Stephen Spender Prize

Sir Stephen Harold Spender (28 February 1909 – 16 July 1995) was an English poet, novelist and essayist whose work concentrated on themes of social injustice and the class struggle. He was appointed Poet Laureate Consultant in Poetry by the United States Library of Congress in 1965.

Early life

Spender was born in Kensington, London, to journalist Harold Spender and Violet Hilda Schuster, a painter and poet, of German Jewish heritage. He went first to Hall School in Hampstead and then at 13 to Gresham's School, Holt and later Charlecote School in Worthing, but he was unhappy there. On the death of his mother, he was transferred to University College School (Hampstead), which he later described as "that gentlest of schools". Spender left for Nantes and Lausanne and then went up to University College, Oxford (much later, in 1973, he was made an honorary fellow). Spender said at various times throughout his life that he never passed any exam. Perhaps his closest friend and the man who had the biggest influence on him was W. H. Auden, who introduced him to Christopher Isherwood. Spender handprinted the earliest version of Auden's ''Poems''. He left Oxford without taking a degree and in 1929 moved to Hamburg. Isherwood invited him to Berlin. Every six months, Spender went back to England.

Spender was acquainted with fellow Auden Group members Louis MacNeice, Edward Upward and Cecil Day-Lewis. He was friendly with David Jones and later came to know William Butler Yeats, Allen Ginsberg, Ted Hughes, Joseph Brodsky, Isaiah Berlin, Mary McCarthy, Roy Campbell, Raymond Chandler, Dylan Thomas, Jean-Paul Sartre, Colin Wilson, Aleister Crowley, F. T. Prince and T. S. Eliot, as well as members of the Bloomsbury Group, particularly Virginia Woolf.

Career

Spender began work on a novel in 1929, which was not published until 1988, under the title '' The Temple''. The novel is about a young man who travels to Germany and finds a culture at once more open than England's, particularly about relationships between men, and shows frightening harbingers of Nazism that are confusingly related to the very openness the man admires. Spender wrote in his 1988 introduction:

In the late Twenties young English writers were more concerned with censorship than with politics.... 1929 was the last year of that strange Indian Summer—the Weimar Republic. For many of my friends and for myself, Germany seemed a paradise where there was no censorship and young Germans enjoyed extraordinary freedom in their lives

Spender was discovered by T. S. Eliot, an editor at Faber and Faber, in 1933.

His early poetry, notably ''Poems'' (1933), was often inspired by social protest. Living in Vienna, he further expressed his convictions in ''Forward from Liberalism''; in ''Vienna'' (1934), a long poem in praise of the 1934 uprising of Austrian socialists; and in ''Trial of a Judge'' (1938), an antifascist drama in verse.

At the Shakespeare and Company bookstore in Paris, which published the first edition of James Joyce's ''Ulysses'', historic figures made rare appearances to read their work: Paul Valéry, André Gide and Eliot. Hemingway even broke his rule of not reading in public if Spender would read with him. Since Spender agreed, Hemingway appeared for a rare reading in public with him.

In 1936, Spender became a member of the Communist Party of Great Britain. Harry Pollitt, its head, invited him to write for the ''Daily Worker'' on the Moscow Trials. In late 1936, Spender married Inez Pearn, whom he had recently met at an Aid to Spain meeting. She was described as 'small and rather ironic' and 'strikingly good-looking'.

In 1937, during the Spanish Civil War, the ''Daily Worker'' sent Spender to Spain on a mission to observe and report on the Soviet ship ''Komsomol'', which had sunk while carrying Soviet weapons to the Second Spanish Republic. He travelled to Tangier and tried to enter Spain via Cadiz, but was sent back. He then travelled to Valencia, where he met Hemingway and Manuel Altolaguirre. (Tony Hyndman, alias Jimmy Younger, had joined the International Brigades, which were fighting against Francisco Franco's forces in the Battle of Guadalajara.)

In July 1937, Spender attended the Second International Writers' Congress, the purpose of which was to discuss the attitude of intellectuals to the war, held in Valencia, Barcelona and Madrid and attended by many writers, including Hemingway, André Malraux, and Pablo Neruda.

Pollitt told Spender 'to go and get killed; we need a Byron in the movement'. Spender was imprisoned for a while in Albacete. In Madrid, he met Malraux; they discussed Gide's ''Retour de l'U.R.S.S.''. Because of medical problems, he went back to England and bought a house in Lavenham. In 1939, he divorced.

Spender's 1938 translations of works by Bertolt Brecht and Miguel Hernández appeared in John Lehmann's ''New Writing''.

Spender felt close to the Jewish people; his mother, Violet Hilda Schuster, was half-Jewish (her father's family were German Jews who converted to Christianity, and her mother came from an upper-class family of Catholic German, Lutheran Danish and distant Italian descent). His second wife, Natasha, whom he married in 1941, was also Jewish. In 1942, he joined the fire brigade of Cricklewood and Maresfield Gardens as a volunteer. Spender met several times with the poet Edwin Muir.

