Sneha Solanki
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Sneha Solanki (born 1973, Leicester) is an artist and educator. Her practice includes citizen science, performance, sound and
installation Installation may refer to: * Installation (computer programs) * Installation, work of installation art * Installation, military base * Installation, into an office, especially a religious (Installation (Christianity) Installation is a Christian li ...
.


Early life

Born to parents from an Indian heritage in Leicester – her father was born in
Kenya ) , national_anthem = " Ee Mungu Nguvu Yetu"() , image_map = , map_caption = , image_map2 = , capital = Nairobi , coordinates = , largest_city = Nairobi ...
and her mother in
Navsari Navsari is the ninth biggest city in the state of Gujarat in India. It is the administrative headquarters of Navsari District. Navsari is situated between Surat & Mumbai. Navsari is a twin city of Surat. It is located 37 km south of Sura ...
, Gujarat, India. Initially Solanki's father was refused entry into the UK despite holding a British passport and born under British imperial rule in Kenya. He was later admitted into the UK. Both maternal and paternal grandparents lived and work under British colonial rule in India, Iraq, Kenya and Mauritius. Her parents in the UK both worked in Leicestershire regional manufacturing industries. Solanki has two siblings, an older brother and a younger sister. Solanki lived in Leicester until her later teens when she moved to
Loughborough Loughborough ( ) is a market town in the Charnwood borough of Leicestershire, England, the seat of Charnwood Borough Council and Loughborough University. At the 2011 census the town's built-up area had a population of 59,932 , the second large ...
, UK to study art, she then moved to
Newcastle upon Tyne Newcastle upon Tyne ( RP: , ), or simply Newcastle, is a city and metropolitan borough in Tyne and Wear, England. The city is located on the River Tyne's northern bank and forms the largest part of the Tyneside built-up area. Newcastle is ...
, UK, Groningen, NL and to Dundee, UK to further her education.


Career

Solanki holds a BA Hons Fine Art, Northumbria University and a MSc in electronic imaging,
Duncan of Jordanstone College of Art and Design Duncan of Jordanstone College of Art & Design (DJCAD) is part of the University of Dundee in Dundee, Scotland. It is ranked as one of the top schools of art and design in the United Kingdom. History Attempts were made to establish an art schoo ...
, University of Dundee, UK. Solanki is an artist working in digital/technological materiality with live, unstable and emergent forms encompassing art, science and technology. Early advocate of ‘user’ rather than ‘consumer’ of technology Sneha introduced digital arts programs into museums, specifically the
Discovery Museum The Discovery Museum is a science museum and local history museum situated in Blandford Square in Newcastle upon Tyne, England. It displays many exhibits of local history, including the ship, '' Turbinia''. It is managed by Tyne & Wear Archives ...
, Newcastle upon Tyne and the Baltic Art Gallery, Gateshead working with young people, women's, and girl's groups on digital imaging, video, net-radio/ streaming media and hand-coding. Continuing with this thread in her practice, Solanki founded and co-directed Polytechnic, an organisation working with a hands-on, open and distributed approach to art & technology where she produced, curated and led a range of national and international activity between 2002 and 2012 (see projects below) Solanki also teaches at Newcastle University as a visiting lecturer.


Projects

* Sneha Solanki acted as Ecologies programme curator with Ghost Trace Stellar, Open Music Archive, Spectral Ecologies with Martin Howse and the Bio Art Lab, 2010; Grow your own Media Lab with Access Space, Sheffield UK and the open source Cube Cola Lab with Kayle Brandon and Kate Rich * Solanki also worked in collaboration with artist Kate Rich (Bureau of Inverse Technology & Feral Trade) for a number of years as Hostexe and supermodem, producing audio hospitality events and the first net-casting/net-radio project Flat of Culture (2001) in Newcastle upon Tyne. * Her seminal work ''The_Lovers'' has been shown in the Salon of the
Museum of Contemporary Art, Belgrade The Museum of Contemporary Art ( sr, Музеј савремене уметности, Muzej savremene umetnosti) is an art museum located in Belgrade, Serbia. It was founded in 1958 as the Modern Gallery, making if one the first museums of this ty ...
, The Museum of Contemporary Art of Voivodina, Novi Sad, Brown University Watson Institute, Boston, USA and the Post & Tele Museum, Copenhagen, Denmark. * Her later artworks include ‘Field Recordings’ - a spectral tour of military communications, ‘Analogue is not Digital’- the death of analogue television and 'Super-natural' a synthetic biology artwork which makes a connection between two points in time, the peak in witchcraft from the cusp of the enlightenment period in Western history and the emergent molecular technologies in our current time. Sneha synthesized 'Tituba' a slave and the central protagonist from the Salem witchcraft trials into a new and unique chemically engineered bio-synthetic entity. 'Tituba' was designed as a sensor from circular plasmid vectors and inserts, she was ligated, digested, cloned initially into e-coli DH5 ∂ and then finally transformed into the AmyE gene of Bacillus Subtilis 168 with a two-component regulatory system for sending and receiving signals. She excretes fluorescent protein under stress and is only visible under blue ultra-violet light, otherwise she is invisible. The organism Tituba' is currently in deep cryo freeze at −80 °C, Centre for Cell Biology, Newcastle University, UK.


Other articles in publications

*Acoustic.space #7. RIXC & MPLab, Riga, LV. 2008. pg. 260 – 261. *Reclaiming the Nostalgia of kitchen science – exhibition and work in publication Open_sauces, ed M. Kuzmanovic, Foam, BE. 2010. pg. 42–43. *Dead History, Live Art? Spectacle, Subjectivity and Subversion in Visual Culture since the 1960s. In: Interaction/Participation: Disembodied performance in new media art. Jonathan Harris (ed.) Tate Liverpool Critical Forum, Volume 9. Liverpool: Liverpool University Press & Tate Liverpool. 2007. pg. 251. *The Virtual Artaud: Computer Virus As Performance Art. J. Farman in ‘Techknowledgies: New Imaginaries in the Humanities, Arts, and TechnoSciences’. M. Valentis (ed) Cambridge Scholars Press. 2007, pg. 160 – 161. *Infection as Communication. A. Ludovico. Neural, Issue 22 English edition. 2005, pg. 37. *Collaboration with Kate Rich here but as supermodem (we also worked as hostexe)


References


Sources

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External links

* * {{DEFAULTSORT:Solanki, Sneha British digital artists Women digital artists 1973 births Living people People from Leicester English people of Indian descent English people of Kenyan descent Alumni of Northumbria University Alumni of the University of Dundee 21st-century British artists 21st-century British women artists