Scotch Roman is a class of
typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font.
There are list of type ...
s popular in the early nineteenth century, particularly in the United States and to a lesser extent the United Kingdom. These typefaces were modeled on a design known as Pica No. 2 from the Edinburgh foundry of
William Miller. Some accounts suggest that Miller's type, the oldest surviving specimen of which dates to 1813, was cut by
Richard Austin, who had previously produced the
Bell types for the British Letter Foundry.
The name "Scotch Roman", which entered use in the United States late in the same century, was applied to a slightly modified recasting of Miller's type by the A.D. Farmer foundry of New York. It is believed to derive from "Scotch-face", a term which was originally used by a different type designed in 1839 by typefounder Samuel Nelson Dickinson of Boston, and cast for him by Alexander Wilson and Son in Glasgow.
Versions of Scotch Roman were subsequently released by a number of other typefoundries, including both
Linotype and
Monotype
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The ...
, in the early twentieth century. These were generally derived from the A.D. Farmer design, and shared with it a number of modifications such as a flat-topped lowercase t.
Scotch Roman typefaces are a
serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface ...
font, suitable for both body text and large text such as headings.
De Vinne described Scotch Roman as "a small, neat, round letter, with long
ascenders, and not noticeably condensed or compressed." They can be classified as "
modern
Modern may refer to:
History
* Modern history
** Early Modern period
** Late Modern period
*** 18th century
*** 19th century
*** 20th century
** Contemporary history
* Moderns, a faction of Freemasonry that existed in the 18th century
Phil ...
" from their large ball terminals, horizontal serifs, sharply vertical axis and high stroke contrast. Nonetheless, Scotch Romans have a number of differences from the styles of
Bodoni
Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas o ...
and
Didot Didot may refer to:
* Didot family, family of French printers, punch-cutters and publishers that flourished mainly in the 18th century
* Didot (typeface)
Didot is a group of typefaces. The word/name Didot came from the famous French printing and ...
that are often held to typify the modern genre: the serifs, while very broad and flat, remain bracketed, apertures are frequently narrow, and stroke widths tend to be slightly more modulated.
These typefaces were extremely influential on many modern typefaces, including
Caledonia,
Georgia
Georgia most commonly refers to:
* Georgia (country), a country in the Caucasus region of Eurasia
* Georgia (U.S. state), a state in the Southeast United States
Georgia may also refer to:
Places
Historical states and entities
* Related to the ...
, and Escrow (commissioned by the Wall Street Journal).
Miller
A miller is a person who operates a mill, a machine to grind a grain (for example corn or wheat) to make flour. Milling is among the oldest of human occupations. "Miller", "Milne" and other variants are common surnames, as are their equivalent ...
, by
Matthew Carter
Matthew Carter (born 1 October 1937) is a British type designer.Christophe_Plantin.html" ;"title="y Christophe Plantin">y Christophe Plantin' in typography's golden age was in perfect condition (some muddle aside) long withPlantin's accoun ...
, is a modern revival of the Scotch Roman genre. Scotch Modern is a redrawing of an American version of Miller's design, said by designer Nick Shinn to be closer to a Didone, and hence a Scotch Modern rather than a Scotch Roman.
''Modern Suite'' catalogue
References
{{reflist
Letterpress typefaces
Photocomposition typefaces
Digital typefaces
Transitional serif typefaces
Modern serif typefaces