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''Shock Waves'' is a 1977 American
horror film Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apoca ...
written and directed by
Ken Wiederhorn Ken Wiederhorn is a former news and documentary editor at CBS and a film director, film and television director, known mainly for the horror films ''Shock Waves (film), Shock Waves'' and ''Return of the Living Dead Part II''. Other features incl ...
. The film is about a group of tourists who encounter aquatic
Nazi zombies Nazi zombies are a horror trope found in films, video games, and comic books. Nazi zombie narratives usually feature undead Nazi soldiers resurrected to fight for the Third Reich. The book ''Nazisploitation!: The Nazi Image in Low-Brow Cinema and ...
when they become shipwrecked. It stars
Peter Cushing Peter Wilton Cushing (26 May 1913 – 11 August 1994) was an English actor. His acting career spanned over six decades and included appearances in more than 100 films, as well as many television, stage, and radio roles. He achieved recognition ...
as a former SS commander, Brooke Adams as a tourist, and
John Carradine John Carradine ( ; born Richmond Reed Carradine; February 5, 1906 – November 27, 1988) was an American actor, considered one of the greatest character actors in American cinema. He was a member of Cecil B. DeMille's stock company and later Jo ...
as the captain of the tourists' boat.


Plot

The film opens as Rose is found drifting alone in a small rowboat. Two fishermen find it and pull her onto their own boat, barely alive and in a horrible state. Her voiceover indicates she had been rescued from some terrifying experience and the film's events are flashbacks of it. Young and pretty, Rose is part of a group of tourists on a small de recreo boat run by a crusty old captain and his handsome mate, Keith. Also on board are Dobbs, who is the boat's cook; Chuck, another tourist; and a bickering married couple named Norman and Beverly. After trouble with the engine, the navigation system goes haywire when they encounter a strange orange haze. The others sense that something is wrong. Norman in particular becomes abrasive. In the darkness of night, a hulking cargo ship suddenly appears and sideswipes their boat. The Captain sends up a flare, which momentarily lights up the eerie sight of a huge, rotting vessel wrecked nearby. The next morning, everyone wakes to find the Captain missing. Realizing the boat is slowly taking on water, everyone evacuates in the lifeboat and makes for a nearby island. They see the huge wreck in the light of day; she appears to have been there for decades, nothing more than a skeletal framework, and now seemingly immobile, stranded on the island's reef. The group is startled to find the body of the Captain, apparently drowned while he was trying to check the underside of the boat for damage. They explore the island and discover a large, rundown hotel. At first they think it is deserted, but they discover a reclusive old man living there. The man seems alarmed by their story, saying there is no shipwreck on the island and seems to recognize the name they say was the one they saw on the ship, and he goes down to the beach to personally investigate. Under the water, strange zombie-like men gather, walking from the wreck along the ocean floor to the island. As Dobbs gathers items to help prepare food, the zombies corner him in the water and one of them attacks; before it kills him, Dobbs falls in a cluster of sea urchins and is horribly mangled. Rose discovers his body while swimming. As they pull the body to shore, Keith finds a piece of torn uniform bearing the insignia of the Nazi SS in his hand. Back inside the hotel, their reluctant host tells them that he was a Nazi commander in charge of the "Death Corps", a group of zombies designed to be unstoppable super-soldiers that could thrive in any environment, with his group specialized for aquatic operations. The creatures were intended to be a powerful weapon for the Nazis, but they proved too difficult to control, with incidents involving them attacking their own soldiers. When Germany lost the war, he sank their ship and went into exile on the island. With the ship having raised herself from the ocean floor to the reef, he says the zombies have returned and that they are doomed. The Commander goes down to the beach again and sees a few of the zombies off in the distance. He tries to order them to stop, but they refuse to obey. He tries to chase them, but they end up drowning him. The others locate a boat that the Commander told them about and pilot it out through the streams to the open water. They lose control of the boat, and it sails away from them, empty. A zombie drowns Norman in a stream, and another chases Rose back to the hotel, where she kills it by pulling off its goggles. Chuck, Beverly, and Keith return to the hotel, and they barricade themselves in the refrigerator unit. The close quarters and stress cause the survivors to begin infighting, and Chuck accidentally fires a flare gun, blinding Beverly. Keith and Rose escape to an old furnace room, where they hide inside two metal grates, while Beverly hides in a closet. The zombies drown Chuck in a swimming pool outside. The next morning, Keith and Rose discover Beverly dead, drowned in a large fish tank. Now on their own, they try to escape in a small sightseeing rowboat with a glass bottom. The zombies attack, and although Keith manages to defeat one by pulling off its goggles, a second one grabs him and drowns him just as the dinghy breaches the reef and drifts free. Rose sees Keith's lifeless body pressed up against the glass bottom of the boat and screams. The film comes full circle, and Rose's voiceover returns. She is now in a hospital bed, seemingly writing in a journal. Her dialogue begins to repeat itself over and over, and she is revealed to be writing nonsense in her journal, showing that she has gone insane. The film ends with one last shot of the rotting ship, still stranded on the reef.


