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Sopheap Pich ( km, ពេជ្យ សុភាព; born 1971) is a
Cambodian American Cambodian Americans,; also Khmer Americans, are Americans of Cambodian or Khmer ancestry. In addition, Cambodian Americans are also Americans with ancestry of other ethnic groups of Cambodia, such as the Chams and Chinese Cambodians. According ...
contemporary artist Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic com ...
. His sculptures utilize traditional Cambodian materials, which reflect the history of the nation and the artist's relation to his identity.


Early work and influences

Sopheap Pich was born in Battambang, Cambodia (then known as the
Khmer Republic The Khmer Republic ( km, សាធារណរដ្ឋខ្មែរ, ; french: République khmère) was a pro-United States military-led republican government of Cambodia that was formally declared on 9 October 1970. The Khmer Republic wa ...
) in 1971. He spent his childhood there until 1984, when he moved at age 13 to the United States of America. In 7th grade in the U.S., he enrolled into a school with a classroom setting and a teacher for the first time. He continued with his education at the
University of Massachusetts Amherst The University of Massachusetts Amherst (UMass Amherst, UMass) is a public research university in Amherst, Massachusetts and the sole public land-grant university in Commonwealth of Massachusetts. Founded in 1863 as an agricultural college, it ...
, and in 2002 got his MFA at
School of the Art Institute of Chicago The School of the Art Institute of Chicago (SAIC) is a private art school associated with the Art Institute of Chicago (AIC) in Chicago, Illinois. Tracing its history to an art students' cooperative founded in 1866, which grew into the museum and ...
. In 2002, he returned to Cambodia, to the same place he had evacuated from in formative years because of the refugee crisis. Pich's trip back home renewed and reunited him with his cultural identity, which impacts his artwork. He uses local material mostly found in Cambodia, for example, bamboo. Pich creates a wide range of different of works from sculptures to paints. His sculptures are usually quite large, and some are high enough to touch the top of an art gallery's ceiling. Many of his first creations were destroyed and recycled because there was no place to store them. He has many of the only rare photographs of this first works. One early painting from 1995, titled 'Conch's Flight' was done on two canvases. It is preserved and is in a private collection.


Style and materials

Sopheap Pich uses very specific materials in his work, related to his native Cambodia. His installation ''The Room'' consisted of bamboo sticks and dye. Other materials include: *
Rattan Rattan, also spelled ratan, is the name for roughly 600 species of Old World climbing palms belonging to subfamily Calamoideae. The greatest diversity of rattan palm species and genera are in the closed-canopy old-growth tropical forests of ...
*
Resin In polymer chemistry and materials science, resin is a solid or highly viscous substance of plant or synthetic origin that is typically convertible into polymers. Resins are usually mixtures of organic compounds. This article focuses on natu ...
*
Plywood Plywood is a material manufactured from thin layers or "plies" of wood veneer that are glued together with adjacent layers having their wood grain rotated up to 90 degrees to one another. It is an engineered wood from the family of manufactured ...
*
Bamboo Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, bu ...
*
Metal A metal (from Greek μέταλλον ''métallon'', "mine, quarry, metal") is a material that, when freshly prepared, polished, or fractured, shows a lustrous appearance, and conducts electricity and heat relatively well. Metals are typicall ...
* Wire * Dye * Glue Pich's style aims to be non-autobiographical, but he embraces the materials from his native country to depict its past. Trained as a painter, Pich later experimented with sculpting, and manipulating materials. He realized that sculpture was a way to be physically intimate with his environment. He manipulates his materials through boiling, cutting, bending, burning and dying. He lets the materials mostly speak for themselves, with no hidden narrative. His pieces are very environmental, and inexpensive looking. They are meant to look as though the time put in was worth more than the monetary value of the materials themselves. Pich is a versatile artist, who not only works with weaving, but also
sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...
and
prints In molecular biology, the PRINTS database is a collection of so-called "fingerprints": it provides both a detailed annotation resource for protein families, and a diagnostic tool for newly determined sequences. A fingerprint is a group of conserve ...
.


Major works


''Reliefs'' (2013)

''Reliefs'' was Pich's third solo exhibition at the Tyler Rollins Fine Arts Gallery, and featured over ten different sculptural works. His reliefs represents how the artist explores the grid. ''Reliefs'' are made of rattan grids and covered with strips of burlap that were originally used from rice bags. The bags had already been repaired with string and twine. All of the works in the series are used with just two colors: mainly black and a little red. The red is made from powdered clay and the black is made from charcoal. These materials relate to Pich's work because they came from Cambodia, and he uses each material as a story that is a part of his culture. The grids, burlap, and strings are all exhibits of the detailed and perfected parts of Pich's work that he wanted to be noticed. He wanted to show a sense of fine execution in his craftmanship.


