:''Not be confused with the church of
San Nicolò da Tolentino
Nicholas of Tolentino ( la, S. Nicolaus de Tolentino, (c. 1246September 10, 1305), known as the ''Patron of Holy Souls'', was an Italian saint and Mysticism, mystic. He is particularly invoked as an advocate for the souls in Purgatory, especial ...
in
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...
, the Basilica di San Nicola in the town of
Tolentino
Tolentino is a town and ''comune'' of about 19,000 inhabitants, in the province of Macerata in the Marche region of central Italy.
It is located in the middle of the valley of the Chienti.
History
Signs of the first inhabitants of this favora ...
in the province of
Macerata
Macerata () is a city and ''comune'' in central Italy, the county seat of the province of Macerata in the Marche region. It has a population of about 41,564.
History
The historical city centre is on a hill between the Chienti and Potenza ri ...
, or the Oratorio di San Nicola da Tolentino in
Vicenza
Vicenza ( , ; ) is a city in northeastern Italy. It is in the Veneto region at the northern base of the ''Monte Berico'', where it straddles the Bacchiglione River. Vicenza is approximately west of Venice and east of Milan.
Vicenza is a th ...
.''
San Nicola da Tolentino agli Orti Sallustiani (
Italian
Italian(s) may refer to:
* Anything of, from, or related to the people of Italy over the centuries
** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom
** Italian language, a Romance language
*** Regional Ita ...
: Saint Nicholas of Tolentino in the
Gardens of Sallust
The Gardens of Sallust ( la, Horti Sallustiani) was an ancient Roman estate including a landscaped pleasure garden developed by the historian Sallust in the 1st century BC. It occupied a large area in the northeastern sector of Rome, in what would ...
) is a church in
Rome
, established_title = Founded
, established_date = 753 BC
, founder = King Romulus (legendary)
, image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg
, map_caption ...
. It is referred to in both Melchiori's and Venuti's guides as ''San Niccolò di Tolentino'', and in the latter it adds the suffix ''a Capo le Case''. It is one of the two Roman
national churches of Armenia. The church was built for the
Discalced Augustinians
The Order of Discalced Augustinians (; abbreviation: OAD) is a mendicant order that branched off from the Order of Saint Augustine as a reform movement.
History
During the Counter-Reformation, there was a special interest among the Augustinian f ...
in 1599, and originally dedicated to the 13th century Augustinian monk, Saint
Nicholas of Tolentino
Nicholas of Tolentino ( la, S. Nicolaus de Tolentino, (c. 1246September 10, 1305), known as the ''Patron of Holy Souls'', was an Italian saint and mystic. He is particularly invoked as an advocate for the souls in Purgatory, especially during ...
(also called ''San Niccolò'' or ''Nicolò da Tolentino'').
History
The interior was refurbished during 1614–1620 by Carlo Buti and
Martino Longhi, supported by patronage by the
Pamphilj
The House of Pamphili (often with the final ''long i'' orthography, Pamphilj) was one of the papal families deeply entrenched in Catholic Church, Roman and Italian politics of the 16th and 17th centuries.
Later, the Pamphili family line merged ...
family. The Milanese architect Francesco Buzio was also involved in the redesign. Starting in 1654, again with Pamphilj patronage, the church was rebuilt with designs by Giovanni Maria Baratta, one of the main pupils of
Alessandro Algardi
Alessandro Algardi (July 31, 1598 – June 10, 1654) was an Italian high-Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major ...
. In 1883, the church was given to the
Pontifical Armenian College
The Roman Colleges, also referred to as the Pontifical Colleges in Rome, are institutions established and maintained in Rome for the education of future ecclesiastics of the Catholic Church. Traditionally many were for students of a particular nati ...
by
Pope Leo XIII
Pope Leo XIII ( it, Leone XIII; born Vincenzo Gioacchino Raffaele Luigi Pecci; 2 March 1810 – 20 July 1903) was the head of the Catholic Church from 20 February 1878 to his death in July 1903. Living until the age of 93, he was the second-old ...
. The
Armenian Catholic Church
, native_name_lang = hy
, image = St Elie - St Gregory Armenian Catholic Cathedral.jpg
, imagewidth = 260px
, alt =
, caption = Cathedral of Saint Elias and Saint Gregory the Illuminat ...
is in full communion with the Roman Catholic Church.
[San Nicola da Tolentino agli Orti Sallustiani]
/ref>
Interior
The main altarpiece of ''San Giovanni Battista'' is by Baciccio
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand ...
. The sculpture of the ''Madonna with Child offering the Miraculous Bread to Saint Nicholas, Saint Augustine and Saint Monica'' over the main altar was completed by Domenico Guidi
Domenico Guidi (1625 – 28 March 1701) was a prominent Italian Baroque sculptor.
