Snowplow (sculpture)
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''Snowplow'' is an abstract outdoor sculpture by
American American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, pe ...
artist
Mark di Suvero Marco Polo di Suvero (born September 18, 1933, in Shanghai, China), better known as Mark di Suvero, is an abstract expressionist sculptor and 2010 National Medal of Arts recipient. Biography Early life and education Marco Polo di Suvero was bor ...
located on the grounds of the
Indianapolis Museum of Art The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It i ...
. The sculpture was purchased in 1975 by the Indianapolis Sesquicentennial Commission and first installed in
Indianapolis, Indiana Indianapolis (), colloquially known as Indy, is the state capital and most populous city of the U.S. state of Indiana and the seat of Marion County. According to the U.S. Census Bureau, the consolidated population of Indianapolis and Mari ...
in 1977.


Description

The sculpture is composed of a re-used, painted
steel Steel is an alloy made up of iron with added carbon to improve its strength and fracture resistance compared to other forms of iron. Many other elements may be present or added. Stainless steels that are corrosion- and oxidation-resistant ty ...
plow blade; a large
rubber Rubber, also called India rubber, latex, Amazonian rubber, ''caucho'', or ''caoutchouc'', as initially produced, consists of polymers of the organic compound isoprene, with minor impurities of other organic compounds. Thailand, Malaysia, and ...
tire A tire (American English) or tyre (British English) is a ring-shaped component that surrounds a Rim (wheel), wheel's rim to transfer a vehicle's load from the axle through the wheel to the ground and to provide Traction (engineering), t ...
; and an unpainted, industrial steel
I-beam An I-beam, also known as H-beam (for universal column, UC), w-beam (for "wide flange"), universal beam (UB), rolled steel joist (RSJ), or double-T (especially in Polish language, Polish, Bulgarian language, Bulgarian, Spanish language, Spanish ...
base which connects the separate elements. The I-beams, a recurring element of di Suvero’s work, are cut and welded into a series of low-lying crossed bars with vertical projections in place to support each suspended element. The plow blade is positioned in such a way that the bottom edges run horizontally and the upper edges slope up and away from their crux at an angle nearly 30 degrees above horizontal. The front faces and top edges of the blade are painted safety yellow, evoking the tradition of
public works Public works are a broad category of infrastructure projects, financed and constructed by the government, for recreational, employment, and health and safety uses in the greater community. They include public buildings ( municipal buildings, sc ...
. The back of the blade is painted dark gray. The plow head is suspended from the I-beam frame with a steel chain, giving it freedom to swing gently up and down. The tire is attached to the support structure with steel bolts. The artwork is supported by a pink-colored concrete pad, which is covered by a wide circle of gravel surrounding the artwork.


Historical information

In the late 1960s and 1970s, di Suvero began working in a truly monumental scale, using I-beams as a consistent aesthetic and structural element in his work, as displayed in ''Snowplow''. He drew upon the dynamism of an urban environment for inspiration, as opposed to many Minimalists of the time whose artwork reflected the alienation of modern cities and machinery. Di Suvero believed art to be an integral part of city life, considering both the artwork's surroundings and the viewer’s experience as contributing to the artwork; thus, he created many of his artworks to have parts that could swing or rotate in the wind in order to enhance the interactive aspect. After successfully celebrating Indianapolis 150th anniversary in 1971, and raising funds through the sale of various items (posters, coffee mugs, cookbooks, medallions, etc.) the Indianapolis Sesquicentennial Commission sought to use its funds to acquire a work to commemorate this Anniversary. Upon the selection of ''Snowplow'', $20,000 of funding was obtained from the
National Endowment for the Arts The National Endowment for the Arts (NEA) is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created in 1965 as an independent agency of the federal ...
(NEA) Art in Public Places program. In 1975 the artwork was purchased for $42,600. For much of that year the artwork was on loan to the
Whitney Museum of American Art The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), ...
, finally arriving in Indianapolis in the fall of 1976. Di Suvero would have been a very well known artists working in the public sphere at this time, having had a display of 5 of his pieces in spring of 1975 at the
Tuileries Garden The Tuileries Garden (french: Jardin des Tuileries, ) is a public garden located between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in ...
in Paris. At the same time Di Saver's work was known to be controversial as that same year the Oakland city council voted to remove his work, "Mother Peace" from the plaza in front of the
René C. Davidson Courthouse The René C. Davidson Courthouse (originally, Alameda County Court House) is the main courthouse, part of the Alameda County Superior Court system. The art deco style courthouse was completed in 1934 and is located in the county seat of Oakland, Ca ...
.


