The hammered dulcimer (also called the hammer dulcimer) is a percussion- stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped

mallet A mallet is a tool used for imparting force on another object, often made of rubber or sometimes wood, that is smaller than a maul or beetle, and usually has a relatively large head. The term is descriptive of the overall size and proport ...

hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the

psaltery A psaltery ( el, ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by ...

, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly

Appenzell Appenzell is a historic canton in the northeast of Switzerland, and entirely surrounded by the canton of St. Gallen. Appenzell became independent of the Abbey of Saint Gall in 1403 and entered a league with the Old Swiss Confederacy in 1411, ...

), Austria and Bavaria), the Balkans, Eastern Europe (Ukraine and Belarus), and Scandinavia. The instrument is also played in the United Kingdom (Wales,

East Anglia East Anglia is an area in the East of England, often defined as including the counties of Norfolk, Suffolk and Cambridgeshire. The name derives from the Anglo-Saxon kingdom of the East Angles, a people whose name originated in Anglia, in ...

, Northumbria), and the US, where its traditional use in folk music saw a notable revival in the late 20th century.

Strings and tuning

A dulcimer usually has two bridges, a bass bridge near the right and a treble bridge on the left side. The bass bridge holds up bass strings, which are played to the left of the bridge. The treble strings can be played on either side of the treble bridge. In the usual construction, playing them on the left side gives a note a fifth higher than playing them on the right of the bridge. The dulcimer comes in various sizes, identified by the number of strings that cross each of the bridges. A 15/14, for example, has 15 strings crossing the treble bridge and 14 crossing the bass bridge, and can span three

octave In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...

s. The strings of a hammered dulcimer are usually found in pairs, two strings for each note (though some instruments have three or four strings per note). Each set of strings is tuned in unison and is called a

course Course may refer to: Directions or navigation * Course (navigation), the path of travel * Course (orienteering), a series of control points visited by orienteers during a competition, marked with red/white flags in the terrain, and corresponding ...

. As with a piano, the purpose of using multiple strings per course is to make the instrument louder, although as the courses are rarely in perfect unison, a chorus effect usually results like a

mandolin A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 ...

. A hammered dulcimer, like an

autoharp An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. The term ''autoharp'' was once a trademark of ...

harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...

, or piano, requires a

tuning wrench A tuning wrench (also called a tuning lever or tuning hammer) is a specialized socket wrench used to tune string instruments, such as the piano, harp, and hammer dulcimer, that have strings wrapped around tuning pins. Other string instruments ...

for tuning, since the dulcimer's strings are wound around tuning pins with square heads. (Ordinarily, 5 mm "zither pins" are used, similar to, but smaller in diameter than piano tuning pins, which come in various sizes ranging upwards from "1/0" or 7 mm.) The strings of the hammered dulcimer are often tuned according to a circle of fifths pattern. Typically, the lowest note (often a G or D) is struck at the lower right-hand of the instrument, just to the left of the right-hand (bass) bridge. As a player strikes the courses above in sequence, they ascend following a repeating sequence of two whole steps and a half step. With this tuning, a

diatonic scale In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, ...

is broken into two tetrachords, or groups of four notes. For example, on an instrument with D as the lowest note, the D major scale is played starting in the lower-right corner and ascending the bass bridge: D – E – F – G. This is the lower tetrachord of the D major scale. At this point the player returns to the bottom of the instrument and shifts to the treble strings to the right of the treble bridge to play the higher tetrachord: A – B – C – D. The player can continue up the scale on the right side of the treble bridge with E – F – G – A – B, but the next note will be C, not C, so he or she must switch to the left side of the treble bridge (and closer to the player) to continue the D major scale. See the drawing on the left above, in which "DO" would correspond to D (see

Movable do solfège Moveable may refer to: * A Moveable Feast * Moveable feast * Movable type * Moveable bridge * History of printing in East Asia Printing in East Asia originated from the Han dynasty (220 BCE – 206 CE) in China, evolving from ink rubbings made on p ...

