In Greek mythology, Scylla), is obsolete. ( ; grc-gre, Σκύλλα, Skýlla, ) is a legendary monster who lives on one side of a narrow channel of water, opposite her counterpart
Charybdis
Charybdis (; grc, Χάρυβδις, Khárybdis, ; la, Charybdis, ) is a sea monster in Greek mythology. She, with the sea monster Scylla, appears as a challenge to epic characters such as Odysseus, Jason, and Aeneas. Scholarship locates her in t ...
. The two sides of the strait are within an arrow's range of each other—so close that sailors attempting to avoid Charybdis would pass dangerously close to Scylla and vice versa.
Scylla is first attested in Homer's '' Odyssey'', where
Odysseus
Odysseus ( ; grc-gre, Ὀδυσσεύς, Ὀδυσεύς, OdysseúsOdyseús, ), also known by the Latin variant Ulysses ( , ; lat, UlyssesUlixes), is a legendary Greek king of Ithaca and the hero of Homer's epic poem the ''Odyssey''. Odysse ...
and his crew encounter her and Charybdis on their travels. Later myth provides an origin story as a beautiful nymph who gets turned into a monster.
Book Three of Virgil's '' Aeneid'' associates the strait where Scylla dwells with the Strait of Messina between
Southern Italy
Southern Italy ( it, Sud Italia or ) also known as ''Meridione'' or ''Mezzogiorno'' (), is a macroregion of the Italian Republic consisting of its southern half.
The term ''Mezzogiorno'' today refers to regions that are associated with the peop ...
, and Sicily. The coastal town of Scilla in Calabria takes its name from the mythological figure of Scylla and it is said to be the home of the nymph.
The idiom " between Scylla and Charybdis" has come to mean being forced to choose between two similarly dangerous situations.
Parentage
The parentage of Scylla varies according to author. Homer, Ovid,
Apollodorus
Apollodorus (Ancient Greek, Greek: Ἀπολλόδωρος ''Apollodoros'') was a popular name in ancient Greece. It is the masculine gender of a noun compounded from Apollo, the deity, and doron, "gift"; that is, "Gift of Apollo." It may refer to: ...
, Servius, and a scholiast on Plato, all name Crataeis as the mother of Scylla. Neither Homer nor Ovid mentions a father, but Apollodorus says that the father was either Trienus (probably a textual corruption of Triton) or Phorcus (a variant of Phorkys). Similarly, the Plato scholiast, perhaps following Apollodorus, gives the father as Tyrrhenus or Phorcus, while Eustathius on Homer, ''Odyssey'' 12.85, gave the father as Triton, or Poseidon and Crateis as the parents.
Other authors have Hecate as Scylla's mother. The
Hesiodic
Hesiod (; grc-gre, Ἡσίοδος ''Hēsíodos'') was an ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded by western authors as 'the first written poet i ...
'' Megalai Ehoiai'' gives Hecate and Apollo as the parents of Scylla, while Acusilaus says that Scylla's parents were Hecate and Phorkys (so also schol. '' Odyssey'' 12.85).
Perhaps trying to reconcile these conflicting accounts, Apollonius of Rhodes says that Crataeis was another name for Hecate, and that she and Phorcys were the parents of Scylla. Likewise, Semos of Delos says that Crataeis was the daughter of Hecate and Triton, and mother of Scylla by Deimos. Stesichorus (alone) names Lamia as the mother of Scylla, possibly the Lamia who was the daughter of Poseidon, while according to
Gaius Julius Hyginus
Gaius Julius Hyginus (; 64 BC – AD 17) was a Latin author, a pupil of the scholar Alexander Polyhistor, and a freedman of Caesar Augustus. He was elected superintendent of the Palatine library by Augustus according to Suetonius' ''De Grammatic ...
John Tzetzes
John Tzetzes ( grc-gre, Ἰωάννης Τζέτζης, Iōánnēs Tzétzēs; c. 1110, Constantinople – 1180, Constantinople) was a Byzantine poet and grammarian who is known to have lived at Constantinople in the 12th century.
