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''Special Effects'' is a 1984 American
horror Horror may refer to: Arts, entertainment, and media Genres *Horror fiction, a genre of fiction ** Japanese horror, Japanese horror fiction **Korean horror, Korean horror fiction * Horror film, a film genre *Horror comics, comic books focusing o ...
thriller film Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre ...
directed by Larry Cohen and starring
Zoë Lund Zoë Tamerlis Lund (February 9, 1962 – April 16, 1999), also known as Zoë Tamerlis and Zoë Tamerlaine, was an American musician, model, actress, author, producer, political activist and screenwriter. She was best known for her association in ...
and Eric Bogosian. Its plot follows a woman who is cast in a film by a director based on a murder he committed.


Plot

Andrea Wilcox is an aspiring actress from
Dallas Dallas () is the List of municipalities in Texas, third largest city in Texas and the largest city in the Dallas–Fort Worth metroplex, the List of metropolitan statistical areas, fourth-largest metropolitan area in the United States at 7.5 ...
, Texas who has run away from her husband, Keefe, and their toddler son. Keefe tracks her down in
New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
, where he finds her at a nude modeling shoot. He chases her into the street, forcing her into his car. They arrive at her apartment where he shows her film footage of their son. Andrea escapes the interrogation, fleeing to the home of Christopher Neville, a film director who has promised her a role in his upcoming picture. Neville is a disgruntled filmmaker who has recently returned to New York from
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after his last film was cancelled over budgetary disputes. Neville and Andrea are about to have a sexual encounter, but they get into an argument and he strangles her to death; her murder is caught entirely on camera from a camera he has hidden in the room. After Andrea's body is found in
Coney Island Coney Island is a peninsular neighborhood and entertainment area in the southwestern section of the New York City borough of Brooklyn. The neighborhood is bounded by Brighton Beach and Manhattan Beach, Brooklyn, Manhattan Beach to its east, L ...
, police immediately suspect Keefe of her murder and he is arrested. Neville, however, ingratiates himself with Keefe by buying him an attorney and earning him his freedom; Neville claims to have witnessed Keefe's arrest on the street and become fascinated by his and Andrea's stories. Neville tells Keefe he wants his next film to be based on Andrea's life. Keefe, initially reluctant, agrees to help Neville as a technical advisor. At a local
Salvation Army Salvation (from Latin: ''salvatio'', from ''salva'', 'safe, saved') is the state of being saved or protected from harm or a dire situation. In religion and theology, ''salvation'' generally refers to the deliverance of the soul from sin and its c ...
, Keefe meets Elaine Bernstein, a directionless woman who bears an uncanny resemblance to Andrea. He brings her to meet Neville, who casts her in the film as Andrea. Neville brutally strangles Leon Gruskin, a snarky film lab assistant, to death before having dinner with Elaine to solidify her contract. During the film shoot, Keefe becomes upset when the actor portraying him reveals he had sex with the real Andrea, and assaults him. Later, Elaine visits Keefe, and the two end up having sex. Neville ultimately decides to fire the actor and cast Keefe in the film, playing himself. At the end of the shoot, Keefe uncovers Neville's film reel containing Andrea's murder. Keefe attempts to view the footage with Elaine, but is prevented by doing so when Neville arrives, and he damages the negatives in the process. Neville shows to Det. Delroy a recently shot love scene between Keefe and Elaine, willingly pointing out a spousicide-related detail which compromises the already delicate position of the young widower. In light of this new evidence, Delroy tells the director that he will arrest the young man very soon. Neville telephones Keefe to warn him, telling him to come to his house at a certain time. The director also calls Elaine to his home, where he attempts to recreate the night of Andrea's murder, this time using Elaine. Det. Vickers watches Elaine enter the director's house from the street, but he misses Keefe, who breaks in through a window. He disrupts the liaison by pulling plug fuses out of the breaker box, shutting off the lights. Detective Vickers notices the lights shut off from the street and unsuccessfully tries to break in. In the house, Neville attacks Keefe with a pair of scissors, and the two struggle. Keefe throws Neville over a balcony, and he lands in an indoor fountain below together with a light. Simultaneously, Elaine restores electricity to the house, unknowingly electrocuting Neville to death. Shortly after, Keefe and Elaine arrive at the airport to board a plane to Dallas. There, Elaine plans to assume Andrea's identity for the sake of Keefe and Andrea's son, and start a new life.