After he was no longer left-wing, Spender wrote of his disillusionment with communism in the essay collection '' The God that Failed'' (1949), along with Arthur Koestler and others. It is thought that one of the big areas of disappointment was the Molotov-Ribbentrop Pact between Germany and the Soviet Union, which many leftists saw as a betrayal. Like Auden, Isherwood and several other outspoken opponents of fascism in the 1930s, Spender did not see active military service in World War II. He was initially graded C upon examination because of his earlier colitis, poor eyesight, varicose veins and the long-term effects of a tapeworm in 1934. But he pulled strings to be reexamined and was upgraded to B, which meant he could serve in the London Auxiliary Fire Service. Spender spent the winter of 1940 teaching at Blundell's School, taking a position that had been vacated by Manning Clark, who returned to Australia as a consequence of the war to teach at Geelong Grammar.

After the war, Spender was a member of the Allied Control Commission, restoring civil authority in Germany.

With Cyril Connolly and Peter Watson, Spender co-founded '' Horizon'' magazine and served as its editor from 1939 to 1941. From 1947 to 1949, he went to the US several times and saw Auden and Isherwood. He was the editor of ''Encounter'' magazine from 1953 to 1966 but resigned after it emerged that the Congress for Cultural Freedom, which published it, was covertly funded by the CIA.

Spender insisted that he was unaware of the ultimate source of the magazine's funds. He taught at various American institutions and accepted the Elliston Chair of Poetry at the University of Cincinnati in 1954. In 1961, he became professor of rhetoric at Gresham College, London.

Spender helped found the magazine '' Index on Censorship'', was involved in the founding of the Poetry Book Society and did work for UNESCO. He was appointed the 17th Poet Laureate Consultant in Poetry to the Library of Congress in 1965.

During the late 1960s, Spender frequently visited the University of Connecticut, which he declared had the 'most congenial teaching faculty' he had encountered in the United States.

Spender was Professor of English at University College London from 1970 to 1977 and then became Professor Emeritus. He was made a Commander of the Order of the British Empire (CBE) at the 1962 Queen's Birthday Honours, and knighted in the 1983 Queen's Birthday Honours. At a ceremony commemorating the 40th anniversary of the Normandy Invasion on 6 June 1984, US President Ronald Reagan quoted from Spender's poem 'The Truly Great' in his remarks:

Gentlemen, I look at you and I think of the words of Stephen Spender's poem. You are men who in your 'lives fought for life... and left the vivid air signed with your honor'.

World of art

Spender also had profound intellectual workings with the world of art, including Picasso. The artist Henry Moore did etchings and lithographs conceived to accompany the work of writers, including Charles Baudelaire and Spender. Moore's work in that regard also included illustrations of the literature of Dante, Gide and Shakespeare. The exhibition was held at The Henry Moore Foundation.

Spender 'collected and befriended artists such as Arp, Auerbach, Bacon, Freud, Giacometti, Gorky, Guston, Hockney, Moore, Morandi, Picasso and others'. In ''The Worlds of Stephen Spender'', the artist Frank Auerbach selected art work by those masters to accompany Spender's poems.

Spender wrote ''China Diary'' with David Hockney in 1982, published by Thames and Hudson art publishers in London.

The Soviet artist Wassily Kandinsky created an etching for Spender, ''Fraternity'', in 1939.

Personal life

In 1933, Spender fell in love with Tony Hyndman, and they lived together from 1935 to 1936. In 1934, Spender had an affair with Muriel Gardiner. In a letter to Christopher Isherwood in September 1934, he wrote, 'I find boys much more attractive, in fact I am rather more than usually susceptible, but actually I find the actual sexual act with women more satisfactory, more terrible, more disgusting, and, in fact, more everything'. In December 1936, shortly after the end of his relationship with Hyndman, Spender fell in love with and married Inez Pearn after an engagement of only three weeks. The marriage broke down in 1939. In 1941, Spender married Natasha Litvin, a concert pianist. The marriage lasted until his death. Their daughter, Elizabeth Spender, previously an actor, is married to the Australian actor and satirist Barry Humphries, and their son, Matthew Spender, is married to the daughter of the Armenian artist Arshile Gorky.

Spender's sexuality has been the subject of debate. His seemingly changing attitudes have caused him to be labelled bisexual, repressed, latently homophobic, or simply something complex that resists easy labelling. Many of his friends in his earlier years were gay. Spender had many affairs with men in his earlier years, most notably Hyndman, who was called 'Jimmy Younger' in his memoir ''World Within World''. After his affair with Muriel Gardiner, he shifted his focus to heterosexuality, but his relationship with Hyndman complicated both that relationship and his short-lived marriage to Pearn. His marriage to Litvin in 1941 seems to have marked the end of his romantic relationships with men but not the end of all homosexual activity, as his unexpurgated diaries have revealed. Subsequently, he toned down homosexual allusions in later editions of his poetry. The following line was revised in a republished edition: 'Whatever happens, I shall never be alone. I shall always have a boy, a railway fare, or a revolution' to 'Whatever happens, I shall never be alone. I shall always have an affair, a railway fare, or a revolution'. Nevertheless, he was a founding member of the Homosexual Law Reform Society, which lobbied for the repeal of British sodomy laws. Spender sued author David Leavitt for allegedly using his relationship with 'Jimmy Younger' in Leavitt's ''While England Sleeps'' in 1994. The case was settled out of court, with Leavitt removing certain portions from his text.

