Saxophone Concerto (Glazunov)

The Concerto in E flat major for alto saxophone and string orchestra, Op. 109, was written by Alexander Glazunov in 1934. The piece lasts about fourteen minutes and is played without pause. It is deeply rooted in Romanticism, and has entered the standard saxophone repertoire.

History

Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day; it remained untouched for a long time as it was considered "middle class". However, Glazunov was enthralled by the sound of the saxophone: a new timbre in the musical world.

The work premiered in Nyköping, Sweden, on 25 November 1934, with Sigurd Raschèr, a famous German saxophonist, as soloist. It is Raschèr who is credited for bringing about the concerto's composition. He hounded Glazunov for a saxophone concerto, so much so that the composer wrote to a colleague that he had started the piece in March "under the influences of attacks rather than requests from the Danish (sic) saxophonist named Sigurd Rascher". He completed the work in June 1934. According to French saxophonist Marcel Mule, Glazunov had a reading of the piece with him prior to its publication, the composer playing the piano part.Rousseau, Eugene. Marcel Mule : sa vie et le saxophone. Shell Lake, 1982.

Glazunov almost certainly never heard his Saxophone Concerto publicly performed, as the first Paris performance of the work did not occur until after his death. He made no mention in his letters of any collaboration with another composer on the concerto. However, in 1936, the publishing company made an addition to the piano reduction: they added A. Petiot as a second composer, probably for copyright purpose as it was common for Soviet Union artists.

Structure

This is the structural breakdown according to Glazunov himself, taken from a letter he wrote to Maximilian Steinberg:

* Exposition: Allegro Moderato, in 4/4, ending in G minor
* Development (brief)
* Transition: Andante (C flat major; sometimes B major), in 3/4, leading into a small cadenza
* Conclusion: Fugato (C minor), in 12/8

Above forms occur again before leading to the coda (E flat major).

Recordings

Some well-known saxophonists have made recordings of this piece, including
John-Edward Kelly,
Arno Bornkamp,
Gary Louie
Joe Lulloff,
Christopher Creviston,
Jean-Yves Fourmeau,
Lawrence Gwozdz,
John Harle,
Theodore Kerkezos,
Robert Eason,
Karel Krautgartner,
Jean-Marie Londeix,
Marcel Mule,
Kenneth Radnofsky,
Debra Richtmeyer, and
Eugene Rousseau.

References

External links

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Compositions by Alexander Glazunov
Glazunov
1934 compositions
Compositions in E-flat major