Social Novel

The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". More specific examples of social problems that are addressed in such works include poverty, conditions in factories and mines, the plight of child labor, violence against women, rising criminality, and epidemics because of over-crowding and poor sanitation in cities.

Terms like thesis novel, propaganda novel, industrial novel, working-class novel and problem novel are also used to describe this type of novel; a recent development in this genre is the young adult problem novel. It is also referred to as the sociological novel. The social protest novel is a form of social novel which places an emphasis on the idea of social change, while the proletarian novel is a political form of the social protest novel which may emphasize revolution. While early examples are found in 18th century Britain, social novels have been written throughout Europe and the United States.

Britain

Although this subgenre of the novel is usually seen as having its origins in the 19th century, there were precursors in the 18th century, like '' Amelia'' by Henry Fielding (1751), ''Things as They Are; or, The Adventures of Caleb Williams'' (1794) by William Godwin, ''The Adventures of Hugh Trevor'' (1794–1797) by Thomas Holcroft, and ''Nature and Art'' (1796) by Elizabeth Inchbald. However, whereas Inchbald laid responsibility for social problems with the depravity and corruption of individuals, Godwin, in ''Caleb Williams'', saw society's corruption as insurmountable.

In England during the 1830s and 1840s the social novel "arose out of the social and political upheavals which followed the Reform Act of 1832". This was in many ways a reaction to rapid industrialization, and the social, political and economic issues associated with it, and was a means of commenting on abuses of government and industry and the suffering of the poor, who were not profiting from England's economic prosperity. These works were directed at the middle class to help create sympathy and promote change.

The social novel is also referred to as the "Condition-of-England novel". The term derives from the " Condition-of-England Question", which was first raised by Thomas Carlyle in ''Chartism'' (1839) and expanded upon in ''Past and Present'' (1843) and '' Latter-Day Pamphlets'' (1850). The Chartist movement was a working-class political reformist movement that sought universal male suffrage and other parliamentary reforms. Chartism failed as a parliamentary movement; however, five of the "Six Points" of Chartism would become a reality within a century of the group's formation. "Condition-of-England novels sought to engage directly with the contemporary social and political issues with a focus on the representation of class, gender, and labour relations, as well as on social unrest and the growing antagonism between the rich and the poor in England". Authors wrote in response to Carlyle's warning that "if something be not done, something will do itself one day, and in a fashion that will please nobody."

A significant early example of this genre is ''Sybil, or The Two Nations'', a novel by Benjamin Disraeli. Published in the same year, 1845, as Friedrich Engels

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