Suzanne Reichenberg

Suzanne Reichenberg (stage name, Suzette; 7 September 1853 – 9 March 1924), Baroness of Bourgoing, was a French actress. She joined the Comédie-Française on August 1, 1867, and started on December 14, 1868. She was appointed its 294th member on 1 January 1872, and became '' sociétaire'' number 309, on 9 January 1872. Reichenberg retired from the Comédie-Française on January 31, 1898. She was awarded the distinction of ''Chevalier'' (Knight), Legion of Honour.

Early life and education

Suzanne Angélique Charlotte Reichenberg was born in the 17th arrondissement of Paris on September 7, 1853, to a Hungarian father, Charles Reichenberg, (1828–1859), a tailor-cutter, and a Picard mother, Aline-Joachim-Florence Bocquillon. The family lived on Rue de Rivoli, opposite the Tuileries Palace.

She was the goddaughter of Susanne Brohan, whose mother later became Suzanne Reichenberg's lady-in-waiting. Brohan taught Suzanne La Fontaine's ''Fables'' and verses by Marceline Desbordes-Valmore. When Charles Reichenberg was sick and dying, he asked Brohan to raise his daughter. After the father's death, Suzanne Reichenberg continued to live with her mother, now on Rue Lavoisier.

At thirteen, Brohan presents Reichenberg to the Conservatoire de Paris where the teenager begins her studies; at fourteen, Reichenberg obtains a second prize in the Conservatoire's competition; at fifteen years less two months, she wins the first prize at the Conservatoire.

Career

Reichenberg made her acting debut in 1868 in the role of Agnès in ''The School for Wives'' at the Comédie-Française; Théophile Gautier wrote glowingly about Reichenberg the day after her debut. Boni de Castellane referred to as being "As naive as she is fanciful". She was popular in the theatre between 1870 and 1900. In the 1890s, Georges Clemenceau was close to her.Winock, Michel, ''Clemenceau'', Paris, Perrin "Tempus", 2011, chap. VII, p. 137 Marcel Proust mentioned her in 1894 as "all graceful, dressed in pale pink and wearing a large white hat covered with large pink feathers"."Essais et articles" (Essays and articles), ''Folio essais'', no. 236. Éditions Gallimard, p. 362-63

In her day, she was considered to be the best ''ingénue'' character of the Comédie Française which required a character that required youth, grace, and sentiment. But Reichenberg feared her rival, . Dubois, however, was lenient. Not only did she let Reichenberg play the classical pieces, but she gave up a Léopold Laluyé sketch for her, entitled ''Au printemps'' (In the spring); "I have passed thirty," Dubois told Reichenberg; "I am Summer; you are Spring; I yield my role to you, Miss Printemps."

She earned general sympathy by the number and punctuality of her services. She was the model theatre member, punctual in all things, not letting herself be diverted from her duty by anyone in the theatre. She had a lot of order, method and regularity. She played 500 times, without a single failure, in ''L'Ami Fritz'' and 500 times, ''La sous-préfète du Monde où l'on s'ennuie''. These did not prevent her from reprising, on birthday evenings, or even in matinees Mariane from ''L'Avare qui n'a que cent lignes'' and Lucinde from ''Le Médecin malgré lui''. She gave these silhouettes a purity of lines, and a breadth of style. The character of Suzel, in ''L'Ami Fritz'', was Reichenberg's best impersonation, and she was also well received in ''L'Étrangère'' and ''Les Fourchambault''.

Before her retirement from the stage in 1898, she undertook performances in Europe. She received a very well-turned compliment from the Dowager Empress and honorable praise from the Sultan, in the form of pearls and diamonds.

Personal life

There is speculation that Reichenberg was the model for the portrait painted by Edouard Manet, ''Woman in a striped dress'', a paintingwhich represents a type of woman, the fashionable Parisian bourgeois, with a Japanese hand fan.

The dish, Crêpes Suzette, may have been named in honour of Reichenberg, who worked professionally under the name "Suzette". The recipe was created by Auguste Escoffier, who was the chef at the Hôtel Ritz Paris before heading the kitchens at the Savoy Hotel in London. It was there that he served the Prince of Wales, the future King of England Edward VII, crepes cooked with curaçao. The Prince suggested naming the dish after Suzanne Reichenberg, the young woman who accompanied him for dessert.