). The shift from the bass bridge to the treble bridge is required because the bass bridge's fourth string G is the start of the lower tetrachord of the G scale. The player could go on up a couple notes (G – A – B), but the next note will be a flatted seventh (C natural in this case), because this note is drawn from the G tetrachord. This D major scale with a flatted seventh is the

mixolydian mode Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scal ...

in D. The same thing happens as the player goes up the treble bridge – after getting to La (B in this case), one has to go to the left of the treble bridge. Moving from the left side of the bass bridge to the right side of the treble bridge is analogous to moving from the right side of the treble bridge to the left side of the treble bridge. The whole pattern can be shifted up by three courses, so that instead of a D-major scale one would have a G-major scale, and so on. This transposes one

equally tempered An equal temperament is a musical temperament or tuning system, which approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, w ...

scale to another. Shifting down three courses transposes the D-major scale to A-major, but of course the first Do-Re-Mi would be shifted off the instrument. This tuning results in most, but not all, notes of the chromatic scale being available. To fill in the gaps, many modern dulcimer builders include extra short bridges at the top and bottom of the soundboard, where extra strings are tuned to some or all of the missing pitches. Such instruments are often called "chromatic dulcimers" as opposed to the more traditional "diatonic dulcimers". The tetrachord markers found on the bridges of most hammered dulcimers in the English-speaking world were introduced by the American player and maker Sam Rizzetta in the 1960s. In the Alps there are also chromatic dulcimers with crossed strings, which are in a whole tone distance in every row. This chromatic ''Salzburger hackbrett'' was developed in the mid 1930s from the diatonic hammered dulcimer by Tobi Reizer and his son along with Franz Peyer and Heinrich Bandzauner. In the postwar period it was one of the instruments taught in state-sponsored music schools. Hammered dulcimers of non-European descent may have other tuning patterns, and builders of European-style dulcimers sometimes experiment with alternate tuning patterns.

Hammers

The instrument is referred to as "hammered" in reference to the small mallets (referred to as ''hammers'') that players use to strike the strings. Hammers are usually made of wood (most likely

hardwood Hardwood is wood from dicot trees. These are usually found in broad-leaved temperate and tropical forests. In temperate and boreal latitudes they are mostly deciduous, but in tropics and subtropics mostly evergreen. Hardwood (which comes from ...

s such as maple, cherry, padauk, oak, walnut, or any other hardwood), but can also be made from any material, including metal and plastic. In the Western hemisphere, hammers are usually stiff, but in Asia, flexible hammers are often used. The head of the hammer can be left bare for a sharp

attack Attack may refer to: Warfare and combat * Offensive (military) * Charge (warfare) * Attack (fencing) * Strike (attack) * Attack (computing) * Attack aircraft Books and publishing * ''The Attack'' (novel), a book * '' Attack No. 1'', comic an ...

sound, or can be covered with adhesive tape, leather, or fabric for a softer sound. Two-sided hammers are also available. The heads of two sided hammers are usually oval or round. Most of the time, one side is left as bare wood while the other side may be covered in leather or a softer material such as piano felt. Several traditional players have used hammers that differ substantially from those in common use today.

Paul Van Arsdale Paul Van Arsdale (October 19, 1920 – March 29, 2018) was an American hammered dulcimer player from North Tonawanda in upstate New York. Biography Paul (the sixth of eleven children) and his brothers Phil and Sterl learned to play from their ...

(1920–2018), a player from upstate

New York New York most commonly refers to: * New York City, the most populous city in the United States, located in the state of New York * New York (state), a state in the northeastern United States New York may also refer to: Film and television * '' ...

, used flexible hammers made from hacksaw blades, with leather-covered wooden blocks attached to the ends (these were modeled after the hammers used by his grandfather, Jesse Martin). The Irish player John Rea (1915–1983) used hammers made of thick steel wire, which he made himself from old bicycle

spoke A spoke is one of some number of rods radiating from the center of a wheel (the hub where the axle connects), connecting the hub with the round traction surface. The term originally referred to portions of a log that had been riven (split l ...

s wrapped with wool.