He was able to p ...
and Servius' commentary on the '' Aeneid'', Scylla was a beautiful
naiad
In Greek mythology, the naiads (; grc-gre, ναϊάδες, naïádes) are a type of female spirit, or nymph, presiding over fountains, wells, springs, streams, brooks and other bodies of fresh water.
They are distinct from river gods, who ...
who was claimed by Poseidon, but the jealous NereidAmphitrite turned her into a terrible monster by poisoning the water of the spring where Scylla would bathe.
A similar story is found in Hyginus, according to whom Scylla was loved by Glaucus, but Glaucus himself was also loved by the goddess sorceress Circe. While Scylla was bathing in the sea, the jealous Circe poured a baleful potion into the sea water which caused Scylla to transform into a frightful monster with six dog forms springing from her thighs. In this form, she attacked Odysseus' ship, robbing him of his companions.
In a late Greek myth, recorded in Eustathius' commentary on Homer and John Tzetzes, Heracles encountered Scylla during a journey to Sicily and slew her. Her father, the sea-god Phorcys, then applied flaming torches to her body and restored her to life.
Odysseus
Odysseus ( ; grc-gre, Ὀδυσσεύς, Ὀδυσεύς, OdysseúsOdyseús, ), also known by the Latin variant Ulysses ( , ; lat, UlyssesUlixes), is a legendary Greek king of Ithaca and the hero of Homer's epic poem the ''Odyssey''. Odysse ...
is advised by Circe to sail closer to Scylla, for Charybdis could drown his whole ship: "Hug Scylla's crag—sail on past her—top speed! Better by far to lose six men and keep your ship than lose your entire crew." She also tells Odysseus to ask Scylla's mother, the river nymph Crataeis, to prevent Scylla from pouncing more than once. Odysseus successfully navigates the strait, but when he and his crew are momentarily distracted by Charybdis, Scylla snatches six sailors off the deck and devours them alive.
Ovid's ''Metamorphoses''
According to Ovid, the fisherman-turned- sea god Glaucus falls in love with the beautiful Scylla, but she is repulsed by his piscine form and flees to a
promontory
A promontory is a raised mass of land that projects into a lowland or a body of water (in which case it is a peninsula). Most promontories either are formed from a hard ridge of rock that has resisted the erosive forces that have removed the so ...
where he cannot follow. When Glaucus goes to Circe to request a love potion that will win Scylla's affections, the enchantress herself becomes enamored with him. Meeting with no success, Circe becomes hatefully jealous of her rival and therefore prepares a vial of poison and pours it into the sea pool where Scylla regularly bathed, transforming her into a thing of terror even to herself.
The story was later adapted into a five-act tragic opera, ''Scylla et Glaucus'' (1746), by the French composer Jean-Marie Leclair.
Keats' ''Endymion''
In
John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculo ...
' loose retelling of Ovid's version of the myth of Scylla and Glaucus in Book 3 of ''Endymion'' (1818), the evil Circe does not transform Scylla into a monster but merely murders the beautiful nymph. Glaucus then takes her corpse to a crystal palace at the bottom of the ocean where lie the bodies of all lovers who have died at sea. After a thousand years, she is resurrected by
Endymion Endymion primarily refers to:
* Endymion (mythology), an Ancient Greek shepherd
* ''Endymion'' (poem), by John Keats
Endymion may also refer to:
Fictional characters
* Prince Endymion, a character in the ''Sailor Moon'' anime franchise
* Raul ...
and reunited with Glaucus.
Paintings
At the Carolingian
abbey of Corvey
The Princely Abbey of Corvey (german: link=no, Fürststift Corvey or Fürstabtei Corvey) is a former Benedictine abbey and ecclesiastical principality now in North Rhine-Westphalia, Germany. It was one of the half-dozen self-ruling '' princely ...
in Westphalia, a unique ninth-century wall painting depicts, among other things, Odysseus' fight with Scylla. This illustration is not noted elsewhere in medieval arts.
In the Renaissance and after, it was the story of Glaucus and Scylla that caught the imagination of painters across Europe. In
Agostino Carracci
Agostino Carracci (or Caracci) (16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of ...
Farnese Gallery
''The Loves of the Gods'' is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The f ...
