Sindhu Bhairavi is a raga in Hindustani and Carnatic classical music, belonging to the Asavari

thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

. In Carnatic music it is a Janya raga of the 8th

melakartha Mēḷakartā is a collection of fundamental musical scales (ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melaka ...

raga

Hanumatodi Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in concer ...

. The raga brings Viraham (separation), Shokam (sorrow), Karunam (compassion) and Bhakthi (devotion) rasas. In Carnatic music it is a ''Bhashangaraga'', in which all the 12 notes are applicable. Sindhu Bhairavi is not to be confused with other similarly named ragas such as

Sindhi Bhairavi Sindhi may refer to: *something from, or related to Sindh, a province of Pakistan * Sindhi people, an ethnic group from the Sindh region * Sindhi language, the Indo-Aryan language spoken by them People with the name * Sarkash Sindhi (1940–2012 ...

, Sindh, Sindhura and Sindhura Bhairavi.

Theory

Arohana Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we ...

Avarohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...

: Vadi:

Samavadi The Samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samvadi are in most cases a fourth or fifth apart. A ''s ...

Popular compositions

Popular carnatic compositions in the raga are: * ''Vinnum mannum'' - Subramania Bharati * ''Venkatachala Nilayam, Tamboori meetidava, Vrindavanave Mandira, Tirupati Venkataramana, Harihara ninnanu, Elliruvano Ranga'', ''Kai Meeri Hoda Matige'' By

Purandara Dasa Purandara Dasa ( IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-pr ...

* ''Narasimhanembo Devanu'' is a long and beautiful composition of

which contains the full story of

Narasimha Narasimha ( sa, नरसिंह, lit=man-lion, ), sometimes rendered Narasingha, is the fourth avatar of the Hindu god Vishnu. He is regarded to have incarnated in the form of a part-lion, part-man being to slay Hiranyakashipu, to end rel ...

charitre is sung in Sindhubhairavi * ''Krishnana Kolalina Kare'' By

P T Narasimhachar P, or p, is the sixteenth letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''pee'' (pronounced ), plural ''pees''. History The ...

* ''Dummi Salenni, Govinda Gopala Gopika'' By

Vadiraja Tirtha Sri Vadiraja Teertharu (1480 – 1600) was a Dvaita philosopher, poet, traveller and mystic. A polymath of his time, he authored many works, often polemical, on Madhva theology and metaphysics. Additionally, he composed numerous poems and as ...

* ''Enu Karanadinda'', ''Sharanu Sheshachala'' By

Vijaya Dasa Vijaya Dasa ( kn, ವಿಜಯದಾಸ) (c. 1682– c. 1755) was a prominent saint from the Haridasa tradition of Karnataka, India in the 18th century, and a scholar of the Dvaita philosophical tradition. Along with contemporary haridasa saint ...

* ''Vishweshwar Darshan, Bhaja Bhaja, Ramachandra Prabhu'' – Maharaja Swathi Thirunal * ''Kalyana Gopalam'' – Narayana Theertha * ''Manadhirkugandhadhu'' – Thanjavur Sankara Iyer * ''Pankajaksha Pahi'' – Thulaseevanam * ''Kantamam'' – Mayuram Viswanatha Sastri *
Pahi Pahi Gajanana
' – Sri Ganapathy Sachchidananda Swamiji * Thillana – Lalgudi Jayaraman "''Sawan mor moharaan''", from Sham Churasi Gharana, by Ustad Salamat Ali Khan and his son Ustad Shafaqt Salam Ali Khan is one of the most popular composition in this raag.

Film Songs

Language:
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...

Language:
Hindi Hindi ( Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been ...

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References

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External links

Bhairavi Bhairavi ( sa, भैरवी) is a Hindu goddess, described as one of the Mahāvidyas, the ten avatars of the mother goddess. She is the consort of Bhairava. Etymology The name ''Bhairavi'' means "terror" or "awe-inspiring". She is th ...

Janya ragas {{India-music-stub