Billy Bennington Billy Bennington (1900 – 18 October 1986) was an English hammered dulcimer player. Biography Bennington was born in Barford, Norfolk into a musical household - his mother played melodeon and his father played the tin whistle. Bennington' ...

(1900–1986), a player from Norfolk, England, used cane hammers bound with wool.

Variants and adaptations

The hammered dulcimer was extensively used during the Middle Ages in England, France, Italy, Germany, the Netherlands, and Spain. Although it had a distinctive name in each country, it was everywhere regarded as a kind of psalterium. The importance of the method of setting the strings in vibration by means of hammers, and its bearing on the

acoustics Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician ...

of the instrument, were recognized only when the invention of the pianoforte had become a matter of history. It was then perceived that the psalterium (in which the strings were plucked) and the dulcimer (in which they were struck), when provided with keyboards would give rise to two distinct families of instruments, differing essentially in

tone quality In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical ...

, in technique and in capabilities. The evolution of the psalterium resulted in the

harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...

; that of the dulcimer produced the pianoforte.

Around the world

Versions of the hammered dulcimer, each of which has its own distinct manner of construction and playing style, are used throughout the world: * Afghanistan –

santur The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻU ...

* Austria – Hackbrett * Bangladesh – santoor * Belarus – tsymbaly ( цымбалы) * Belgium – hakkebord * Brazil –

saltério Salterio is the Italian, Spanish, and Portuguese term for either of two types of zither: the hammered dulcimer or psaltery. Concept, etymology '' 'Salterio' ''/'' 'saltério' ''is used in Italian and Spanish where both 'psaltery' and 'dulcimer' a ...

* Cambodia – khim * Canada – hammered dulcimer * China – yangqin (

扬琴 The trapezoidal yangqin () is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋琴 (lit. "foreign zither"), but over time the first character changed to ...

, formerly 洋琴) * Croatian – cimbal, cimbale, cimbule * Czech Republic – cimbál * Denmark – hakkebræt * France – tympanon * Germany – Zymbal, Hackbrett * Greece – santouri * Hungary – cimbalom * India – santoor * Iran –

* Iraq –

* Ireland – tiompan * Israel – דולצימר פטישים * Italy – salterio * Japan – darushimaa ( ダルシマー) * Korea –

yanggeum The yanggeum is a traditional Korean string instrument. It is a hammered dulcimer. Unlike other traditional Korean instruments (most of which have silk strings), the ''yanggeum'' has metal strings. It is played by striking the strings with a b ...

( 양금) * Laos – khim * Latgalia (Latvia) – cymbala * Latvia – cimbole * Lithuania – cimbalai, cimbolai * Mexico – salterio * Mongolia – yoochin ( ёочин or ёчин) * Netherlands – hakkebord * Norway – hakkebrett * Pakistan – santoor * Poland – cymbały * Portugal –

* Romania –

ţambal The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in ...

* Russia – цимбалы, dultsimer ( дульцимер) * Serbia – цимбал (tsimbal) * Slovakia – cimbal * Slovenia – cimbale, oprekelj * Spain (and Spanish-speaking countries) – salterio, dulcémele * Sweden – hackbräde, hammarharpa * Switzerland – Hackbrett * Thailand – khim * Turkey –

* Tibet - rgyud-mang (རྒྱུད་མང་, literally "many strings") * Ukraine – tsymbaly ( цимбали) * United Kingdom – hammered dulcimer * United States – hammered dulcimer * Uzbekistan – chang * Vietnam –

đàn tam thập lục The ''đàn tam thập lục'' (also called simply ''tam thập lục'') is a Vietnamese hammered dulcimer with 36 metal strings. It is used in various genres of traditional music and drama, as well as in modernized traditional music. The instrume ...

(lit. "36 strings") * Yiddish –

tsimbl The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in ...

References

External links