Robert Brandard (1805, in

Birmingham Birmingham ( ) is a city and metropolitan borough in the metropolitan county of West Midlands in England. It is the second-largest city in the United Kingdom with a population of 1.145 million in the city proper, 2.92 million in the West ...

– 1862, in

London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...

) was a British

landscape A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the ...

engraver and landscapist. Brandard was the eldest son of Thomas Brandard (d. 1830), engraver and copperplate printer, of Barford Street,

Deritend Deritend is a historic area of Birmingham, England, built around a crossing point of the River Rea. It is first mentioned in 1276. Today Deritend is usually considered to be part of Digbeth. History Deritend was a crossing point of the River Rea ...

, Birmingham, and his wife, Ann. He went to London in 1824, and entered the studio of

Edward Goodall Edward Goodall (1795 – 11 April 1870) was a British engraver. He is now best known for his plates after J. M. W. Turner. Life He was born at Leeds on 17 September 1795, and was entirely self-taught. From the age of sixteen he practised both ...

, with whom he remained a year. He engraved some of the subjects for Brockedon's ''Passes of the Alps'', Captain Batty's ''Saxony'',

Turner Turner may refer to: People and fictional characters *Turner (surname), a common surname, including a list of people and fictional characters with the name * Turner (given name), a list of people with the given name *One who uses a lathe for turni ...

's ''England and Wales'' and ''English Rivers'', and numerous plates for ''

The Art Journal ''The Art Journal'' was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title ''Art Union Monthly Journal'' (or ''The Art Union''), the first issue of 7 ...

'', after Turner, Stanfield, Callcott,

Herring Herring are forage fish, mostly belonging to the family of Clupeidae. Herring often move in large schools around fishing banks and near the coast, found particularly in shallow, temperate waters of the North Pacific and North Atlantic Oceans, i ...

, and others. His most important engravings on a large scale were Turner's "Crossing the Brook", "The Snow-storm", and "The Bay of Baiae". He also published two volumes of etchings, chiefly landscapes, after his own designs. He occasionally exhibited small oil pictures at the

British Institution The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it w ...

, which were distinguished by a good feeling for nature and a healthy tone of colour. The watercolour "Rocks at Hastings" is in the

Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...

. His brother

John Brandard John Brandard (1812 in Birmingham – 15 December 1863 in London) was an English Lithography, lithographic artist. He designed many hundred illustrated title-pages for sheet music in what Michael Bryan (art historian), Michael Bryan judged "a prett ...

was a

lithograph Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German a ...

artist who designed many illustrated title-pages for music. His younger brother, Edward Paxman Brandard (1819–1898) was apprenticed to him while in

Islington Islington () is a district in the north of Greater London, England, and part of the London Borough of Islington. It is a mainly residential district of Inner London, extending from Islington's High Street to Highbury Fields, encompassing the ar ...

, London. Several plates by Edward also appeared in ''

'' between 1853 and 1887. Another engraver who studied with Robert Brandard was Joseph Clayton Bentley.

References

Attribution: *

External links

* An engraving of a painting by

Thomas Stothard Thomas Stothard (17 August 1755 – 27 April 1834) was an English painter, illustrator and engraver. His son, Robert T. Stothard was a painter ( fl. 1810): he painted the proclamation outside York Minster of Queen Victoria's accession to the t ...

made for The Bijou annual for 1828 with illustrative verse by

Letitia Elizabeth Landon Letitia Elizabeth Landon (14 August 1802 – 15 October 1838) was an English poet and novelist, better known by her initials L.E.L. The writings of Landon are transitional between Romanticism and the Victorian Age. Her first major breakthrough ...

. * Engravings of paintings for Fisher's Drawing Room Scrap Books with poetical illustrations by

. *1832, a painting by

William Henry Bartlett William Henry Bartlett (March 26, 1809 – September 13, 1854) was a British artist, best known for his numerous drawings rendered into steel engravings. Biography Bartlett was born in Kentish Town, London in 1809. He was apprenticed to John Bri ...

, *1833, a painting by Samuel Austin, *1835, a painting by Henry Melville from

The Pilgrim's Progress ''The Pilgrim's Progress from This World, to That Which Is to Come'' is a 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of theological fiction in English literature and a progenitor of ...

, * A painting of engraved by W L Leach for Fisher's Drawing Room Scrap Book, 1840 with a posthumous poetical illustration by

. 1805 births 1862 deaths Artists from Birmingham, West Midlands English engravers Landscape artists {{UK-printmaker-stub