''The Supper at Emmaus'' is a painting by the Italian

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...

master

Caravaggio Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of hi ...

, executed in 1601, and now in London. Originally this painting was commissioned and paid for by

Ciriaco Mattei Ciriaco Mattei (died 1614) was an Italian nobleman of Rome and of the House of Mattei and one of the most prolific art collectors of his time. Family Mattei was the son of Alessandro Mattei and Emilia Mazzatosta. He was the brother of Cardinal G ...

, brother of cardinal

Girolamo Mattei Girolamo Mattei (8 February 1547 – 8 December 1603) was an Italian Cardinal from the House of Mattei. Biography Mattei was born 8 February 1547, the son of Alessandro Mattei and Emilia Mazzatosta. He was the younger brother of Ciriaco Mattei ...

. The painting depicts the moment when the resurrected but incognito

Jesus Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious ...

reveals himself to two of his disciples (presumed to be

Luke People *Luke (given name), a masculine given name (including a list of people and characters with the name) *Luke (surname) (including a list of people and characters with the name) *Luke the Evangelist, author of the Gospel of Luke. Also known as ...

and

Cleopas Cleopas (Greek Κλεόπας, ''Kleopas''), also spelled Cleophas, was a figure of early Christianity, one of the two disciples who encountered Jesus during the Road to Emmaus appearance According to the Gospel of Luke, the road to Emmaus ap ...

) in the town of

Emmaus Emmaus (; Greek: Ἐμμαούς, ''Emmaous''; la, Emmaus; , ''Emmaom''; ar, عمواس, ''ʻImwas'') is a town mentioned in the Gospel of Luke of the New Testament. Luke reports that Jesus appeared, after his death and resurrection, before tw ...

, only to soon vanish from their sight (

Gospel of Luke The Gospel of Luke), or simply Luke (which is also its most common form of abbreviation). tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ. Together with the Acts of the Apostles, it makes up a two-volu ...

24: 30–31). Cleopas wears the

scallop shell Scallop () is a common name that encompasses various species of marine bivalve mollusks in the taxonomic family Pectinidae, the scallops. However, the common name "scallop" is also sometimes applied to species in other closely related families ...

of a

pilgrim A pilgrim (from the Latin ''peregrinus'') is a traveler (literally one who has come from afar) who is on Pilgrimage, a journey to a holy place. Typically, this is a physical journey (often on foot) to some place of special significance to the a ...

. The other apostle wears torn clothes. Cleopas gesticulates in a perspectively-challenging extension of arms in and out of the frame of reference. The standing groom, forehead smooth and face in darkness, appears oblivious to the event. The painting is unusual for the life-sized figures, the dark and blank background. The table lays out a still-life meal with the basket of food teetering over the edge. CaravaggioEmmaus

In the

Gospel of Mark The Gospel of Mark), or simply Mark (which is also its most common form of abbreviation). is the second of the four canonical gospels and of the three synoptic Gospels. It tells of the ministry of Jesus from his baptism by John the Baptist to h ...

(16:12) Jesus is said to have appeared to them "in another form", which may be why he is depicted beardless here, as opposed to the bearded Christ in '' Calling of St Matthew'', where a group of seated money counters is interrupted by the recruiting Christ. It is also a recurring theme in Caravaggio's paintings to find the sublime interrupting the daily routine. The unexalted humanity is apt for this scene, since the human Jesus has made himself unrecognizable to his disciples, and at once confirms and surmounts his humanity. Caravaggio seems to suggest that perhaps a Jesus could enter our daily encounters. The dark background envelops the tableau.

Milan version

Caravaggio painted another version of the ''

Supper at Emmaus According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb. Both the meeting on the road to Emmaus and the subsequent supper ...

'' (now in the Brera,

Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...

) in 1606. By comparison, the gestures of figures are far more restrained, making presence more important than performance. The art techniques used in both versions is the

Trompe-l'œil ''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into ...

style which seems to allow characters to move in their gestures, as a means to grab the attention of the observers. This difference possibly reflects the circumstances of Caravaggio's life at that point (he had fled Rome as an outlaw following the death of Ranuccio Tomassoni), or possibly, recognising the ongoing evolution of his art, in the intervening five years he had come to recognise the value of understatement.

Milan version

See also

References

Further reading