Death

On 16 July 1995, Spender died of a heart attack in Westminster, London, aged 86. He was buried in the graveyard of St Mary on Paddington Green Church, in London.

Stephen Spender Trust

The Stephen Spender Trust is a registered charity that was founded to widen the knowledge of 20th-century literature, with a particular focus on Spender's circle of writers, and to promote literary translation. The trust's activities include poetry readings; academic conferences; a seminar series in partnership with the Institute of English Studies; an archive programme in conjunction with the British Library and the Bodleian; work with schools via Translation Nation; the Guardian Stephen Spender Prize, an annual poetry translation prize established in 2004; and the Joseph Brodsky/Stephen Spender Prize, a worldwide Russian–English translation competition.

Awards and honours

Spender was awarded the Golden PEN Award in 1995.

Works

* ''Spiritual Exercises'' (1943, privately printed)
* ''Poems of Dedication'' (1947)
* ''The Edge of Being'' (1949)
* ''Collected Poems, 1928–1953'' (1955)
* "An Elementary School in a Slum" (1964)
* ''Selected Poems'' (1965)
* ''The Express'' (1966)
* ''The Generous Days'' (1971)
* ''Selected Poems'' (1974)
* ''Recent Poems'' (1978)
* ''Collected Poems 1928–1985'' (1986)
* ''Dolphins'' (1994)
* ''New Collected Poems'', edited by Michael Brett, (2004)

Drama

* ''Trial of a Judge'' (1938)
* ''Rasputin's End'' (opera libretto, music by Nicolas Nabokov, 1958)
* ''The Oedipus Trilogy'' (1985)

Novels and short story collections

* ''The Burning Cactus'' (1936, stories)
* ''The Backward Son'' (1940)
* ''Engaged in Writing'' (1958)
* '' The Temple'' (written 1929; published 1988)

Criticism, travel books and essays

* ''The Destructive Element'' (1935)
* ''Forward from Liberalism'' (1937)
* ''Life and the Poet'' (1942)
* ''Citizens in War – and After'' (1945)
* ''European Witness'' (1946)
* ''Poetry Since 1939'' (1945)
* '' The God that Failed'' (1949, with others, ex-Communists' testimonies)
* ''Learning Laughter'' (1952)
* ''The Creative Element'' (1953)
* ''The Making of a Poem''
* ''The Struggle of the Modern'' (1963)
* ''The Year of the Young Rebels'' (1969)
* ''Love-Hate Relations'' (1974)
* ''Eliot'' (1975; Fontana Modern Masters)
* ''W. H. Auden: A Tribute'' (edited by Spender, 1975)
* ''The Thirties and After'' (1978)
* ''China Diary'' (with David Hockney, 1982)

Memoir

* ''World Within World'' (1951). This autobiography is a re-creation of much of the political and social atmosphere of the 1930s.

Letters and journals

* ''Letters to Christopher: Stephen Spender's Letter to Christopher Isherwood'' (1980)
* ''Journals, 1939–1983'' (1985)
* ''New Selected Journals, 1939–1995'' (2012)

See also

* List of Gresham Professors of Rhetoric

References

Further reading

* Hynes, Samuel. ''The Auden Generation''. 1976.
* Spender, Matthew. ''A House in St John's Wood: In Search of My Parents''. Farrar, Straus and Giroux, 2015.
* Sutherland, John. ''Stephen Spender: The Authorized Biography''. 2004; U.S. edition: ''Stephen Spender: A Literary Life''. 2005.

External links

Stephen Spender Collection
at the Harry Ransom Center

profile and poems at Poets.org

profile and poems written and audio at Poetry Archive

profile and poems at Poetry Foundation
*

* ttp://www.stephen-spender.org Stephen Spender Trust
"Spender's Lives"
– Ian Hamilton, ''The New Yorker''

"Stephen Spender, Toady: Was there any substance to his politics and art?"
– Stephen Metcalf, Slate.com, 7 February 2005
*
*
Stuart A. Rose Manuscript, Archives, and Rare Book Library
Emory University
Stephen Spender collection, circa 1940-1987

{{DEFAULTSORT:Spender, Stephen
1909 births
1995 deaths
Alumni of University College, Oxford
Academics of University College London
American Poets Laureate
Bisexual writers
British people of the Spanish Civil War
Commanders of the Order of the British Empire
Communist Party of Great Britain members
English communists
English essayists
Formalist poets
Knights Bachelor
LGBT memoirists
People educated at Blundell's School
People educated at Gresham's School
People educated at The Hall School, Hampstead
People educated at University College School
20th-century English poets
Bisexual men
English people of German-Jewish descent
English anti-fascists
English people of Italian descent
English people of German descent
English people of Danish descent
English LGBT poets
Anti-Stalinist left
People from Kensington
Writers from London
20th-century essayists
People from Sheringham
Bisexual academics
British magazine founders
Presidents of the English Centre of PEN