Cast

*
Peter Cushing Peter Wilton Cushing (26 May 1913 – 11 August 1994) was an English actor. His acting career spanned over six decades and included appearances in more than 100 films, as well as many television, stage, and radio roles. He achieved recognition ...
as SS Commander *
John Carradine John Carradine ( ; born Richmond Reed Carradine; February 5, 1906 – November 27, 1988) was an American actor, considered one of the greatest character actors in American cinema. He was a member of Cecil B. DeMille's stock company and later Jo ...
as Captain Ben Morris * Brooke Adams as Rose * Fred Buch as Chuck * Jack Davidson as Norman *
Luke Halpin Luke Austin Halpin (born April 4, 1947) is a former American actor, stuntman, marine coordinator, diver and pilot. He became a child actor at the age of eight and is widely known for his role as Sandy Ricks in the feature films '' Flipper'' and ...
as Keith * D. J. Sidney as Beverly * Don Stout as Dobbs


Production

Prior to making ''Shock Waves'', producer Reuben Trane and director
Ken Wiederhorn Ken Wiederhorn is a former news and documentary editor at CBS and a film director, film and television director, known mainly for the horror films ''Shock Waves (film), Shock Waves'' and ''Return of the Living Dead Part II''. Other features incl ...
were students at
Columbia University Columbia University (also known as Columbia, and officially as Columbia University in the City of New York) is a private research university in New York City. Established in 1754 as King's College on the grounds of Trinity Church in Manhatt ...
in New York City where they won the 1973 Academy Award for Best Dramatic Student Film. Their next work was filming ''Shock Waves'' as their first commercial feature film. Principal photography on the film began in July 1975, shooting in 16mm, which was later blown up to 35mm. An issue of ''Cinemagic'' magazine shows and details the film being shot under the title ''Death Corps'' in
Miami Miami ( ), officially the City of Miami, known as "the 305", "The Magic City", and "Gateway to the Americas", is a East Coast of the United States, coastal metropolis and the County seat, county seat of Miami-Dade County, Florida, Miami-Dade C ...
and
West Palm Beach West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sunset, Sun sets on the Earth. Etymology The word "west" is a Germanic languages, German ...
, Florida, in 1975 with a budget of $150,000. The swamp scenes in the film were shot near Miami's
Crandon Park Crandon Park is an urban park in metropolitan Miami, occupying the northern part of Key Biscayne. It is connected to mainland Miami via the Rickenbacker Causeway. History The land Crandon Park occupies was once part of the largest coconut pl ...
. It was later noted in the  ''
Los Angeles Times The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the Un ...
'' in 1978, that the filmmakers raised $200,000 to complete the film. According to a 2013 interview, Wiederhorn and Trane made ''Shock Waves'' because the investors had one requirement: they wanted a horror movie, because, according to Wiederhorn, "they heard that horror movies have a better chance of making their money back than any other genre". Wiederhorn and Trane then "started spitballing ideas. What’s scary? Since we were going to be filming in Florida, we thought: water can be scary. Then I came across this book called ''
The Morning of the Magicians ''The Morning of the Magicians: Introduction to Fantastic Realism'' (french: Le Matin des magiciens) is a 1960 book by the journalists Louis Pauwels and Jacques Bergier. As the authors disclaim in their preface, the book is intended to challeng ...
'', which lays out a theory that the
Third Reich Nazi Germany (lit. "National Socialist State"), ' (lit. "Nazi State") for short; also ' (lit. "National Socialist Germany") (officially known as the German Reich from 1933 until 1943, and the Greater German Reich from 1943 to 1945) was ...
was heavily into magic, so we thought: Nazi's always work! So my first movie became a horror movie because the people who put up the money wanted a horror movie."  


Release

''Shock Waves'' was shown in Los Angeles on 21 September 1977. The film was released in the United Kingdom as ''Almost Human''.


