The ''San Giacomo dell'Orio Altarpiece ''(or ''Madonna and Four Saints'') is an oil-on-canvas painting by the Italian High Renaissance artist

Lorenzo Lotto Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He pain ...

, dating from 1546 and housed in the church of

San Giacomo dell'Orio The Chiesa di San Giacomo dall'Orio ( vec, Céxa de San Giacomo de l’Orio) (or San Giacomo Apostolo - Saint James the Apostle) is a church located in the ''sestiere'' (quarter) of Santa Croce in Venice, northern Italy. The origin of the chu ...

Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...

. It is signed and dated on the

cartouche In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the fea ...

hanging at the throne's base, reading "In tempo de Maistro Defendi de Federigo et compagni 1546 Lor. Lot". The canvas is one of the last works executed by Lotto in Venice before he relocated to the

Marche Marche ( , ) is one of the twenty regions of Italy. In English, the region is sometimes referred to as The Marches ( ). The region is located in the central area of the country, bordered by Emilia-Romagna and the republic of San Marino to the ...

Description

The inscription explains that the work was commissioned by a brotherhood in Venice that organized popular devotion. It is a typical

Holy conversation In art, a (; plural: ''sacre conversazioni''), meaning holy (or sacred) conversation, is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of saint ...

composition, with the Madonna on a high throne in front of a green drapery, surrounded by a group of saints. They are, at the sides,

Cosmas and Damian Cosmas and Damian ( ar, قُزما ودميان, translit=Qozma wa Demyaan; grc-gre, Κοσμᾶς καὶ Δαμιανός, translit=Kosmás kai Damianós; la, Cosmas et Damianus; AD) were two Arab physicians in the town Cyrrhus, and were r ...

, and

James, son of Zebedee James the Great, also known as James, son of Zebedee, Saint James the Great, Saint James the Greater, Saint James the Elder, or Saint Jacob (Aramaic ܝܥܩܘܒ ܒܪ ܙܒܕܝ, Arabic يعقوب, Hebrew בן זבדי , '' Yaʿăqōḇ'', Latin '' ...

and

Andrew the Apostle Andrew the Apostle ( grc-koi, Ἀνδρέᾱς, Andréās ; la, Andrēās ; , syc, ܐܰܢܕ݁ܪܶܐܘܳܣ, ʾAnd’reʾwās), also called Saint Andrew, was an Apostles in the New Testament, apostle of Jesus according to the New Testament. He ...

. Two angels hold a crown above Mary.

Sources

* {{16C-painting-stub 1546 paintings Paintings of the Madonna and Child by Lorenzo Lotto Paintings in Venice Angels in art category:Paintings of Saints Cosmas and Damian Paintings of James the Great category:Paintings depicting Andrew the Apostle

Description

See also

Sources