Saturday Evening Post

''The Saturday Evening Post'' is an American magazine published six times a year. It was published weekly from 1897 until 1963, and then every other week until 1969. From the 1920s to the 1960s, it was one of the most widely circulated and influential magazines among the American middle class, with fiction, non-fiction, cartoons and features that reached two million homes every week.

In the 1960s, the magazine's readership began to decline. In 1969, ''The Saturday Evening Post'' folded for two years before being revived as a quarterly publication with an emphasis on medical articles in 1971.

As of the late 2000s, ''The Saturday Evening Post'' is published six times a year by the Saturday Evening Post Society, which purchased the magazine in 1982. The magazine was redesigned in 2013.

History

19th century

''The Saturday Evening Post'' was first published in 1821 in the same printing shop at 53 Market Street in Philadelphia, where the Benjamin Franklin-founded ''Pennsylvania Gazette'' was published in the 18th century. While the ''Gazette'' ceased publication in 1800, ten years after Franklin's death, the ''Post'' links its history to the original magazine.

Cyrus H. K. Curtis, publisher of the ''Ladies' Home Journal'', bought the ''Post'' for $1,000 in 1897. Under the ownership of the Curtis Publishing Company, the ''Post'' grew to become the most widely circulated weekly magazine in the United States. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer (1899–1937).

''The Saturday Evening Post'' published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry with contributions submitted by readers, single-panel gag cartoons, including ''Hazel'' by Ted Key, and stories by leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. Illustrations were featured on the cover and embedded in stories and advertising. Some ''Post'' illustrations continue to be reproduced as posters or prints, especially those by Norman Rockwell.

20th century

In 1929, at the beginning of the Mexican Repatriation, ''The Saturday Evening Post'' ran a series on the racial inferiority of Mexicans.

In 1954, it published its first articles on the role of the U.S. in deposing Mohammad Mosaddegh, Prime Minister of Iran, in 1953. The article was based on materials leaked by CIA director Allen Dulles.

The ''Post'' readership began to decline in the late 1950s and 1960s. In general, the decline of general interest magazines was blamed on television, which competed for advertisers and readers' attention. The ''Post'' had problems retaining readers: the public's taste in fiction was changing, and the ''Post''s conservative politics and values appealed to a declining number of people. Content by popular writers became harder to obtain. Prominent authors drifted away to newer magazines offering more money and status. As a result, the ''Post'' published more articles on current events and cut costs by replacing illustrations with photographs for covers and advertisements.

In 1967, the magazine's publisher, Curtis Publishing Company, lost a landmark defamation suit, '' Curtis Publishing Co. v. Butts'', 388 U.S. 130 (1967), resulting from an article, and was ordered to pay in damages to the plaintiff. The ''Post'' article implied that football coaches Paul "Bear" Bryant and Wally Butts conspired to fix a game between the University of Alabama and the University of Georgia. Both coaches sued Curtis Publishing Co. for defamation, each initially asking for . Bryant eventually settled for while Butts' case went to the Supreme Court, which held that libel damages may be recoverable (in this instance against a news organization) when the injured party is a non-public official, if the plaintiff can prove that the defendant was guilty of a reckless lack of professional standards when examining allegations for reasonable credibility. (Butts was eventually awarded .)

William Emerson was promoted to editor-in-chief in 1965 and remained in the position until the magazine's demise in 1969.

In 1968, Martin Ackerman, a specialist in troubled firms, became president of Curtis after lending it . With the magazine still in dire financial straits, Ackerman announced that Curtis would reduce printing costs by cancelling the subscriptions of roughly half of its readers. Those who lost their subscriptions were offered a free transfer to a subscription to ''Life'' magazine; ''Life'' publisher Time Inc. paid Curtis for the exchange, easing the company's mounting debts. The move was also widely seen as an opportunity for Curtis to abandon older and more rural readers, who were less valuable to the ''Posts advertisers. Columnist Art Buchwald lampooned the decision, suggesting that "if the ''Saturday Evening Post'' considered you a deadbeat, you didn't have much choice but to either pretend you were still getting the magazine and live a lie, or move out of the neighborhood before anyone found out."

