The Symphony No. 3 is a composition for

orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...

by the American composer

Ned Rorem Ned Rorem (October 23, 1923 – November 18, 2022) was an American composer of contemporary classical music and writer. Best known for his art songs, which number over 500, Rorem was the leading American of his time writing in the genre. Althou ...

. The work was first performed by the

New York Philharmonic The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is ...

under the direction of

Leonard Bernstein Leonard Bernstein ( ; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was the first America ...

Carnegie Hall Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhatta ...

on April 16, 1959.

Composition

Structure

The Symphony No. 3 has a duration of roughly 24 minutes and is cast in five

movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

: #Passacaglia #Allegro molto vivace #Largo #Andante #Allegro molto The movements were not composed in chronological order; Rorem wrote the "Allegro molto vivace" first, the "Pasacaglia" second, the "Andante" third, the "Largo" fourth, and the "Allegro molto" last. Rorem called the first movement "a slow overture in the grand style." The second movement, which the composer described as "a brisk and jazzy dance," had originally been composed as a piece for two pianos eight years prior. Rorem described the third movements as "a short, passionate page about somnambulism, full of dynamic contrast, and coming from afar." He called the fourth movement "a farewell to France" and described the fifth and final movement as a miniature Concerto for Orchestra.

Instrumentation

The work is scored for a large orchestra consisting of two

flutes The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...

piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the so ...

, two

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

cor anglais The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...

, two

clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches ...

bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave bel ...

, two

bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...

contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...

, four

horns Horns or The Horns may refer to: * Plural of Horn (instrument), a group of musical instruments all with a horn-shaped bells * The Horns (Colorado), a summit on Cheyenne Mountain * ''Horns'' (novel), a dark fantasy novel written in 2010 by Joe Hill ...

, three

trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...

s, three

trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column ...

tuba The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the ne ...

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

, percussion,

harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...

celesta The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box ( ...

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

, and

strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...

Reception

Though rarely performed, the symphony has received praise from music critics. Andrew Farach-Colton of ''

Gramophone A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogu ...

'' praised the symphony, writing, "The first movement passacaglia is simply gorgeous – listen beginning at 3'15" to hear how much Rorem gleaned from

Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ...

– and the two adjacent slow movements are also exquisitely coloured. I find the manic,

Bernstein Bernstein is a common surname in the German language, meaning "amber" (literally "burn stone"). The name is used by both Germans and Jews, although it is most common among people of Ashkenazi Jewish heritage. The German pronunciation is , but in E ...

-esque scherzo uncharacteristically coarse, though the finale more than makes up for it, providing exhilaration and plenty of orchestral razzle-dazzle without a trace of raucousness." Reviewing a 2000 performance at the

Curtis Institute of Music The Curtis Institute of Music is a private conservatory in Philadelphia. It offers a performance diploma, Bachelor of Music, Master of Music in opera, and a Professional Studies Certificate in opera. All students attend on full scholarship. Hi ...

Allan Kozinn Allan Kozinn (born July 28, 1954) is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. He began freelancing as a critic and music feature writer for ''T ...

of ''

The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...

'' similarly observed, "It is in some ways very much of its time, in that it embodies an updated form of

Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating ...

, filtered through an American urbanity, as well as stretches of jazzy theatricality in the style of Bernstein (who conducted this work's premiere) and even a trace of Copland's faux-Western accent." He added, "It may also have been a manifesto of sorts, an assertive declaration that tonality and conventional structures still had something to say at a time when

Serialism In music, serialism is a method of Musical composition, composition using series of pitches, rhythms, dynamics, timbres or other elements of music, musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, thou ...

was ascendant. The work has not been heard very frequently, but today its tonal, eclectic personality is current again: tonality is now acceptable everywhere, and composers 40 years younger than Mr. Rorem (who is a young-looking 76) write music that makes similar allusions." Kozinn also called it "a demanding work" and wrote, "Its dense, outgoing sections require power and assurance, and its more graceful slow movements require delicacy and a fine balance."

References

{{Ned Rorem Compositions by Ned Rorem 1958 compositions Rorem 3