Runic Songs
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Runic song, Finnish and krl, Runolaulut , also referred to as Rune song, ''Runo'' song, or ''Kalevala'' song, is a form of
oral poetry Oral poetry is a form of poetry that is composed and transmitted without the aid of writing. The complex relationships between written and spoken literature in some societies can make this definition hard to maintain. Background Oral poetry is ...
and
national epic A national epic is an epic poem or a literary work of epic scope which seeks or is believed to capture and express the essence or spirit of a particular nation—not necessarily a nation state, but at least an ethnic or linguistic group with as ...
historically practiced among the Baltic Finnic peoples. It includes the Finnish epic poems ''
Kalevala The ''Kalevala'' ( fi, Kalevala, ) is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and r ...
'' and '' Kanteletar'', as well as the Estonian '' Kalevipoeg''.


Description

Runic song is typically monophonic among most Baltic Finnic groups, though it is generally polyphonic when practiced among the Seto. Runic song usually does not contain rhyming
couplet A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the ...
s, but is frequently heard in alliterative trochaic tetrameter, or
Kalevala meter Trochaic tetrameter is a meter in poetry. It refers to a line of four trochaic feet. The etymology of the word Trochaic is the Greek word ''trokhaios'', from the verb ''trecho'', which means "I run". In classical metre, a trochee is a foot consis ...
. Runic song is usually sung in , though quadruple metre and sextuple metre singing also exists. In addition to their musical character, runic singers also are required to follow certain practices as they sang, such as Karelian runic singers holding hands while singing in a call and response fashion. Ingrian runic singing includes additional choralists. Vocal ranges usually correspond with the range of a kantele. The term "runic song" does not include Livonian or
Vepsian Veps, or Vepsians (Vepsian language, Veps: ''vepsläižed''), are a Baltic Finns, Finnic people who speak the Veps language, which belongs to the Finnic languages, Finnic branch of the Uralic languages. According to the 2002 census, there were 8 ...
song, though they are related.


History

Though runic song has existed for at least a millennium, it only began to be transcribed in 1797. Efforts to write down runic song acquired new urgency in Finland after Russian victory in the 1808–1809 Finnish War and its subsequent annexation of Finland. This led to the publication of the ''
Kalevala The ''Kalevala'' ( fi, Kalevala, ) is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and r ...
'' by Elias Lönnrot in 1835. Similarly, runic song largely began to be recorded in Estonia in 1888 as part of the country's national revival, though the first transcriptions reach as far back as
Johann Gottfried Herder Johann Gottfried von Herder ( , ; 25 August 174418 December 1803) was a German philosopher, theologian, poet, and literary critic. He is associated with the Enlightenment, ''Sturm und Drang'', and Weimar Classicism. Biography Born in Mohrun ...
's 1778–1779 publication of ''Folk Songs''. The 1888 runic song transcription process in Estonia largely began following an appeal by
Jakob Hurt Jakob Hurt ( in Himmaste – in St Petersburg) was a notable Estonian folklorist, theologian, and linguist. With respect to the last, he is perhaps best known for his dissertation on "pure" -ne stem nouns ("Die estnischen Nomina auf -ne purum ...
to collect written Estonian folklore. Karl August Hermann subsequently called on Estonians to collect folk tunes. However, the appeal largely failed in its endeavour due to the significant volume of self-authored works which were submitted, as well as low levels of musical literacy. Another push, under the guidance of
Oskar Kallas Oskar Kallas (also Oskar Philipp Kallas; in Kirikuküla, Saaremaa – 26 January 1946 in Stockholm) was an Estonian diplomat, linguist and folklorist.Toivo Miljan, ''Historical Dictionary of Estonia'', Scarecrow Press 2004 He was the husband o ...
and including students from both the University of Tartu and the
Saint Petersburg Conservatory The N. A. Rimsky-Korsakov Saint Petersburg State Conservatory (russian: Санкт-Петербургская государственная консерватория имени Н. А. Римского-Корсакова) (formerly known as th ...
was much more successful; over 13,139 folk songs were collected between 1904 and 1914.


Notable runic singers

* Larin Paraske *
Arhippa Perttunen Arhippa Perttunen (russian: Архип Иванович Перттунен; Ladvozero village, now a part of the Republic of Karelia 1769 – c. 1841) was a Karelian folk singer. Around 1834, Elias Lönnrot met Perttunen for three days, while on h ...


Notable runic songs

* ''
Kalevala The ''Kalevala'' ( fi, Kalevala, ) is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and r ...
'' * '' Kanteletar'' * '' Kalevipoeg''


Notes

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References

Epic poems Estonian mythology Karelian-Finnish folklore Finnish mythology