Cast

*
Zoë Lund Zoë Tamerlis Lund (February 9, 1962 – April 16, 1999), also known as Zoë Tamerlis and Zoë Tamerlaine, was an American musician, model, actress, author, producer, political activist and screenwriter. She was best known for her association in ...
as Andrea Wilcox / Elaine Bernstein * Eric Bogosian as Christopher Neville * Brad Rijn as Keefe Waterman * Kevin O'Connor as Det. Lt. Phillip Delroy * Bill Oland as Det. Vickers * H. Richard Greene as Leon Gruskin * Steven Pudenz as Wiesanthal


Analysis

Film scholars
Xavier Mendik Xavier Charles Mendik is an English documentary filmmaker, author, and festival director. He is an associate professor in film and director of graduate studies in the School of Media at Birmingham City University, and formerly at the University ...
and Stephen Jay Schneider noted the
self-reflexivity Self-reference occurs in natural or formal languages when a sentence, idea or formula refers to itself. The reference may be expressed either directly—through some intermediate sentence or formula—or by means of some encoding. In philos ...
present in the film: "''Special Effects'' is particularly significant in terms of its use of self-reflexive techniques usually associated exclusively with underground cinema. It continues Cohen's interrogation and extension of motifs contained within the films of
Alfred Hitchcock Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 featur ...
, but they are here mediated within the mode of the former's cherished ' guerrilla cinema'." They also added that the film is "particularly instructive in showing how low-budget underground film using a narrative structure can interrogate the negative effects of the male gaze and, at the same time, deliver a form of visual pleasure that is not compromised by the dominant ideology." They also likened elements of the film to Hitchcock's ''
Juno and the Paycock ''Juno and the Paycock'' is a play by Seán O'Casey. Highly regarded and often performed in Ireland, it was first staged at the Abbey Theatre in Dublin in 1924. It is set in the working-class tenements of Dublin in the early 1920s, during the Ir ...
'' (1930) and '' Vertigo'' (1958).


Production

The screenplay was based on a script titled ''The Cutting Room'' that Cohen had written circa 1967. At the time, Cohen had been interested in optioning his screenplay for '' Daddy's Gone A-Hunting'' (1969) to Alfred Hitchcock, but instead
Universal Studios Universal Pictures (legally Universal City Studios LLC, also known as Universal Studios, or simply Universal; common metonym: Uni, and formerly named Universal Film Manufacturing Company and Universal-International Pictures Inc.) is an Ameri ...
hired
Mark Robson Mark Robson may refer to: * Mark Robson (film director) (1913–1978), Canadian-American film director and producer * Mark Robson (American writer), Scottish-American writer and expert in United States coins and stamps * Mark Robson (footballer) ...
to direct the film. Filming took place in 1984 New York City. Cohen recalled of shooting the film that stars Lund, Bogosian, and Rijn were "all highly offbeat people who lived in strange basements, had no money, and were highly talented."


Release

In ''Larry Cohen: The Radical Allegories of an Independent Filmmaker'', scholar Tony Williams notes that the film "never got proper theatrical distribution and went straight to video." The screenplay was based on a script titled ''The Cutting Room'' that Cohen had written in 1967. Filming took place in New York City.


Critical response

Walter Goodman of ''
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'' wrote: "Coherence is not the strong point here. To judge by the lines delivered by the murderous director, Mr. Cohen apparently thought he was issuing a statement about reality and imagination." ''
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'' awarded the film three out of five stars, referring to it as a "strange and interesting" film. Donald Guarisco of ''
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'' wrote of the film:


Home media

''Special Effects'' was released on
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by
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Home Entertainment on June 1, 2004. Olive Films released the film on
Blu-ray The Blu-ray Disc (BD), often known simply as Blu-ray, is a digital optical disc data storage format. It was invented and developed in 2005 and released on June 20, 2006 worldwide. It is designed to supersede the DVD format, and capable of sto ...
on October 18, 2016.


References


Works cited

* *


External links

* * {{Larry Cohen 1984 films Films directed by Larry Cohen 1984 horror films 1984 thriller films Films about filmmaking Films set in New York City Films set in Washington, D.C. Films shot in New York City Films about snuff films Films with screenplays by Larry Cohen British horror films British thriller films 1980s English-language films New Line Cinema films 1980s British films