In 1883, Reichenberg had a holiday home, Villa Reichenberg, built in Saint-Raphaël, Var, later named Villa Marie, by the architect Pierre Aublé.

She married Napoléon-Pierre-Mathieu, Baron de Bourgoing (1857–1916) on 12 October 1900, in the 17th arrondissement of Paris.

Death and legacy

Suzanne Reichenberg died in the 17th arrondissement of Paris, on March 9, 1924. She is buried in the Montmartre Cemetery (9th division), with her parents, her daughter, Fernande-Madeleine Reichenberg, wife of Pierre-Robert Pitet, and her grandson Jacques Pitet.

Arsène Alexandre was her biographer with ''Suzanne Reichenberg: les ingénues au théâtre'' (1898).

Theatre

Career with Comédie-Française

* 1868 : '' L'École des femmes'' by Molière : Agnès
* 1869 : ''Julie'' by Octave Feuillet : Cécile
* 1869 : '' Le Mariage de Figaro'' by Beaumarchais : Fanchette
* 1870 : ''Esther'' by Jean Racine : une jeune Israélite
* 1871 : ''Athalie'' by Jean Racine : Joas
* 1871 : ''Christiane'' by Edmond Gondinet : Christiane
* 1871 : ''Les Plaideurs'' by Jean Racine : Isabelle
* 1875 : ''Les Projets de ma tante'' by Henry Nicole
* 1875 : ''Bataille de dames'' by Eugène Scribe
* 1875 : ''Tartuffe'' by Molière : Marianne
* 1875 : ''La Grand'maman'' by Édouard Cadol : Alice
* 1875 : ''L'Ilote'' by Charles Monselet et Paul Arène : Fleur-de-Sauge
* 1876 : ''L'Ami Fritz'' by Émile Erckmann & Alexandre Chatrian : Suzel
* 1876 : '' Dom Juan ou le Festin de pierre'' by Molière : Mathurine
* 1878 : ''Les Fourchambault'' by Émile Augier
* 1879 : '' Le Mariage de Figaro'' by Beaumarchais : Chérubin, ''puis'' Suzanne
* 1880 : '' Le Bourgeois gentilhomme'' by Molière : Lucile
* 1886 : ''Un parisien'' by Edmond Gondinet : Geneviève
* 1886 : '' Hamlet, prince de Danemark'' according to William Shakespeare : Ophélie
* 1887 : ''Francillon'' by Alexandre Dumas : Annette
* 1887 : ''Vincenette'' by Pierre Barbier : Vincenette
* 1887 : ''La Souris'' by Édouard Pailleron : Marthe de Moisan
* 1888 : ''Les Femmes savantes'' by Molière : Henriette
* 1888 : ''Pepa'' by Henri Meilhac et Louis Ganderax : Pepa Vasquez
* 1890 : ''Margot'' by Henri Meilhac : Margot
* 1890 : ''La Parisienne'' by Henry Becque : Clotilde
* 1892 : ''Le Juif polonais'' by Émile Erckmann & Alexandre Chatrian : Annette
* 1894 : ''Les Romanesques'' by Edmond Rostand : Sylvette
* 1895 : ''Le Fils de l'Arétin'' by Henri de Bornier : Stellina
* 1896 : ''L'Évasion'' by Eugène Brieux : Mme de Cattenières
* 1897 : ''Mieux vaut douceur et violence'' by Édouard Pailleron : Cécile
* 1903 : ''Gringoire'' by Théodore de Banville

Other

* 1887 : ''Le Cœur de Paris'', a revue with Réjane, at Paris Opera. A single performance, given to benefit the works of the

References

{{DEFAULTSORT:Reichenberg, Suzanne
1853 births
1924 deaths
19th-century French actresses
Actresses from Paris
Conservatoire de Paris alumni
Sociétaires of the Comédie-Française
Knights of the Legion of Honour
Burials at Montmartre Cemetery