Home media

In the 1980s, ''Shock Waves'' was released on VHS by Prism Entertainment, and later by
Starmaker ''Star Maker'' is a science fiction novel by British writer Olaf Stapledon, published in 1937. The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, ''Last and First Men'' (1930), a history of the hu ...
. A
special edition The terms special edition, limited edition, and variants such as deluxe edition, or collector's edition, are used as a marketing incentive for various kinds of products, originally published products related to the arts, such as books, prints, r ...
DVD The DVD (common abbreviation for Digital Video Disc or Digital Versatile Disc) is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kin ...
of the film was issued by
Blue Underground Blue Underground is an American company specializing in releasing authoritative editions of cult and exploitation movies on Blu-ray Disc and DVD. It was originally formed as a shell company to oversee 'making of' documentaries during founder ...
in 2003. The DVD was sourced from a print in Wiederhorn's personal collection, as the original negative was believed to be lost. Blue Underground released the movie on Blu-ray, and held some theatrical showings of the feature as well, in November 2014. In addition to standalone releases, the film was included in the three-DVD box set ''Superstars of Horror: Volume 1: Peter Cushing'' (Umbrella Entertainment, 2005).


Reception

From contemporary reviews, Tom Milne of the ''
Monthly Film Bulletin ''The Monthly Film Bulletin'' was a periodical of the British Film Institute published monthly from February 1934 to April 1991, when it merged with ''Sight & Sound''. It reviewed all films on release in the United Kingdom, including those with a ...
'' commented that the zombie Nazis looked "agreeably sinister when they first emerge from the bottom of the sea with dripping hair, hideously scarred faces and uniform dark glasses", but the film's "inadequate budget is all too evident ..both script and direction are also much too ready to settle for simple repetitions: a sizeable chunk of the footage is devoted to assorted characters stumbling through swampy shallows out of which, naturally, zombies emerge with sinister intent." From retrospective reviews, Mike Long of
DVD Talk DVD Talk is a home video news and review website launched in 1999 by Geoffrey Kleinman. History Kleinman founded the site in January 1999 in Beaverton, Oregon. Besides news and reviews, it features information on hidden DVD features known as ...
rated the film 3 out of 5 stars, writing, "Horror fans looking for a zombie gorefest will be quite disappointed by ''Shock Waves'', but those who want a subtle and unique experience may enjoy this quirky low-budget film." Oktay Ege Kozak, also writing at DVD Talk, rated it 1 out of 5 stars, declaring, "''Shock Waves'' is a cheap, uninteresting, and entirely too forgettable genre effort from the 70s, a decade that otherwise revitalized horror cinema." Patrick Bromley of
DVD Verdict DVD Verdict was a judicial-themed website for DVD reviews. The site was founded in 1999. The editor-in-chief was Michael Stailey, who owned the website between 2004 and 2016, and the site employed a large editorial staff of critics, whose reviews ...
commented, "More concerned with atmosphere than with shocks, it avoids a number of what would become the cliches of the genre; the flip side of that coin is that it delivers little of what we want from a zombie film." Patrick Naugle, also writing at
DVD Verdict DVD Verdict was a judicial-themed website for DVD reviews. The site was founded in 1999. The editor-in-chief was Michael Stailey, who owned the website between 2004 and 2016, and the site employed a large editorial staff of critics, whose reviews ...
, said the movie is repetitious and boring. Writing in ''Horror Movies of the 1970s'', critic
John Kenneth Muir John Kenneth Muir (born December 3, 1969) is an American literary critic. As of 2022, he has written thirty reference books in the fields of film and television, with a particular focus on the horror and science fiction genres. Biography Born ...
stated that despite ''Shock Waves'' being a "low budget exploitation film with a ludicrous B-movie premise", Wiederhorn nevertheless makes it work.
Peter Dendle Peter Dendle is a professor of English at Penn State Mont Alto, teaching classes on folklore, 20th and 21st century representations of the Middle Ages, Old and Middle English (language and literature), and the monstrous (in film, folklore, and s ...
, who wrote ''The Zombie Movie Encyclopedia'', said, "''Shock Waves'' offers an undeniably creative and innovative approach to the screen presentation of the zombie, at the height of the post-''
Night Night (also described as night time, unconventionally spelled as "nite") is the period of ambient darkness from sunset to sunrise during each 24-hour day, when the Sun is below the horizon. The exact time when night begins and ends depends o ...
'' decade in which such innovation was most lacking."


See also

* List of zombie Nazi films


References


External links

* * * * {{Ken Wiederhorn 1977 films 1977 horror films American zombie films Films directed by Ken Wiederhorn Films scored by Richard Einhorn Films set in abandoned houses Films set in Coral Gables, Florida Films set in the Caribbean Films set on islands Nazi zombie films 1977 directorial debut films 1970s English-language films 1970s American films