Udayaravichandrika is a
rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...
m in
Carnatic music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
(musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale ). It is a ''
janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...
'' rāgam (derived scale), as it does not have all the seven ''
swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...
s'' (musical notes). Closer to ''Udayaravichandrika'' in
Hindustani music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sit ...
is ''
Dhani'' aka
Gaundgiri.
[''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications][''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras] But Dhani has N2 while Udayaravichandrika N3 in theory.
Structure and Lakshana
''Udayaravichandrika'' is a symmetric rāgam that does not contain ''rishabham'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification – ''audava'' meaning 'of five') and is equivalent to the
minor pentatonic scale
Minor may refer to:
* Minor (law), a person under the age of certain legal activities.
** A person who has not reached the age of majority
* Academic minor, a secondary field of study in undergraduate education
Music theory
* Minor chord
** Bar ...
in
Western music.
Its ' structure (ascending and descending scale) is as follows (see
''swaras'' in Carnatic music for details on below notation and terms):
The notes used in this scale ''sadharana gandharam, shuddha madhyamam, panchamam'' and ''kaisiki nishadham''. ''Udayaravichandrika'' is considered a ''janya'' rāgam of ''
Kharaharapriya
Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the K ...
'', the 22nd ''
melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
'' rāgam,
though it can be derived from other ''melakarta'' rāgams, ''
Hanumatodi
Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in concer ...
'', ''
Natabhairavi
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system.
Natabhaira ...
'' or ''
Natakapriya
Natakapriya, (pronounced nāţakapriya, meaning ''the one dear to theatre'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 10th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. A ...
'', by dropping both ''rishabham'' and ''dhaivatam''.
Udayaravichandrika and the raga Suddha Dhanyasi are closely related,
so much that many performers treat the two as interchangeable. Some contemporary practitioners consider Suddha Dhanyasi as more inflected (i.e., using more ''gamaka''s), and Udayaravichandrika to be more in the Hindustani tradition with almost bare (i.e., uninflected) notes. Puritans, however, refer to the fact that Udayaravichandrika is an ancient raga in the
Venkatamakhin
Venkatamakhin (; ) or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his '' Chaturdandiprakashika'' in which he explicates the melakarta system of classifying ragas. Venkatamakhin composed ge ...
tradition and was reputed to be created by
Muthuswamy Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
himself. However, at that time, it had ''kakali nishadam'' rather than the ''kaisiki nishadam'' of Suddha Dhanyasi.
However, the Kaisaki nishadam is used in this topic making more towards Sudha Dhanyasi. The Udaya Ravichandrika, in its pure
form should have the following arohana and avarohana:
arohanam =
avarohanam =
In recent years this distinction seems to have blurred, and both ragas are considered roughly equivalent.
Popular compositions
Here are some popular ''
kritis
''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means C ...
'' composed in Suddha Dhanyasi raga.
*''Enta nerchina'' by
Thyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...
*''subrahmaṇyena rakṣito'haṃ'' and ''śrī pārthasārathinā'' by
Muthuswami Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
*''Himagiri tanaye'' by
Muthiah Bhagavatar
Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''.
Early life
Muthiah was bo ...
*''Bhavamu lona'', ''Vinaro Bhagyamu'' by
Annamacharya
Tallapaka Annamacharya (Telugu : తాళ్ళపాక అన్నమాచార్య) ( IAST: taḷḷapāka annamācārya; 22 May 1408 – 4 April 1503), also popularly known as Annamayya, was a 15th-century Hindu saint and the ea ...
*''
Narayana Ninna Namada
Narayana Ninna Namada ( kn, ನಾರಾಯಣಾ ನಿನ್ನ್ ನಾಮದ) is a Kannada composition in Carnatic music by Purandara Dasa in the 16th century. It is set in the Shuddha Dhanyasi raga and the Khanda Chapu tala. It emphasizes ...
'', ''Chandava Nodire Gokula'' by
Purandara Dasa
Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-prop ...
*''Ishtu dina'' By
Kanaka Dasa
Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher, popularly called Daasashreshta Kanakadasa (ದಾಸಶ್ರೇಷ್ಠ ಕನಕದಾಸ). He was a renowned composer of Carnatic music, poet, reformer and musician. He is kn ...
*''śrī hari-vallabhē'' by
Mysore Vasudevachar
Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...
*''śarvaṃ samāśraye'haṃ'' by Tulasivanam (pen-name of Ramachandran Nair from Kerala, India)
*''khēlati piṇḍāṇḍē bhagavān'' by
Sadasiva Brahmendra
Sadasiva Brahmendra was a saint, composer of Carnatic music and Advaita philosopher who lived near Kumbakonam, Tamil Nadu, during the 18th century. Only a few of his compositions have survived, but they are recognised as great compositions o ...
*''kālātītāya khaṭvāṅginē namastē'' by
Muthiah Bhagavatar
Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''.
Early life
Muthiah was bo ...
*''bhēruṇḍāmbē bēḍuvē'' by
Muthiah Bhagavatar
Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''.
Early life
Muthiah was bo ...
*''āyar pāḍi kaṇṇā'' by Padma Viraraghavan
*''pālaya māṃ siddhi vināyaka'' by Mysore Sadashiva Rao
Film songs
Language:
Tamil
Tamil may refer to:
* Tamils, an ethnic group native to India and some other parts of Asia
**Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils
**Tamil Malaysians, Tamil people native to Malaysia
* Tamil language, nativ ...
Language:
Malayalam
Malayalam (; , ) is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (Mahé district) by the Malayali people. It is one of 22 scheduled languages of India. Malayalam was des ...
Language:
Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native s ...
Language:
Telugu
Telugu may refer to:
* Telugu language, a major Dravidian language of India
*Telugu people, an ethno-linguistic group of India
* Telugu script, used to write the Telugu language
** Telugu (Unicode block), a block of Telugu characters in Unicode
S ...
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
''Graha bhedam''
''Udayaravichandrika's'' notes when shifted using ''
Graha bhedam
''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...
'', yields four other major pentatonic rāgams, namely, ''
Mohanam
Mohanam is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale). It is usually described as a ''janya'' rāga of Harikamboji (28th Melakartha Raga). ...
'', ''
Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the sev ...
'', ''
Madhyamavathi
Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). ...
'' and ''
Shuddha Saveri
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music (musical scale of South Indian classical music) and Yakshagana music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a '' janya'' rāgam (derive ...
''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. See ''
Graha bhedam on Mohanam'' for more details and illustration of this concept.
Scale similarities
*''
Dhanyāsi'' is a rāgam which has the ascending scale of ''Udayaravichandrika'' (''Shuddha Dhanyasi'') and descending scale of ''Hanumatodi''. Its structure is :
*''
Abheri
Abheri (pronounced ābhēri) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent, also known as ''janaka'') is ''Kharaharapriya'', 22nd in the 72 ' ...
'' is a rāgam which has the ascending scale of ''Udayaravichandrika'' and descending scale of ''Kharaharapriya''. Its structure is :
Notes
References
{{Janya
Janya ragas
Janya ragas (kharaharapriya)