Roger Goeb
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Roger John Goeb (October 9, 1914 – January 3, 1997) was an American composer.


Biography

Roger Goeb was born in
Cherokee, Iowa Cherokee is a city in Cherokee County, Iowa, United States. The population was 5,199 at the 2020 Census, down from 5,369 in 2000. It is the county seat of Cherokee County. History Cherokee was laid out as a town in 1870, and was named for the ...
. Although he had studied piano, trumpet, French horn, viola, violin, and woodwind instruments from an early age, he turned to the profession of music comparatively late. He studied agriculture at the University of Wisconsin (which twenty years later would be called
University of Wisconsin–Madison The University of Wisconsin–Madison (University of Wisconsin, Wisconsin, UW, UW–Madison, or simply Madison) is a public land-grant research university in Madison, Wisconsin. Founded when Wisconsin achieved statehood in 1848, UW–Madison ...
), earning a BS degree in 1936. He then earned his living for two years playing in jazz bands before going to Paris to study composition at the Ecole Normale de Musique with
Nadia Boulanger Juliette Nadia Boulanger (; 16 September 188722 October 1979) was a French music teacher and conductor. She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist. From a ...
(1938–39). Returning to the United States he studied composition privately with
Otto Luening Otto Clarence Luening (June 15, 1900 – September 2, 1996) was a German-American composer and conductor, and an early pioneer of tape music and electronic music. Luening was born in Milwaukee, Wisconsin to German parents, Eugene, a conducto ...
, followed by graduate work, first at New York University, and then at the Cleveland Institute with Herbert Elwell, where he earned a Master of Music degree in 1942. Three years later, he gained a PhD at the University of Iowa with his Symphony No. 2 as a dissertation. After teaching stints at Bard College, the Juilliard School, Stanford University, and Adelphi College, he was awarded two successive Guggenheim fellowships in 1950–51 and 1951–52. From the late 1940s until the mid-1960s, Goeb composed instrumental music prolifically, and his music was well received. His Third Symphony was premiered on October 28, 1952, by
Leopold Stokowski Leopold Anthony Stokowski (18 April 1882 – 13 September 1977) was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appeara ...
and the CBS Orchestra, who recorded it two days later for RCA Victor. In 1964, however, he gave up composing for more than ten years, because of family illnesses. His wife and his son eventually both died from
multiple sclerosis Multiple (cerebral) sclerosis (MS), also known as encephalomyelitis disseminata or disseminated sclerosis, is the most common demyelinating disease, in which the insulating covers of nerve cells in the brain and spinal cord are damaged. This d ...
, after which he began composing again, composing 25 more works until a stroke in 1986 curtailed his activities. He died on January 3, 1997, at the Parker Jewish Geriatric Institute in Queens, NY.


Style

His music economically projects clear lines and formal designs. He did not orchestrate, but rather composed directly for instruments. Though he used familiar pitch combinations, he was able always to make them sound fresh and novel.


Compositions


Orchestra


Symphonies

*Symphony No. 1 (1941, withdrawn) *Symphony No. 2 (1945) *Symphony No. 3 (1950) *Symphony No. 4 (1955) *Symphony No. 5 (1981) *Symphony No. 6 (1987) *Sinfonia No. 1, for orchestra (1957) *Sinfonia No. 2, for orchestra (1962)


Concerted works

*''Concertant'' No. 1, for flute, oboe (or English horn, or clarinet), string orchestra or piano (1948) *''Concertant'' No. 2, for bassoon (or cello) and string orchestra (or string quartet) (1950) *''Concertant'' No. 3, for viola and wind orchestra (or wind ensemble or piano) (1951) *''Concertant'' No. 4, for clarinet, piano, percussion, and string orchestra (or clarinet and string quartet, or clarinet and piano) (1951) *''Concertant'' No. 5, for orchestra *Concertino No. 1, for orchestra (1949) *Concertino No. 2, for orchestra (1959) *Concertino (Quintet) for trombone and strings (1952) *''Fantasy'', for oboe and string orchestra (1952) *Violin Concerto, (1953) *Piano Concerto (1954) *Fantasy, for piano and string orchestra (1955) *''Iowa Concerto'', for chamber orchestra (1959) *''Black on White'', for clarinet and string orchestra or string quartet (1985)


