''Smash-Up, the Story of a Woman'', also called ''A Woman Destroyed'', is a 1947 American drama film with elements of

film noir Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ' ...

that tells the story of a rising nightclub singer who marries another singer and becomes an alcoholic after sacrificing her career for him. The film stars

Susan Hayward Susan Hayward (born Edythe Marrenner; June 30, 1917 – March 14, 1975) was an American film actress, best known for her film portrayals of women that were based on true stories. After working as a fashion model for the Walter Thornton Model A ...

, Lee Bowman, Eddie Albert and Marsha Hunt. The screenplay was written by John Howard Lawson based on a story written by Dorothy Parker, Frank Cavett and Lionel Wiggam. Produced by Walter Wanger under his personal contract with Hayward, the film was directed by

Stuart Heisler Stuart Heisler (December 5, 1896 – August 21, 1979) was an American film and television director. He was a son of Luther Albert Heisler (1855–1916), a carpenter, and Frances Baldwin Heisler (1857–1935). He worked as a motion picture editor ...

Ethel Wales Ethel Wales (April 4, 1878 – February 15, 1952) was an American actress who appeared in more than 130 films during her 30-year career. Biography Born in 1878 in Passaic, New Jersey, Wales graduated from "Wisconsin university". Wales had ...

appears in an uncredited part. The film was nominated for Academy Awards for Best Actress in a Leading Role (Hayward) and Best Writing, Original Story. Because the film contains a story similar to that of '' A Star Is Born'', it was rumored to be a cryptic biography of

Bing Crosby Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. He was a ...

and his stormy first marriage to Dixie Lee. A scene that has been popular with critics and fans is the violent slapping and hair-pulling fight between rivals Hayward and Hunt in the ladies‘ powder room (a scene repeated by Hayward 20 years later in ''

Valley of the Dolls Valley of the Dolls may refer to: * ''Valley of the Dolls'' (novel), a 1966 novel by Jacqueline Susann ** ''Valley of the Dolls'' (film), a 1967 film adapted from the novel *** " (Theme from) Valley of the Dolls", the title song from the film, pe ...

''). This film is in the public domain.

Plot

In a hospital, nightclub singer Angie Evans, her face bandaged, recounts the events that brought her there. Angie becomes involved with aspiring singer Ken Conway. Her agent Mike Dawson helps Ken and piano accompanist Steve Anderson secure a spot on a radio show singing cowboy songs. Ken sings a ballad on the day that Angie, now his wife, gives birth to their daughter. Ken's performance earns him a new career opportunity. Ken soon achieves great success, gaining popularity and wealth, while Angie stays home. With her career at a standstill, she begins to drink. Ken counts on her to present a sophisticated image for his new high-society friends and contacts, but her alcoholism worsens, so secretary Martha Gray comes to Ken's aid. Angie is certain that Ken and Martha are having an affair. Steve tries to intervene on Angie's behalf, but he can see that Martha has fallen in love with Ken. Angie neglects her child, continues to drink, and then creates a scene at a party. Ken asks for a divorce and custody. Mike helps Angie find work in a club. She is determined to stay sober in order to regain custody of her daughter. Instead, she finds herself in a bar and wakes the next morning in the apartment of strangers who had found her unconscious on their stairs. Angie kidnaps her daughter from the park and takes her to a house in the country where Angie dutifully gives the child dinner and puts her to bed. After she sings her daughter to sleep, Angie forgets a lit cigarette in the room. She begins to drink and indulges in memories before the child's shouts finally alert her to the fire. Angie rescues her daughter from the flames but suffers serious facial burns. Realizing that she has hit rock bottom, Angie is positive that she can move forward happily. Ken has talked with her doctor and wishes to try to support her.

Cast

as Angie Evans (singing dubbed by

Peg LaCentra Margherita Maria Francesca LaCentra (c.1910 - June 1, 1996) was an American contralto singer, best known for her work on old-time radio and her singing with Artie Shaw's orchestra. She also performed as Barbara Fulton. Early years Born in B ...

) * Lee Bowman as Ken Conway (singing dubbed by Hal Derwin) * Eddie Albert as Steve Anderson * Marsha Hunt as Martha Gray *

Carl Esmond Carl Esmond (born Karl Simon; June 14, 1902– December 4, 2004) was an Austrian-born American film and stage actor, born in Vienna, Austria-Hungary. Although his age was given as 33 in the passenger list when he arrived in the USA in January 19 ...

as Dr. Lorenz *

Carleton G. Young Carleton Garretson Young (May 26, 1907 – July 11, 1971) was an American actor in radio, film and television. Early years Young was born in Westfield, New York in May 1907. He attended Carnegie Institute of Technology, where he became " ...

as Fred Elliott *

Charles D. Brown Charles D. Brown (July 1, 1887 – November 25, 1948) was an American stage and film actor. Born in Council Bluffs, Iowa, Brown wrote and directed a single short film in 1914. As an actor, he appeared in more than 100 films, stretching fro ...

as Michael Dawson * Janet Murdoch as Miss Kirk, baby Angelica's nanny * Sharyn Payne as Angelica "Angel" Conway * Robert Shayne as Mr. Gordon * Erville Alderson as Farmer at Fire (uncredited) * Lee Shumway as Benson - Doorman (uncredited)

Reception

In a contemporary review for '' The New York Times'', critic Bosley Crowther wrote: "This irony of life might make for drama of a genuinely touching sort, as it did in that memorable picture of success and drunkenness, 'A Star Is Born.' But, actually, in the writing, this complex tension has been so weakly drawn that the reason for the lady's dipsomania seems completely arbitrary and contrived. Furthermore, the writer, John Howard Lawson, has so muddled the lady with motherless love that the story becomes a wallow less in liquor than in mawkish sentiment." According to '' Variety'', the film earned $2 million in U.S. box office receipts in 1947."Top Grossers of 1947", ''Variety'', 7 January 1948 p 63
/ref> The film lost $111,664 in its initial release.

References

External links

* * * * * {{Authority control 1947 films 1947 drama films American drama films American black-and-white films Films about alcoholism Films about music and musicians Films directed by Stuart Heisler Films produced by Walter Wanger Films set in New York City Films shot in New York City Films with screenplays by Dorothy Parker Universal Pictures films Films scored by Frank Skinner 1940s American films

Plot

Cast

Reception

See also

References

External links