San Martino, Venice
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San Martino is a
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
Roman Catholic Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a lette ...
church in the sestiere of Castello of
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
, northern
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...
.


History

The church now stands near the Arsenale, and is officiated by a military chaplain. Initially founded in the 10th century, from 1546 to 1610 it was rebuilt based on a plan by
Jacopo Sansovino Jacopo d'Antonio Sansovino (2 July 1486 – 27 November 1570) was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance archi ...
.


Description

The facade (1897) was designed by Federico Berchet and Domenico Rupolo. The vault is frescoed with ''Saint Martin in Glory'' by
Jacopo Guarana 225px, ''Allegory of the virtues Mocenigo'', 1787 Jacopo Guarana (October 28, 1720 – April 18, 1808) was a Venetian painter of the late Baroque period who was born in Verona. He was active mainly in Venice and its mainland territories. In ...
, with the
quadratura Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, an ...
painted by Domenico Bruni. The walls portray saints and evangelists by Matteo Zais. A funeral monument (1633) to Doge
Francesco Erizzo Francesco Erizzo (Venice, February 18, 1566 – Venice, January 3, 1646) was the 98th Doge of Venice, reigning from his election on April 10, 1631, until his death fifteen years later. His reign is particularly notable because the last year of his ...
was completed by Matteo Carneri. A chapel has a fresco cycle of the ''Glory of the Eucharist'' flanked by ''Sacrifice of Isaac'' and ''Sacrifice of Mechizedek'' on the walls by
Fabio Canal Fabio Canal or Canale (1703 – 5 September 1767) was an Italian painter of the late Baroque era, active mainly depicting history and sacred subjects in his native Venice. Biography He was a follower of Tiepolo. Among his works are the nave cei ...
. The 15th-century altar by
Tullio Lombardo Tullio Lombardo (c. 1455 – November 17, 1532), also known as Tullio Solari, was an Italian Renaissance sculptor. He was the brother of Antonio Lombardo and son of Pietro Lombardo. The Lombardo family worked together to sculpt famous Catholic ...
was brought here from the church of Santo Sepolcro. The sacristy is frescoed with a ''Last Supper'' (1549) and ''Resurrection'' by
Girolamo da Santacroce Girolamo da Santacroce (c. 1480/85 – c. 1556) was a 16th-century Italy, Italian painter of the Renaissance period, active mainly in Venice and the Venetian mainland.Antonio Zanchi and Domenico Bruni. The organ was constructed by Pietro Nachini and restored by Gaetano Callido. The first altar on the right has a ''St Cecilia and St Lorenzo Giustiniani'' by Giovanni Segala. The church contains the funereal monument of Doge
Francesco Erizzo Francesco Erizzo (Venice, February 18, 1566 – Venice, January 3, 1646) was the 98th Doge of Venice, reigning from his election on April 10, 1631, until his death fifteen years later. His reign is particularly notable because the last year of his ...
designed by Mattia Carnero in 1633. The next altar towards the presbytery contains the canvas of ''Holy Family with St Mark and Bishop Foca'' by Giovanni Laudis. The third altar has a ''Madonna in Sorrow'' by
Palma il Giovane Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death ...
, next to ''Three angels with symbols of the passion'' and a ''Deposition'' by the same painter. The
pulpit A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, access ...
was carved by Sebastiano Messenali (1752), and the small altar by
Tullio Lombardo Tullio Lombardo (c. 1455 – November 17, 1532), also known as Tullio Solari, was an Italian Renaissance sculptor. He was the brother of Antonio Lombardo and son of Pietro Lombardo. The Lombardo family worked together to sculpt famous Catholic ...
. There are also a ''St John the Evangelist writes the Apocalyptic Gospels'' by
Matteo Ponzone Matteo Ponzone (17th century) was an Italian painter of the Baroque period, active between 1630 and 1700 mainly in Venice. He was a pupil of Santo Peranda. Several of his works are in the churches and public buildings of Venice, particularly in S ...
.


Sources

* {{DEFAULTSORT:Martino, San 17th-century Roman Catholic church buildings in Italy Roman Catholic churches in Venice Renaissance architecture in Venice Jacopo Sansovino buildings 10th-century establishments in Italy 1610 establishments in the Republic of Venice 1610 establishments in Italy Roman Catholic churches completed in 1610