Other orchestral

*''Prairie Songs'', for small orchestra, or wind quintet (1947) *''Romanza'', for string orchestra (1948) *''American Dances'', Nos. 1–5 (1952) *''Encomium'', for band (1958) *Caprice, for orchestra (1982) *Divertissement, for string orchestra (1982) *''Memorial'', for orchestra (1982) *Fantasia, for orchestra (1983) *''Essay'', for orchestra (1984) *''Gambol'', for orchestra (1984)


Chamber music

*String Quartet No. 1 (1943, withdrawn) *String Trio (1944) *String Quartet No. 2 (1948) *Brass Septet (1949) *Wind Quintet No. 1 (1949) *''Processionals'' (3), for organ, 2 trumpets, 3 trombones (1951) *Divertimento, for cello and piano (1951) *Suite, for flute, oboe (or trumpet, or clarinet), and clarinet (or flute) (1952) *String Quartet No. 3 (1954) *Piano Quintet (1955) *Wind Quintet No. 2 (1955) *Sonata, for violin and piano (1957) *''Running Colors'', for string quartet (1961) *Oboe Quartet (1961) *''Declarations'', for flute, oboe, bassoon, horn, and cello (1961) *Quintet, for cello and string quartet (1979) *Brass Quintet No. 1 (1980) *Octet, for clarinet, bassoon, horn, 2 violins, viola, cello, and double bass (1980) *String Quartet No. 4 (1980) *Wind Quintet No. 3 (1980) *Wind Quintet No. 4 (1982) *Flute Quintet (1983) *''Hurry'', for flute, oboe, clarinet, horn, trumpet, vibraphone, viola, cello, and double bass (1985) *''Kinematic Trio'', for viola, cello, and piano (1985) *''Nuances'', for clarinet and viola (1986) *Brass Quintet No. 2 (1987) *''Urbane Duets'', for viola and cello (1988) *''Winds Playing'', for 4 woodwinds and 6 brass (1988) *''Solar Pairing'', Baroque flute and harpsichord (1989)


Solo instrument

*Fantasy, for piano (1948) *''Fuga contraria'', for piano (1950) *''Imagery'', for viola solo (1984)


Vocal

*''Phrases from Blake'', SSATB choir (1950) *''Etudes'', for SATB choir and brass (1981) *''Vocalises'' (2), for soprano and chamber orchestra (1987)