''Morning Glory (2011)''

''Morning Glory,'' a 17.5 feet long sculpture, was first exhibited in 2011 at the Tyler Rollins Fine Arts gallery as part of Sopheap Pich's second solo show. Like many of his works, the sculpture is made of rattan and bamboo, materials that are specific to
Southeast Asia Southeast Asia, also spelled South East Asia and South-East Asia, and also known as Southeastern Asia, South-eastern Asia or SEA, is the geographical United Nations geoscheme for Asia#South-eastern Asia, south-eastern region of Asia, consistin ...
, although it also includes plywood, wire and steel bolts. Pich's memories of the
Khmer Rouge The Khmer Rouge (; ; km, ខ្មែរក្រហម, ; ) is the name that was popularly given to members of the Communist Party of Kampuchea (CPK) and by extension to the regime through which the CPK ruled Cambodia between 1975 and 1979. ...
period are reflected in this piece. The morning glory, a common flower, was a main source of food in Cambodia during the dictatorship that ran from 1975 to 1979. In addition to mass murders, the Khmer Rouge rule led to famine, so the plant had a particular importance in people's survival. Its tentacular stems and buds are intertwined, and at the end opens in a wide flower. Its frail appearance and beauty contrasts with the atrocities that Cambodian people have experienced.


''A Room'' (2014)

A commission from the
Indianapolis Museum of Art The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It i ...
, ''A Room'' is a 40-feet long installation made of 1,200
bamboo Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, bu ...
strips. It was installed in the fall of 2014 in the museum's atrium. Pich wanted the installation to have an effect on the visitors, "in an emotional kind of way", so the installation is an immersive experience for the visitors, who can touch it and interact with it. Following the pattern of his works, the piece is inspired from Cambodia, and particularly the big temples that convey a sense of calm, and are real pieces of art. Bamboo is a natural material widely available in Cambodia. The absence of shops dedicated to art led Sopheap Pich to look into what was naturally present in the environment, but also to use more available supplies like common house paint and glue.


See also

Cambodian art The history of Cambodian art ( km, សិល្បៈខ្មែរ) stretches back centuries to ancient times, but the most famous period is undoubtedly the Khmer art of the Khmer Empire (802–1431), especially in the area around Angkor and th ...


