Shadvidamargini (pronounced , meaning ''the one with the road to a hundred forms of knowledge'') is a

raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...

m in

Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...

(musical scale of South Indian classical music). It is the 46th ''

melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...

'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Stavarājam in

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...

school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras

Structure and Lakshana

It is the 4th rāgam in the 8th ''chakra Vasu''. The mnemonic name is ''Vasu-Bhu''. The mnemonic phrase is ''sa ra gi mi pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The ''swaras shuddha rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatham'' and ''kaisiki nishadham'' are used in this scale. As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in ascending and descending scale). It is the ''prati madhyamam'' equivalent of ''

Natakapriya Natakapriya, (pronounced nāţakapriya, meaning ''the one dear to theatre'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 10th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. A ...

'', which is the 10th ''melakarta'' scale.

''Janya'' rāgams

''Shadvidamargini'' has a few minor ''

janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...

'' rāgams (derived scales) associated with it. See List of ''janya'' rāgams for full list of rāgams associated with ''Shadvidamargini''.

Compositions

A few compositions set to ''Shadvidhamargini'' are: *''Jnanam Osaga Rada'' by

Tyagaraja Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...

*''Andaranga Bhakthi'' by Koteeswara Iyer *''Haimavate bhaja manasa'' by Dr.

M. Balamuralikrishna Mangalampalli Balamuralikrishna (6 July 1930 – 22 November 2016) was an Indian Carnatic vocalist, musician, multi-instrumentalist, playback singer, composer, and character actor. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in ...

*''sharanam tava charanam'' by Bharani *Geetham pada ugandha (Krithi) by Senarylia Shashtri

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Shadvidamargini's'' notes when shifted using ''

Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...

'', yields ''

Nasikabhooshani Nasikabhushani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 70th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called in Muthuswami Dikshitar school o ...

'', a minor ''melakarta'' rāgam. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam.

Notes

References

{{Janya, state=collapsed Melakarta ragas