Discography

*American Dances (3 selections). ''Contemporary American Music for String Orchestra''. (With David Diamond: ''Rounds, for string orchestra''; Vincent Persichetti: ''Hollow Men'', for trumpet and strings; Aaron Copland: Pieces, for string quartet (arr.); Quincy Porter: ''Music for Strings''.) MGM String Ensemble, Izler Solomon, conductor; Sidney Baker, trumpet (Persichetti). LP recording 1 sound disc: 33⅓ rpm, mono; 12 in. alifornia MGM Records, 952–1959? *Concertino for Trombone and String Orchestra. (With Frank Martin: ''Ballade'' for trombone and piano; Paul Hindemith: Sonata for trombone and piano.) Davis Shuman, trombone; WQXR Strings (Goeb); Leonid Hambro, piano (Martin and Hindemith). LP recording 1 sound disc: 33⅓ rpm, mono; 12 in. Golden Crest Recital Series. Golden Crest RE 7011. Huntington Station, NY: Golden Crest, 1962. *Concertino No. 2 for orchestra. (With Gail Kubik: Symphony No. 2). Louisville Orchestra, Robert Whitney, cond. Louisville Orchestra first edition records; Louisville Orchestra commissioning series. LP recording, 1 sound disc: analog, 33⅓ rpm, mono. 12 in. LOU-58-5. Louisville, KY.: Louisville Orchestra, 1958. * Divertimenti (2), for two flutes. New York Flute Club. ''A Tribute to Otto Luening''. (With Otto Luening: Suite No. 2, for solo flute; Trio for three flutists; ''Three Canons'' for two flutes. John Heiss: ''Etudes'' for flute, op. 20; Harvey Sollberger: ''Killapata/Chaskapata''; Ezra Laderman: ''June Twenty-ninth''; Ulysses Kay: Suite for flute and oboe.) Compact disc 1 sound disc: digital; 4¾ in. CRI CD561. New York, N.Y.: CRI, 1988 *''Prairie Songs'' (version for wind quintet). ''Three Contemporaries''. (With Howard Swanson: ''Seven Songs''; Ben Weber: ''Concert Aria after Solomon''.) Five-Wind Ensemble; Helen Thigpen, soprano; David Allen, piano; Bethany Beardslee, soprano; unnamed orchestra, Frank Brieff, conductor. LP recording, 1 sound disc: 33⅓ rpm; 12 in. American Recording Society ARS-10. New York NY: American Recording Society, 1953. Reissued, Desto Records LP, 1 sound disc: 33⅓ rpm; 12 in. DST 6422. New York, N.Y.: Desto, 1967. *Symphony no. 3 (With Béla Bartók: Sonata for Two Pianos and Percussion.) Leopold Stokowski, conductor, and his symphony orchestra (Goeb). Gerson Yessin and Raymond Viola, pianos; Elayne Jones and Alfred Howard, percussion (Bartók). LP recording. 1 sound disc: analog, 33⅓ rpm, mono; 12 in. RCA Victor LM 1727; Camden, N.J.: RCA Victor, 1953. Goeb Symphony reissued, coupled with Ben Weber: ''Symphony on Poems of William Blake''. Warren Galjour, vocalist. LP recording 1 sound disc: analog, 33⅓ rpm, mono; 12 in. Composers Recordings, CRI 120. New York: Composers Recordings Inc., 1958. Goeb and Weber reissued together on CD, also coupled with Henry Cowell: ''Persian Set''. Citadel: CTD 88123. Citadel, 1997. *Symphony no. 4. (With Jacob Druckman: ''Dark upon the Harp''.) Japan Philharmonic Symphony Orchestra, Akeo Watanabe, conductor (Goeb); Jan De Gaetani, mezzo-soprano, with instrumental ensemble (2 trumpets, horn, trombone, tuba, and 2 percussion players) (Druckman). LP recording. 1 sound disc: analog, 33⅓ rpm, mono; 12 in. Composers Recordings CRI-167. New York, N.Y.: Composers Recordings Inc., 1963. Goeb’s symphony reissued as part of ''American Symphonies''. (With Homer Keller: Symphony No. 3; Elie Siegmeister: Symphony No. 3.) Japan Philharmonic Symphony Orchestra, William Strickland, conductor (Keller); Oslo Philharmonic Symphony Orchestra, Elie Siegmeister, conductor (Siegmeister). Compact disc 1 sound disc: digital; 4¾ in. Citadel CTD 88121. San Juan Capistrano, CA: Citadel, 1997. *Quintet for Winds No. 1. New Art Wind Quintet. ''American Woodwind Symposium''. (With Ingolf Dahl: ''Allegro and arioso''; Vincent Persichetti: ''Pastoral'' for wind quintet, op. 21; Walter Piston: Pieces (3) for flute, clarinet, and bassoon; Henry Cowell: Suite for wind quintet; Wallingford Riegger: Quintet for Winds, op. 51; Elliott Carter: Quintet for Winds.) 2-LP set. 4 s.; 12 in.; 33⅓ rpm. Classic Editions: 950–1959?*Quintet for Winds No. 2. (With William Sydeman: ''Movements'', for woodwinds and strings, and Concerto da camera No. 1, for violin and chamber orchestra.) New Art Wind Quintet (Goeb); Max Pollikoff, violin; CRI Chamber Ensemble, Paul Wolfe, cond. (Sydeman). LP recording, 1 sound disc: analog, 33⅓ rpm, stereo.; 12 in. New York: Composers Recordings, 1962.


Sources

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External links


Roger Goeb page
on American Composers Alliance website. (Accessed November 30, 2010)

January 15, 1989
{{DEFAULTSORT:Goeb, Roger 20th-century classical composers American male classical composers American classical composers 1914 births 1997 deaths People from Cherokee, Iowa Musicians from Iowa University of Wisconsin–Madison College of Agricultural and Life Sciences alumni New York University alumni Cleveland Institute of Music alumni University of Iowa alumni Bard College faculty Juilliard School faculty Stanford University faculty Adelphi University faculty Pupils of Otto Luening 20th-century American composers 20th-century American male musicians