Rudolph II

Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the House of Habsburg.

Rudolf's legacy has traditionally been viewed in three ways:Hotson, 1999. an ineffectual ruler whose mistakes led directly to the Thirty Years' War; a great and influential patron of Northern Mannerist art; and an intellectual devotee of occult arts and learning which helped seed what would be called the Scientific Revolution. Determined to unify Christendom, he initiated the Long Turkish War (1593–1606) with the Ottoman Empire. Exhausted by war, his citizens in Hungary revolted in the Bocskai Uprising, which led to more authority given to his brother Matthias. Under his reign, there was a policy of toleration towards Judaism.

Early life

Rudolf was born in Vienna on 18 July 1552. He was the eldest son and successor of Maximilian II, Holy Roman Emperor, King of Bohemia, and King of Hungary and Croatia; his mother was the Spanish princess Maria, a daughter of Charles V and Isabella of Portugal. He was the elder brother of Matthias who was to succeed him as king of Bohemia and Holy Roman Emperor.
Rudolf spent eight formative years, from age 11 to 19 (1563–1571), in Spain, at the court of his maternal uncle Philip II, together with his younger brother Ernest, future governor of the Low Countries.

After his return to Vienna, his father was concerned about Rudolf's aloof and stiff manner, typical of the more conservative Spanish court, rather than the more relaxed and open Austrian court; but his Spanish mother saw in him courtliness and refinement.Marshall, 2006. In the years following his return to Vienna, Rudolf was crowned King of Hungary (1572), King of Bohemia and King of the Romans (1575) when his father was still alive.

For the rest of his life, Rudolf would remain reserved, secretive, and largely a recluse who did not like to travel or even partake in the daily affairs of state.

He was more intrigued by occult learning such as astrology and alchemy, which was mainstream in the Renaissance period, and had a wide variety of personal hobbies such as horses, clocks, collecting rarities, and being a patron of the arts. He suffered from periodic bouts of " melancholy" (depression), which was common in the Habsburg line. These became worse with age, and were manifested by a withdrawal from the world and its affairs into his private interests.

Personal life

Like Elizabeth I of England (who was born 19 years before he was), Rudolf dangled himself as a prize in a string of diplomatic negotiations for marriages, but never in fact married. During his periods of self-imposed isolation, Rudolf reportedly had affairs with his court chamberlain, Wolfgang von Rumpf, and a series of valets. One of these, Philip Lang, ruled him for years and was hated by those seeking favour with the emperor.Rowse, 1977.

In addition, Rudolf was known to have had a succession of affairs with women, some of whom claimed to have been impregnated by him. He had several illegitimate children by his mistress Catherina Strada. Their eldest son, Don Julius Caesar d'Austria, was likely born between 1584 and 1586 and received an education and opportunities for political and social prominence from his father. Another famous child was Caroline (1591-1662), Princess of Cantecroix, mother-in-law of Beatrice de Cusance, later Duchess of Lorraine (as second wife of Charles IV of Lorraine).

Rudolf succeeded his father Maximilian II on 12 October 1576. In 1583, he moved the court to Prague.

In 1607, Rudolf sent Julius to live at Český Krumlov in Bohemia (in what is now the Czech Republic), a castle which Rudolf purchased from Peter Vok/Wok von Rosenberg, the last of the House of Rosenberg, after he fell into financial ruin. Julius lived at Český Krumlov when in 1608 he reportedly abused and murdered the daughter of a local barber, who had been living in the castle, and then disfigured her body. Rudolf condemned his son's act and suggested that he should be imprisoned for the rest of his life.

However, Julius died in 1609 after showing signs of schizophrenia, refusing to bathe, and living in squalor; his death was apparently caused by an ulcer that ruptured.

Many artworks commissioned by Rudolf are unusually erotic. The emperor was the subject of a whispering campaign by his enemies in his family and the Catholic Church in the years before he was deposed. Sexual allegations may well have formed a part of the campaign against him.

Reign

Historians have traditionally blamed Rudolf's preoccupation with the arts, occult sciences, and other personal interests as the reason for the political disasters of his reign. More recently historians have re-evaluated this view and see his patronage of the arts and occult sciences as a triumph and key part of the Renaissance, while his political failures are seen as a legitimate attempt to create a unified Christian empire, which was undermined by the realities of religious, political and intellectual disintegrations of the time.

Although raised in his uncle's Catholic court in Spain, Rudolf was tolerant of Protestantism and other religions including Judaism. This tolerant policy by the Empire towards the Jews would see Jewish cultural life flourishing and its population increased under Rudolf's reign.He largely withdrew from Catholic observances, even in death refusing the last sacramental rites. He had little attachment to Protestants either, except as counter-weight to papal policies. He put his primary support behind conciliarists, irenicists and humanists. When the papacy instigated the Counter-Reformation, using agents sent to his court, Rudolf backed those whom he thought were the most neutral in the debate, not taking a side or trying to effect restraint, thus leading to political chaos and threatening to provoke civil war.

His conflict with the Ottoman Empire was the final cause of his undoing. Unwilling to compromise with the Turks, and stubbornly determined that he could unify all of Christendom with a new Crusade, he started a long and indecisive war with the Turks in 1593. This war lasted till 1606, and was known as the "Long Turkish War".

By 1604, his Hungarian subjects were exhausted by the war and revolted, led by Stephen Bocskai ( Bocskai uprising). In 1605, Rudolf was forced by his other family members to cede control of Hungarian affairs to his younger brother Archduke Matthias. By 1606, Matthias had forged a difficult peace with the Hungarian rebels ( Peace of Vienna) and the Turks (Peace of Zsitvatorok).

Rudolf was angry with his brother's concessions, which he saw as giving away too much in order to further Matthias' hold on power. So Rudolf prepared to start a new war with the Turks. But Matthias rallied support from the disaffected Hungarians and forced Rudolf to cede the crowns of Hungary, Austria, and Moravia to him. At the same time, Bohemian Protestants demanded greater religious liberty, which Rudolf granted in the ''Letter of Majesty'' in 1609. Bohemians continued to press for further freedoms, and Rudolf used his army to repress them.

Bohemian Protestants then appealed to Matthias for help; Matthias' army held Rudolf prisoner in his castle in Prague until 1611, when Rudolf ceded the crown of Bohemia, as well, to his brother.

Death

Rudolf died in 1612, nine months after he had been stripped of all effective power by his younger brother, except the empty title of Holy Roman Emperor, to which Matthias was elected five months later. In May 1618 with the event known as the Defenestration of Prague, the Protestant Bohemians, in defence of the rights granted them in the ''Letter of Majesty'', threw imperial officials out of the window and thus the Thirty Years' War (1618–1648) started.

Art collecting and patronage

Rudolf moved the Habsburg capital from Vienna to Prague in 1583. Rudolf loved collecting paintings, and was often reported to sit and stare in rapture at a new work for hours on end. He spared no expense in acquiring great past masterworks, such as those of Dürer and Brueghel. He was also patron to some of the best contemporary artists, who mainly produced new works in the Northern Mannerist style, such as Bartholomeus Spranger

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