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''Sky Like a Broken Clock'' is an album by
American American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, pe ...
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
singer and guitarist
Kelly Joe Phelps Kelly Joe Phelps (October 5, 1959 – May 31, 2022) was an American musician and songwriter. His music has been characterized as a mixture of delta blues and jazz.Ann Powers, ''The New York Times'', February 9, 2000. Career Kelly Joe Phelps grew ...
, released in 2001. It reached #8 on the Billboard Top Blues Albums charts.


History

''Sky Like A Broken Clock'' was recorded live in the studio with no overdubs. It is Phelps' first record to feature no traditional material, only his own original compositions. Phelps' first releases were essentially his voice and the voice of his slide guitar. He assembled a band and put aside the slide guitar to focus on his fingerpicking style for this release.


Reception

Music critic Travis Draeset wrote in his
Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
review "The result is a set of low-key, abstract story-songs about voodoo, sin, and prostitution, with "Worn Out," the album's closer, having a lullaby-like quality. Phelps' guitar work on this album is fairly straightforward (unfortunately not featuring his signature acoustic slide)."
Minor 7th In music theory, a minor seventh is one of two musical intervals that span seven staff positions. It is ''minor'' because it is the smaller of the two sevenths, spanning ten semitones. The major seventh spans eleven. For example, the interval f ...
also noted the lack of Phelps' slide guitar and wrote: "The great news is that it's great music nonetheless, like discovering a brand-new artist... The abstractions that Phelps captures here are not those of musical notes, but of words forming oblique and cryptic, often dark, narratives." Buzz McClain of '' No Depression'' noted the spontaneity of the recording, writing "The result is understandably raw and primitive, evocative and emotionally effective, made the more so by Phelps’ weary voice and his precise fingerpicking, which is every bit as impressive as his slide... This is a mature piece of art, made all the more poignant by the pick-up nature of an ensemble that, somehow, sounds strikingly seasoned."
PopMatters ''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, fi ...
critic Fred Kovey is equivocal, writing: "Phelps does everything right, but it isn’t quite enough. His style of Blues and Celtic influenced singer-songwriting has become so identified with adult contemporary that just being good isn’t enough to pull the casual fan from his torpor... Phelps is an excellent guitar player. More than anything else, his skill with an acoustic six string is what makes him special. But to appreciate his guitar playing you’ll have to listen to the songs over and over; fans may want to, but I doubt the same is true of casual listeners... It offers the pleasure of viewing a master craftsman at work, but that pleasure isn’t quite enough."


Track listing

All songs written by Kelly Joe Phelps. #"Taylor John" – 5:43 #"Clementine" – 6:10 #"Sally Ruby" – 4:08 #"Beggar's Oil" – 3:24 #"Flash Cards" – 5:51 #"Gold Tooth" – 6:49 #"Tommy" – 5:28 #"Fleashine" – 5:31 #"Mr. My Go" – 6:52 #"Worn Out" – 5:07


Personnel

*Kelly Joe Phelps - vocals, guitar *Larry Taylor - bass *Billy Conway - drums, percussion *Tom West - Hammond organ *Dinty Child - pump organ, accordion *David Henry - cello *Jim Fitting - harmonica


Production

*Produced by George Howard *Mixed by George Howard and David Henry *Mastered by Jeff Lipton


References


External links


George Graham Reviews website
{{Authority control 2001 albums Kelly Joe Phelps albums Rykodisc albums Albums recorded at Long View Farm