These last-ditch efforts failed to save the magazine, and Curtis announced in January 1969 that the February 8 issue would be the magazine's last. Ackerman stated that the magazine had lost in 1968 and would lose a projected in 1969. In a meeting with employees after the magazine's closure had been announced, Emerson thanked the staff for their professional work and promised "to stay here and see that everyone finds a job".

At a March 1969 ''post-mortem'' on the magazine's closing, Emerson stated that ''The Post'' "was a damn good vehicle for advertising" with competitive renewal rates and readership reports and expressed what ''The New York Times'' called "understandable bitterness" in wishing "that all the one-eyed critics will lose their other eye". Otto Friedrich, the magazine's last managing editor, blamed the death of ''The Post'' on Curtis. In his ''Decline and Fall'' (Harper & Row, 1970), an account of the magazine's final years (1962–69), he argued that corporate management was unimaginative and incompetent. Friedrich acknowledges that ''The Post'' faced challenges while the tastes of American readers changed over the course of the 1960s, but he insisted that the magazine maintained a standard of good quality and was appreciated by readers.

In 1970, control of the debilitated Curtis Publishing Company was acquired from the estate of Cyrus Curtis by Indianapolis industrialist Beurt SerVaas. SerVaas relaunched the ''Post'' the following year on a quarterly basis as a kind of nostalgia magazine.

In early 1982, ownership of the ''Post'' was transferred to the Benjamin Franklin Literary and Medical Society, founded in 1976 by the ''Posts then-editor, Corena "Cory" SerVaas (wife of Beurt SerVaas). The magazine's core focus was now health and medicine; indeed, the magazine's website originally noted that the "credibility of ''The Saturday Evening Post'' has made it a valuable asset for reaching medical consumers and for helping medical researchers obtain family histories. In the magazine, national health surveys are taken to further current research on topics such as cancer, diabetes, high blood pressure, heart disease, ulcerative colitis, spina bifida, and bipolar disorder." Ownership of the magazine was later transferred to the Saturday Evening Post Society; SerVaas headed both organizations. The range of topics covered in the magazine's articles is now wide, suitable for a general readership.

By 1991, Curtis Publishing Company had been renamed Curtis International, a subsidiary of SerVaas Inc., and had become an importer of audiovisual equipment. Today the ''Post'' is published six times a year by the Saturday Evening Post Society, which claims 501(c)(3) non-profit organization status.

21st century

With the January/February 2013 issue, the ''Post'' launched a major makeover of the publication, including a new cover design and efforts to increase the magazine's profile, in response to a general public misbelief that it was no longer in existence. The magazine's new logo is an update of a logo it had used beginning in 1942. As of October 2018, the complete archive of the magazine is available online.

Legacy

Illustrations

In 1916, ''Saturday Evening Post'' editor George Horace Lorimer discovered Norman Rockwell, then an unknown 22-year-old New York City artist. Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings. Rockwell's illustrations of the American family and rural life of a bygone era became icons. During his 50-year career with the ''Post'', Rockwell painted more than 300 covers.

The ''Post'' also employed Nebraska artist John Philip Falter, who became known as "a painter of Americana with an accent of the Middle West," who "brought out some of the homeliness and humor of Middle Western town life and home life." He produced 120 covers for the ''Post'' between 1943 and 1968, ceasing only when the magazine began displaying photographs on its covers.

Another prominent artist was Charles R. Chickering, a freelance illustrator who went on to design numerous postage stamps for the U.S. Post Office. Other popular cover illustrators include artists George Hughes, Constantin Alajalov,
John Clymer, Alonzo Kimball, W. H. D. Koerner, J. C. Leyendecker, Mead Schaeffer, Charles Archibald MacLellan, John E. Sheridan, Emmett Watson, Douglass Crockwell, and N. C. Wyeth.

Cartoonists have included: Irwin Caplan, Clyde Lamb, Jerry Marcus, Frank O'Neal, Charles M. Schulz, and Bill Yates. The magazine ran Ted Key's cartoon panel series ''Hazel'' from 1943 to 1969.

Literature

Each issue featured several original short stories and often included an installment of a serial appearing in successive issues. Most of the fiction was written for mainstream tastes by popular writers, but some literary writers were featured. The opening pages of stories featured paintings by the leading magazine illustrators.