Location history

''Snowplow'' was originally on display at the
Illinois Center Illinois Center is a mixed-use urban development in downtown Chicago, Illinois, USA, lying east of Michigan Avenue. It is notable in that the streets running through it have three levels. Elsewhere in Chicago, some streets have two levels, wit ...
in
Chicago, Illinois (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name ...
, and from there the sculpture was shipped to New York for a major di Suvero exhibition at the Whitney before its delivery to Indianapolis. ''Snowplow''’s original Indianapolis installation in 1977 was prominently located outside the downtown
Convention Center A convention center (American English; or conference centre in British English) is a large building that is designed to hold a convention, where individuals and groups gather to promote and share common interests. Convention centers typica ...
. Although the artistic community appreciated its presence, many local board members and private citizens were dissatisfied with its design, and in 1981 it was moved to a less-busy site west of the
pump house Pumping stations, also called pumphouses in situations such as drilled wells and drinking water, are facilities containing pumps and equipment for pumping fluids from one place to another. They are used for a variety of infrastructure systems, ...
at
White River State Park White River State Park is an urban park in downtown Indianapolis, Indiana. Situated along the eastern and western banks of its namesake White River, the park covers . The park is home to numerous attractions, including the Eiteljorg Museum of A ...
downtown. The White River Commission was excited about this location, and it fit the criteria of a location suitable for the NEA Art in Public Places Program. The Indianapolis Museum of Art helped move the sculpture and place it appropriately. "Snowplow" was moved again less than three years later, this time out of downtown to the entrance of Central Equipment Management Division on 30th & Riverside Drive. The artwork was sold to the Indianapolis Museum of Art in 1993 for $120,000. Then Mayor, Stephen Goldsmith declared that "Nationally, it's a respected piece of art. It just hasn't been very much appreciated here in Indianapolis." Funds from the sale of the artwork were set aside in a public art fund to be used to create other artworks in the city. Once the artwork had arrived at the museum it was installed next to the main entrance driveway from 38th Street that led up towards the Sutphin Fountain. After the renovations of the IMA in 2005, ''Snowplow'' was put on display on the south eastern edge of the grounds.


Acquisition

When ''Snowplow'' first arrived in Indianapolis in 1976, the IMA was bestowed with the unofficial responsibility of maintenance of the artwork. Its purchase by the IMA and entrance into the museum's collection took place in 1993, after which it was moved to the museum property. The resources for the acquisition were provided by the Dan and Lori Efroymson Fund. As terms of the purchase agreement, the city of Indianapolis agreed to use proceeds from the sale to establish a permanent endowment for commissioning artworks for neighborhoods and other public spaces.


Condition

This sculpture was surveyed in 1993 by the Smithsonian's
Save Outdoor Sculpture! Save Outdoor Sculpture! (SOS!) was a community-based effort to identify, document, and conserve outdoor sculpture in the United States. The program was initiated in 1989 and ended in 1999. History Save Outdoor Sculpture! was initiated by Herit ...
program. Between 2001 and 2003 an additional survey was conducted by Save Outdoor Sculpture! to determine the fates of sculptures funded by the NEA Art in Public Places project, which ended in 1992. 91% of funded artworks were able to be surveyed, including ''Snowplow'', totaling approximately 460 pieces. Among these, ''Snowplow'' was counted as one of the better-off. According to the survey, eleven percent of the artworks had been destroyed, nearly half were in need of conservation, and one-third were considered well-maintained.


References


External links


Indianapolis Museum of Art sculpture website
{{IMAart Culture of Indianapolis Outdoor sculptures in Indianapolis Sculptures of the Indianapolis Museum of Art 1968 sculptures Steel sculptures in Indiana Works by Mark di Suvero