, the two are shown embracing, a conjunction that is not sanctioned by the myth. More orthodox versions show the maiden scrambling away from the amorous arms of the god, as in the
oil on copper
Oil on copper painting is the process of creating artworks by using oil paints with copper as the Substrate (chemistry), substrate. This is sometimes referred to as “copper as canvas” because canvas is the most well known surface material used ...
Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th ...
in the Musée des Beaux-Arts de Caen.
Other painters picture them divided by their respective elements of land and water, as in the paintings of the Flemish
Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal do ...
, Vienna. Some add the detail of
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mar ...
aiming at the sea-god with his bow, as in the painting of
Laurent de la Hyre
Laurent de La Hyre (; 27 February 1606 – 28 December 1656) was a French Baroque painter, born in Paris. He was a leading exponent of the neoclassical style of Parisian Atticism.
Life
La Hyre was greatly influenced by the work of Italian art ...
Jacques Dumont le Romain
Jacques Dumont called "le Romain" (10 May 1704 — 1781), was a French history and portrait painter, called "the Roman" from his youthful residence at Rome and to distinguish him from other artists named Dumont, notably his fellow-academician Jea ...
(1726) at the Musée des beaux-arts de Troyes. Two cupids can also be seen fluttering around the fleeing Scylla in the late painting of the scene by J. M. W. Turner (1841), now in the Kimbell Art Museum.
Peter Paul Rubens shows the moment when the horrified Scylla first begins to change, under the gaze of Glaucus (c.1636), while
Eglon van der Neer
Eglon van der Neer (1635/363 May 1703) was a Dutch painter of historical scenes, portraits and elegant, fashionable people, and later of landscapes.
Life
Van der Neer was born in Amsterdam and was probably first taught by his father, Aer ...
's 1695 painting in the
Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the St ...
shows Circe poisoning the water as Scylla prepares to bathe. There are also two Pre-Raphaelite treatments of the latter scene by
John Melhuish Strudwick
John Melhuish Strudwick (6 May 1849 in Clapham, London – 16 July 1937 in Hammersmith), was a British Pre-Raphaelite painter.
Early life
Strudwick was the son of William Strudwick (1808–1861) and Sarah Melhuish (1800–1862). He attended ...
(1886) and
John William Waterhouse
John William Waterhouse (6 April 184910 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their dep ...
Apollodorus
Apollodorus (Ancient Greek, Greek: Ἀπολλόδωρος ''Apollodoros'') was a popular name in ancient Greece. It is the masculine gender of a noun compounded from Apollo, the deity, and doron, "gift"; that is, "Gift of Apollo." It may refer to: ...
, ''Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes.'' Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921 Online version at the Perseus Digital Library
*
* Campbell, David A., ''Greek Lyric III: Stesichorus, Ibycus, Simonides, and Others'', Harvard University Press, 1991. .
* Fowler, R. L., ''Early Greek Mythography: Volume 2: Commentary'', Oxford University Press, 2013. .
* Gantz, Timothy, ''Early Greek Myth: A Guide to Literary and Artistic Sources'', Johns Hopkins University Press, 1996, Two volumes: (Vol. 1), (Vol. 2).
* Hanfmann, George M. A., "The Scylla of Corvey and Her Ancestors" ''Dumbarton Oaks Papers'' 41 "Studies on Art and Archeology in Honor of Ernst Kitzinger on His Seventy-Fifth Birthday" (1987), pp. 249–260.
* Hyginus, Gaius Julius, '' Fabulae'', in ''The Myths of Hyginus'', edited and translated by Mary A. Grant, Lawrence: University of Kansas Press, 1960 Online version at ToposText
* Most, G.W., ''Hesiod: The Shield, Catalogue of Women, Other Fragments'',
Loeb Classical Library
The Loeb Classical Library (LCL; named after James Loeb; , ) is a series of books originally published by Heinemann in London, but is currently published by Harvard University Press. The library contains important works of ancient Greek and L ...
Loeb Classical Library
The Loeb Classical Library (LCL; named after James Loeb; , ) is a series of books originally published by Heinemann in London, but is currently published by Harvard University Press. The library contains important works of ancient Greek and L ...
br>476 Cambridge, MA: Harvard University Press, 1991.
* Virgil, ''Aeneid''. Translated by Frederick Ahl: Oxford University Press, 2007.