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"Spoonful" is a
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
song written by
Willie Dixon William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he ...
and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs.
Etta James Jamesetta Hawkins (January 25, 1938 – January 20, 2012), known professionally as Etta James, was an American singer who performed in various genres, including gospel, blues, jazz, R&B, rock and roll, and soul. Starting her career in 1954, sh ...
and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.


Background and lyrics

Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton. Earlier related songs include "All I Want Is a Spoonful" by
Papa Charlie Jackson Papa Charlie Jackson (November 10, 1887 – May 7, 1938) was an early American bluesman and songster who accompanied himself with a banjo guitar, a guitar, or a ukulele. His recording career began in 1924. Much of his life remains a mystery, ...
(1925) and " Cocaine Blues" by
Luke Jordan Luke Jordan (January 28, 1892 or November 1893 – June 25, 1952) was an American blues guitarist and vocalist of some renown, particularly in the area of his home, in Lynchburg, Virginia. Biography Sources conflict on Jordan's birthplace. Some ...
(1927). The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs:


Composition and recording

"Spoonful" has a one-chord, modal blues structure found in other songs Willie Dixon wrote for Howlin' Wolf, such as "
Wang Dang Doodle "Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records i ...
" and " Back Door Man", and in Wolf's own "
Smokestack Lightning "Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists l ...
". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. Music critic Bill Janovitz describes it as "brutal, powerful Wolf bellowing in his raspy style. There are few recordings that equal the powerful force of 'Spoonful,' or, for that matter, any other Wolf/Dixon Chess side." Backing Wolf on vocals are longtime accompanist Hubert Sumlin on guitar, relative newcomer
Freddie Robinson Abu Talib (born Fred Leroy Robinson; February 24, 1939 – October 8, 2009) was an American blues and R&B guitarist. Career Born in Memphis, Tennessee, he was raised in the state of Arkansas and moved to Chicago, Illinois, in 1956. Inspired as ...
on second guitar, and Chess recording veterans
Otis Spann Otis Spann (March 21, 1924 or 1930April 24, 1970) was an American blues musician, whom many consider to be the leading postwar Chicago blues pianist. Early life Sources differ over Spann's early years. Some state that he was born in Jackson, Miss ...
on piano, Fred Below on drums, and Dixon on double-bass. It has been suggested that Freddie King contributed the second guitar on "Spoonful", but both Sumlin and Robinson insist it was Robinson. In 1962, the song was included on Wolf's second compilation album for Chess, '' Howlin' Wolf''. In 1968, Wolf reluctantly re-recorded "Spoonful", along with several of his blues classics in Marshall Chess's attempt at updating Wolf's sound for the burgeoning rock market. Unlike his 1971 '' The London Howlin' Wolf Sessions'' (Chess LP-60008), on which he was backed by several rock stars, including
Eric Clapton Eric Patrick Clapton (born 1945) is an English rock and blues guitarist, singer, and songwriter. He is often regarded as one of the most successful and influential guitarists in rock music. Clapton ranked second in ''Rolling Stone''s list of ...
,
Steve Winwood Stephen Lawrence Winwood (born 12 May 1948) is an English musician, singer, and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a keyboard player and vocalist prominent for his disti ...
,
Bill Wyman William George Wyman (né Perks; born 24 October 1936) is an English musician who achieved international fame as the bassist for the Rolling Stones from 1962 until 1993. In 1989, he was inducted into the Rock and Roll Hall of Fame as a member ...
, and
Charlie Watts Charles Robert Watts (2 June 1941 – 24 August 2021) was an English musician who achieved international fame as the drummer of the Rolling Stones from 1963 until his death in 2021. Originally trained as a graphic artist, Watts developed an i ...
, here he was backed by relatively unknown studio session players. The resulting album, '' The Howlin' Wolf Album'', with its "comically bombastic" arrangements and instrumentation, was a musical and commercial failure. Wolf offered his assessment in an interview with ''Rolling Stone'' magazine: "Man ... that stuff's dogshit".


Cream renditions

The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, '' Fresh Cream''. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. In an album review for AllMusic,
Stephen Thomas Erlewine Stephen Thomas Erlewine (; born June 18, 1973) is an American music critic and senior editor for the online music database AllMusic. He is the author of many artist biographies and record reviews for AllMusic, as well as a freelance writer, occ ...
described Cream's rendition as "where the swirling instrumental interplay, echo, fuzz tones, and overwhelming volume constitute true psychedelic music, and also points strongly toward the guitar worship of heavy metal." For the American release of ''Fresh Cream'', " I Feel Free" was substituted for "Spoonful". Atco Records released the song in the US later in 1967 as a two-sided single (with some pressings misspelled as "Spoonfull"), but it failed to reach the Billboard Hot 100, ''Billboard'' Hot 100 record chart. To fit the 6:30 album track on a 45 rpm record, side one fades out at the beginning of the instrumental break (at 2:25) and side two begins just before the third verse (lasting 2:28). The unedited studio version made its US album debut on the ''Best of Cream'' compilation in 1969. Cream frequently played "Spoonful" in concert, and the song evolved beyond the blues-rock form of the 1966 recording into a vehicle for extended improvised soloing influenced by the San Francisco music scene of the late 1960s. One such rendering, lasting nearly seventeen minutes, is included on their 1968 album ''Wheels of Fire''. Although the album notes indicate "Live at the Fillmore", "Spoonful" was actually recorded at the Winterland Ballroom.


Recognition

The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll". It is ranked number 154 on ''Rolling Stone'' magazine's 2021 list of the "500 Greatest Songs of All Time", up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category. In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with
Etta James Jamesetta Hawkins (January 25, 1938 – January 20, 2012), known professionally as Etta James, was an American singer who performed in various genres, including gospel, blues, jazz, R&B, rock and roll, and soul. Starting her career in 1954, sh ...
". James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard (magazine), ''Billboard'' magazine's Hot R&B/Hip-Hop Songs, Hot R&B Sides chart and number 78 on its Hot 100 singles chart. However, Wolf’s original "was the one that inspired so many blues and rock bands in the years to come".


References


Bibliography

* * * * * * {{Authority control 1960 songs Songs written by Willie Dixon Blues songs 1961 singles Chess Records singles Howlin' Wolf songs Etta James songs Cream (band) songs 1967 singles Song recordings produced by Felix Pappalardi