The ''Post'' published stories and essays by H. E. Bates, Ray Bradbury, Kay Boyle, Agatha Christie, Brian Cleeve, Eleanor Franklin Egan, William Faulkner, F. Scott Fitzgerald, C. S. Forester, Ernest Haycox, Robert A. Heinlein, Kurt Vonnegut, Paul Gallico, Normand Poirier, Hammond Innes, Louis L'Amour, Sinclair Lewis, Joseph C. Lincoln, John P. Marquand, Edgar Allan Poe, Mary Roberts Rinehart, Sax Rohmer, William Saroyan, John Steinbeck, Rex Stout, Rob Wagner, Edith Wharton, and P.G. Wodehouse.

Poetry published came from poets including: Carl Sandburg, Ogden Nash, Dorothy Parker, and Hannah Kahn.

Jack London's best-known novel '' The Call of the Wild'' was first published, in serialized form, in the ''Saturday Evening Post'' in 1903.

Emblematic of the ''Post's'' fiction was author Clarence Budington Kelland, who first appeared in 1916–17 with stories of homespun heroes, "Efficiency Edgar" and "Scattergood Baines". Kelland was a steady presence from 1922 until 1961.

For many years William Hazlett Upson contributed a very popular series of short stories about the escapades of Earthworm Tractors salesman Alexander Botts.

Publication in the ''Post'' launched careers and helped established artists and writers stay afloat. P. G. Wodehouse said "the wolf was always at the door" until the ''Post'' gave him his "first break" in 1915 by serializing '' Something New''.

Politics

After the election of Franklin D. Roosevelt, ''Post'' columnist Garet Garrett became a vocal critic of the New Deal. Garrett accused the Roosevelt administration of initiating socialist strategies.

After Lorimer died, Garrett became editorial writer-in-chief and criticized the Roosevelt administration's support of the United Kingdom and efforts to prepare to enter World War II, and allegedly showed some support for Adolf Hitler in some of his editorials. Garrett's positions aroused controversy and may have cost the ''Post'' readers and advertisers in the aftermath of Pearl Harbor.

Editors

(Listed from the purchase by Curtis, 1898)Otto Friedrich, ''Decline and Fall'' (Harper & Row, 1970), flyleaf, chapter 2, and passim, provides info for 1898–1969

Other notable staff

* Jane Nickerson

* Joan Didion

Cover gallery

Image:Babynew.jpg, December 28, 1907. Cover by J. C. Leyendecker
File:SatrudayEveningPost041610.jpg, April 16, 1910. Cover by Anton Otto Fischer
File:SaturdayEveningPost11Mar1911.jpg, March 11, 1911. Cover by Alonzo Myron Kimball
File:1920-12-04-Saturday-Evening-Post-Norman-Rockwell-cover-Santa-and-Expense-Book-no-logo-400-Digimarc.jpg, December 4, 1920. Cover by Norman Rockwell
File:1921-6-4 No Swimming - Norman Rockwell.jpg, June 4, 1921. Cover by Norman Rockwell

See also

* Constantin Alajalov
* Cyrus Curtis
* John Philip Falter
* Anton Otto Fischer
* Garet Garrett
* ''Ladies' Home Journal''
* J. C. Leyendecker
* Norman Rockwell
* John E. Sheridan (illustrator)
* Harry Simmons
* Frank Glasgow Tinker
* Edmund Ward

Similar magazines

* ''Collier's''
* ''Harper's Weekly''
* ''Liberty''
* ''Life''
* '' Look''
* ''Reader's Digest'' (still in publication)

References

Further reading

* Cohn, Jan. ''Creating America: George Horace Lorimer and the Saturday Evening Post'' (University of Pittsburgh Press, 1990)
* Damon-Moore, Helen. ''Magazines for the millions: Gender and commerce in the Ladies' Home Journal and the Saturday Evening Post, 1880–1910'' (SUNY Press, 1994)
* Hall, Roger I. "A system pathology of an organization: the rise and fall of the old Saturday Evening Post." ''Administrative science quarterly'' (1976): 185–211
in JSTOR
* Tebbel, John William. ''George Horace Lorimer and the Saturday Evening Post'' (1948)

External links

*

Curtis Publishing
(archived 30 September 2017)

"More Irrelevant Than Irreverent"
by Pete Hamill for ''The Village Voice'', January 16, 1969.

{{DEFAULTSORT:Saturday Evening Post

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Magazines established in 1821
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