Subdominant Key
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In
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ...
, the subdominant is the fourth tonal
degree Degree may refer to: As a unit of measurement * Degree (angle), a unit of angle measurement ** Degree of geographical latitude ** Degree of geographical longitude * Degree symbol (°), a notation used in science, engineering, and mathematics ...
() of the
diatonic scale In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, ...
. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one
step Step(s) or STEP may refer to: Common meanings * Stairs#Step, Steps, making a staircase * Walking * Dance move * Military step, or march ** Marching Arts Films and television * Steps (TV series), ''Steps'' (TV series), Hong Kong * Step (film), ' ...
below the dominant. In the
movable do solfège Moveable may refer to: * A Moveable Feast * Moveable feast * Movable type * Moveable bridge * History of printing in East Asia Printing in East Asia originated from the Han dynasty (220 BCE – 206 CE) in China, evolving from ink rubbings made on p ...
system, the subdominant note is sung as ''fa''. The
triad Triad or triade may refer to: * a group of three Businesses and organisations * Triad (American fraternities), certain historic groupings of seminal college fraternities in North America * Triad (organized crime), a Chinese transnational orga ...
built on the subdominant note is called the subdominant chord. In
Roman numeral analysis In music theory, Roman numeral analysis is a type of musical analysis in which chords are represented by Roman numerals (I, II, III, IV, …). In some cases, Roman numerals denote scale degrees themselves. More commonly, however, they represent t ...
, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major
key Key or The Key may refer to: Common meanings * Key (cryptography), a piece of information that controls the operation of a cryptography algorithm * Key (lock), device used to control access to places or facilities restricted by a lock * Key (map ...
, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a
minor triad In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on C, called a C minor triad, has pitc ...
. These chords may also appear as
seventh chords A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor ...
: in major, as IVM7, or in minor as iv7 or sometimes IV7:
A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically have predominant function. In
Riemannian theory "Riemannian theory" in general refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, notation, harmony, melody, phraseology, the history of music theo ...
, it is considered to balance the dominant around the tonic (being as far below the tonic as the dominant is above). The term ''subdominant'' may also refer to a relationship of musical keys. For example, relative to the key of C major, the key of F major is the subdominant. Music which modulates (changes key) often modulates to the subdominant when the leading tone is lowered by half step to the subtonic (B to B in the key of C). Modulation to the subdominant key often creates a sense of musical relaxation, as opposed to modulation to the dominant (fifth note of the scale), which increases tension.


References


External links

* {{chords Diatonic functions 4