Sidney Barnsley
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Ernest (born Arthur Ernest Barnsley (1863 –1926) but known as Ernest Barnsley) and Sidney Howard Barnsley (25 February 1865 – 25 September 1926) were Arts and Crafts movement master builders, furniture designers and makers associated with Ernest Gimson. In the early 20th century they had workshops at Sapperton, Gloucestershire. Sidney's son
Edward Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Sa ...
continued the family tradition, making fine furniture according to his father's philosophy, and became a figurehead in his own right. They were also associated with the designers and makers Gordon Russell, the Dutch furniture designer-craftsman Peter Waals, or van der Waals, the architect-designer Norman Jewson (who was Ernest Barnsley's son-in-law) and the architect Robert Weir Schultz.


Church at Lower Kingswood

Sidney Barnsley rebuilt the Church of Jesus Christ and the Wisdom of God at Lower Kingswood, Surrey, in 1891 in the free Byzantine style. He used red brick and stone in various patterns, e.g. chequer work, herringbone and basketweave, and a plain tile roof. He installed a single-unit aisled nave and chancel; an east end with polygonal apses, the outer ones as angled bay windows; an imposing west front; a large planked and studded door with scalloped metal framing under a round arch with inscription; a stone-dressed diocletian window above the narthex under a pent roof; and round-headed
lancet window A lancet window is a tall, narrow window with a pointed arch at its top. It acquired the "lancet" name from its resemblance to a lance. Instances of this architectural element are typical of Gothic church edifices of the earliest period. Lancet wi ...
s on other façades and in the apses of the east end. Interior features include an Arts and Crafts movement lectern, pulpit and reading desk, in ebony and holly with mother of pearl inlay; priests' chairs with domed canopies; and Byzantine capitals from Constantinople and
Ephesus Ephesus (; grc-gre, Ἔφεσος, Éphesos; tr, Efes; may ultimately derive from hit, 𒀀𒉺𒊭, Apaša) was a city in ancient Greece on the coast of Ionia, southwest of present-day Selçuk in İzmir Province, Turkey. It was built in t ...
decorating the aisles and west wall. It has the highest listed building classification, of Grade I.


Rodmarton Manor

Starting in 1909, the brothers collaborated in the design, construction and furnishing of
Rodmarton Manor Rodmarton Manor is a large country house, in Rodmarton, near Cirencester, Gloucestershire, built for the Biddulph family. It is a Grade I listed building. It was constructed in the early 20th century in an Arts and Crafts style, to a design by ...
, a work completed by Ernest's son-in-law, Norman Jewson.


House at Hagley Road, Birmingham

In January 2011, controversy arose over the granting by Birmingham City Council of permission to the Extra Care Charitable Trust to demolish 324 Hagley Road (), built in 1895, and the last surviving house by Ernest Barnsley in that city. Although not listed, the building and others affected lie within the Barnsley Road
Conservation Area Protected areas or conservation areas are locations which receive protection because of their recognized natural, ecological or cultural values. There are several kinds of protected areas, which vary by level of protection depending on the ena ...
. The Victorian Society wrote to the Government Office for the West Midlands to request that the Secretary of State call in for his own determination the application to build a retirement village of 240 flats on the site, in Edgbaston. Barnsley Road is named after Ernest.


Other

Both Ernest and Sidney attended classes at The Birmingham School of Art before going to London to finish training. Sidney attended the
Royal Academy The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its pur ...
's School of Architecture for two years and during this time he met Robert Weir Schultz, with whom he travelled to the Near East, Italy and Greece. They became affiliated to the
British School at Athens , image = Image-Bsa athens library.jpg , image_size = 300px , image_upright= , alt= , caption = The library of the BSA , latin_name= , motto= , founder = The Prince of Wales, later Edward VII, called the foundation meeti ...
and produced hundreds of drawings and photographs of ancient monuments that they had systematically investigated. Their work was to form the nucleus of “a collection of approximately fifteen hundred drawings and one thousand photographs of major Byzantine monuments of the Mediterranean basin, Italy, Turkey, Greece, as well as Asia Minor and the Near East, dating between 1888 and 1949. The collection, which is today housed at the British School at Athens, is known as the Byzantine Research Fund Archive…”. The Warburg Institute also has a large collection of photographs by Weir Schultz and Barnsley. In the Annual Report of 2004–2005 for the School of Advanced Study, University of London, it was reported that a large number of glass negatives of Byzantine churches held since the 1940s had been identified as being taken by Robert Weir Schultz and Sidney Barnsley in 1889 and 1890. Their importance is highlighted by the statement “The negatives, which have now been printed, were long thought by Byzantinists to be lost. They provide important evidence about the state of various Greek churches before radical restoration, or in one case before destruction by fire." In addition, photographs by Weir Schultz and Sidney Barnsley, known as the Weir Schultz and Barnsley Collection, are held in the archive of the Conway Library at The Courtauld Institute of Art, London. Drawings by Sidney are also held in the collections of the Victoria and Albert Museum, London.


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Sidney Barnsley
{{Authority control English furniture designers