Exhibitions

Solo exhibitions * 1997 - Empty Wooden Cigarette Boxes From Cambodia, The Augusta Savage Gallery, Amherst, MA * 2002 - Recent Works, The Brewery Studio, Boston, MA * 2003 - Excavating the Vessels, Java Café and Gallery, Phnom Penh, Cambodia * 2004 - Pdao, French Cultural Center Phnom Penh, Cambodia * 2005 - Chomlak, sculptures and drawings, The Arts Lounge of Hotel de la Paix, Siem Reap, Cambodia * 2005 - Sculptures and Drawings, Amansara Resort, Siem Reap, Cambodia * 2006 - Moha Saen Anett, Gallery Dong Xi, Vestfossen, Norway * 2007 - Recent Works From Kunming, TCG/Nordica, Kunming, China * 2007 - Tidal, H Gallery, Bangkok, Thailand * 2007 - Flow, Sala Artspace, Phnom Penh, Cambodia * 2008 - Strands, The Esplanade, Singapore * 2009 - The Pulse Within, Tyler Rollins Fine Art, New York, NY * 2010 - Fragile, French Cultural Center, Phnom Penh, Cambodia * 2011 - Morning Glory, Tyler Rollins Fine Art, New York, NY * 2011 - Compound, The Henry Art Gallery, University of Washington, Seattle, WA * 2012 - In Spite of Order, H Gallery, Bangkok, Thailand * 2013 - Cambodian Rattan: The Sculptures of Sopheap Pich, Metropolitan Museum of Art, New York, NY * 2013 - Compound, Brookfiled Place Winter Garden, New York, NY * 2013 - Reliefs, Tyler Rollins Fine Art, New York, NY * 2013 - Collection+ Sopheap Pich, Sherman Contemporary Art Foundation, Sydney, Australia * 2014 - Sopheap Pich: A Room, Indianapolis Museum of Art, Indianapolis, IN * 2015 - Structures, Tyler Rollins Fine Art, New York, NY Group exhibitions * 1995 - Recent Paintings, Gallery Del Sol, Miami, FL * 1995 - BFA Thesis Show, The Augusta Savage Gallery, University of Massachusetts, Amherst, MA * 1998 - Presidential Dinner Exhibition, The Art Institute of Chicago, Chicago, IL * 1999 - Altered Object, Hyde Park Arts Center, Chicago, IL * 1999 - Young Talents II, Contemporary Arts Workshop, Chicago, IL * 1999 - MFA Thesis Exhibition, G2, The School of the Art Institute of Chicago, Chicago, IL * 1999 - Yellow/Face, Gallery Pilson East, Chicago, IL * 1999 - Cows on Parade, a collaborative project with J. Zakin and S. Biggers for The Chicago Park District, exhibited at the Field Museum Campus, Chicago, IL * 2000 - Just Good Art 2000, Hyde Park Arts Center, Chicago, IL * 2000 - Memory: Personal and Social Testimonies, the Augusta Savage Gallery, University of Massachusetts, Amherst, MA * 2001 - Subject Picture, The Optimistic, Chicago, IL * 2004 - Guide, French Cultural Center Siem Reap, Cambodia * 2004 - Continuity, Shinta Mani, Siem Reap, Cambodia * 2004 - Guide, French Cultural Center, Phnom Penh, Cambodia * 2004 - Meik Sratum, Silapak Khmer Amatak, Phnom Penh, Cambodia * 2005 - Visual Arts Open, Elsewhere and New Art Gallery, Phnom Penh, Cambodia * 2005 - Transit, with Michèle Vanvlasselaer, Java Café & Gallery, Phnom Penh, Cambodia * 2005 - Première Vue, Passage de Retz, Paris, France * 2005 - Je/Jeu, French Cultural Center, Yangon, Myanmar * 2006 - Paint Around the Dog, with Jack Bauer, Lake Studio, Phnom Penh, Cambodia * 2006 - 2+3+4 Cambodian/Vietnamese Exchange, Java Cafe and Gallery, Phnom Penh, Cambodia * 2008 - Sh Contemporary: Best of Discovery, Shanghai, China * 2008 - Strategies from Within, Ke Center for the Contemporary Arts, Shanghai, China * 2008 - The Mekong Project, Thailand, Cambodia, Vietnam, Laos * 2008 - The Drawing Room, Rubies, Phnom Penh, Cambodia * 2009 - Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery , Gallery of Modern Art, Brisbane, Australia * 2009 - Fukuoka Asian Art Triennale, Fukoka Asian Art Museum, Fukuoka, Japan * 2009 - Truly Truthful, Art Asia, Miami, FL * 2009 - Forever Until Now: Contemporary Art from Cambodia, 10 Chancery Lane Gallery, Hong Kong * 2010 - Classic Contemporary: Contemporary Southeast Asian Art from the Singapore Art Museum Collection, Singapore Art Museum, Singapore * 2011 - Asian Art Biennial, Taiwan * 2011 - Singapore Biennale, Singapore * 2011 - Here / Not Here: Buddha Presence in Eight Recent Works, Asian Art Museum of San Francisco, San Francisco, CA * 2012 - documenta(13), Kassel, Germany * 2012 - Invisible Cities, MASS MoCA, North Adams, MA * 2012 - Encounter: The Royal Academy in Asia, Asia Institute of Contemporary Art, Lasalle College of the Arts, Singapore * 2012 - DEEP S.E.A., Primo Marella, Rome, Italy * 2013 - Moscow Biennale, Moscow, Russia * 2013 - Dojima River Bienniale, Dojima River Forum, Osaka, Japan * 2013 - Collecting Art of Asia, Smith College Museum of Art, Northampton, MA * 2013 - Connect: Phnom Penh: Rescue Archaeology – Contemporary Art and Urban Development in Cambodia, IFA-Galerie, Berlin, Germany * 2013 - Collection +, The Sherman Contemporary Art Foundation, Sydney, Australia * 2013 - Gentle Matter, Richard Koh Fine Art, Singapore * 2014 - The Art of Our Time: Masterpieces from the Guggenheim Collections, Guggenheim Museum Bilbao, Bilbao, Spain * 2014 - No Country: Contemporary Art for South and Southeast Asia, Centre for Contemporary Art, Singapore * 2014 - Medium at Large, Singapore Art Museum, Singapore * 2014 - Re: Collection, Museum of Arts and Design, New York, NY * 2014 - TRANSMISSION, Jim Thompson Art Center, Bangkok, Thailand * 2015 - Drawn from Nature, Asia Society Texas Center, Houston, TX * 2015 - Renaissance, Lille3000, Lille, France * 2015 - First Look: Collecting Contemporary at the Asian, The Asian Art Museum, San Francisco, CA * 2015 - "I Want Justice," United States Holocaust Memorial Museum, Washington, DC * 2015 - Selected works on exhibition, Minneapolis Institute of Art, Minneapolis, MN * 2016 - For the Love of Things: Still Life, Albright-Knox Art Gallery, Buffalo, NY (February 27 – May 29) * 2017 - Viva Arte Viva, 57th Venice Biennale, Venice, Italy (May 13 - November 26) Residency programs * 2016 - Headlands Center for the Arts, Sausalito, CA (March – April) Public collections * M+ Museum of Visual Culture, Hong Kong * Metropolitan Museum of Art, New York, NY * Solomon R. Guggenheim Museum, New York, NY * Centre Georges Pompidou, Paris, France * Museum of Arts and Design, New York * Smith College Museum of Art, Northampton, MA * Singapore Art Museum, Singapore * Queensland Art Gallery, Brisbane, Australia * Bill & Melinda Gates Foundation, Seattle, WA * Sherman Contemporary Art Foundation, Sydney, Australia * Albright-Knox Art Gallery, Buffalo, NY * San Francisco Museum of Modern Art, San Francisco, CA * United States Holocaust Memorial Museum, Washington, DC * The Asian Art Museum, San Francisco, CA


References


External links

* * * * {{DEFAULTSORT:Pich, Sopheap Cambodian artists Cambodian sculptors Cambodian emigrants to the United States 21st-century Cambodian artists 20th-century Cambodian artists 21st-century American sculptors 20th-century American sculptors Buddhist artists