her art, processes, and struggles relating to childbearing. According to Senghor, Camara creates sculptures that represent her traumatic past, after being married at 15 and attempting to have children, which would later be the cause of her struggles with childbearing. Other themes can be seen throughout her sculptures, such as animals, religion, spiritual beings, marriage, couples, and family.


Exhibitions

Camara made her exhibition debut in 1989 in the Magiciens de la Terre, Centre Georges Pompidou show at the La Grande Halle de la Villette in Paris France. Since then, she has had both solo and group exhibitions in France, Belgium, Italy, Spain, Norway, and other European countries. Camara's work has been exhibited in the United States only once, from 2005-2006 in The Contemporary African Art Collection (CAAC) of Jean Pigozzi. Most notably, Gallery Baronian in Brussels has organized several exhibitions of Seyni Awa Camara, in 2020, 2021, and April 2024.


References

{{DEFAULTSORT:Camara, Seni Awa 1940s births Living people Senegalese sculptors Senegalese women artists People from Bignona Year of birth missing (living people)