Born in Carrara, Guidi followed his uncle, Giuliano Finelli, a prominent sculptor noted for his feud with Bernini, to Naples. When he fled Naples in 1647 dur ...
with Angels by Baratta. The surrounding stucco-work is by Ercole Ferrata
Ercole Ferrata ( 1610 – 10 July 1686) was an Italian sculptor of the Roman Baroque.
Biography
A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When h ...
. The high altar was based on a design by Algardi.[
The first chapel on the right has a depiction of ''Miracle by Saint Nicholas of Bari'' (1710) by Filippo Laurenzi. The ''Annunciation'' is by Pughelli, and the lateral canvases by ]Giovanni Ventura Borghesi
Giovanni Ventura Borghesi (October 29, 1640 – April 13, 1708) was an Italian painter of the Baroque period, active mainly in Rome.
Biography
Born in Città di Castello, he was initially a pupil of the painter Giovanni Battista Pacetti (called ...
.[
In the second chapel on the right is an altarpiece by ]Lazzaro Baldi
Lazzaro Baldi ( – 30 March 1703) was an Italian painter and engraver of the Baroque period active mainly in Rome. .[Melchiorri, page 365.]
In the third chapel on the right side is the sepulchral monument of Cardinal Federico Lante delle Rovere, with paintings by Pietro Paolo Baldini
Pietro Paolo Baldini (1614?-1684?) was an Italian painter of the Baroque period.
Biography
Lived around the middle of the century XVII, the place of both birth and death are not known. Baldini was never taken into consideration by critics: only ...
.[
The third chapel on the left, the Gavotti chapel, was designed in 1668 by ]Pietro da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman ...
who began the ceiling fresco work, although after his death, it was finished by Ciro Ferri
Ciro Ferri (1634 – 13 September 1689) was an Italian Baroque sculptor and painter, the chief pupil and successor of Pietro da Cortona.
He was born in Rome, where he began working under Cortona and with a team of artists in the extensive fresc ...
. The chapel was dedicated to the ''Madonna of Savona''. The sculptural relief at the altar of the ''Apparition of the Blessed Virgin of Savona to Blessed Anthony Botta'' was completed by Cosimo Fancelli
Cosimo Fancelli (c.1620 – 3 April 1688) was an Italian sculptor of the Baroque period, active mainly in Rome. He worked on a number of commissions with Pietro da Cortona from 1647 until Cortona's death in 1669. Gian Lorenzo Berni ...
, and statues of ''Saint Joseph'' by Ercole Ferrata
Ercole Ferrata ( 1610 – 10 July 1686) was an Italian sculptor of the Roman Baroque.
Biography
A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When h ...
and ''Saint John the Baptist'' by Antonio Raggi
Antonio Raggi (1624–1686), also called ''Antonio Lombardo'', was a sculptor of the Roman Baroque, originating from today's Ticino.
Biography
He was born in Vico Morcote on the Lake Lugano. His mentor in Rome for nearly three decades was Gian ...
.
The second chapel on the left, the Buratti chapel, was designed by Giovanni Battista Mola, the father of Pier Francesco Mola
Pier Francesco Mola, called Il Ticinese (9 February 1612 – 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome.
Biography
Mola was born at Coldrerio (now in Ticino, Switzerland).''Ecstasy in the Wilderness: Pier ...
.[
THe first chapel on the right has a ''St Phillip Neri'' painted by Cristofaro Creo.]
The dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a m ...
is octagonal, with eight windows. The cupola is frescoed (1643) by Pietro Paolo Baldini
Pietro Paolo Baldini (1614?-1684?) was an Italian painter of the Baroque period.
Biography
Lived around the middle of the century XVII, the place of both birth and death are not known. Baldini was never taken into consideration by critics: only ...
and depicts four female angels symbolising the four fundamental virtues of the Augustinian Order: Chastity, Humility, Poverty and Obedience. There is also a fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ...
depicting ''Glory of Saint Nicholas of Tolentino'' by Giovanni Coli and Filippo Gherardi
Filippo Gherardi (1643–1704) was an Italian painter of the Baroque period.
Born in Lucca, he was mostly active in Venice and Rome, where he became a member of the large studio of Pietro da Cortona, often working closely with Giovanni Coli. Wit ...
. The Sant'Agnese altarpiece to the left of the crossing is a copy of a Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vig ...
original found in the Doria Gallery.[
There is a memorial in the right side of the chapel of Saint Gregory the Illuminator; his cardinalitial hat hangs from the ceiling of the church.Miranda, Salvator. "Hassoun, Andon Betros", The Cardinals of the Holy Roman Church, Florida International University]
/ref>
References
{{DEFAULTSORT:Nicola Da Tolentino Agli Orti Sallustiani, San
National churches in Rome
Churches of Rome (rione Trevi)
Armenian Catholic churches
Eastern Catholic church buildings in Italy
Baroque architecture in Rome
Armenian Catholic Church in Italy