Characteristics
The genre was used by both male and female poets, and is one of the main genres in which ancient and medieval Arabic female poets are known to have composed. Almost all known pre-Islamic women's poetry is in this form. The subjects of the ''rithā’'' are (almost) invariably dead male warriors (''fursān'') and lords (''sādah''), predominantly those who fell in battle. The genre is prominent in the corpus of the earliest surviving Arabic poetry; it 'provides some of the most moving examples of the poetic voice, as in the poems of al-Khansā' (d. ca. 644) for her brother, Ṣakhr, killed in tribal combat': :I was sleepless and I passed the night ::keeping vigil, as if my eyes had ::been anointed with pus, :For I had heard--and it was not news ::to rejoice me--one making a report, ::who had come repeating intelligence, :Saying, 'Sakhr is dwelling there in a ::tomb, struck to the ground beside ::the grave, between certain stones' Alongside al-Khansā', major female exponents of the ''rithā’'' poems of whose survive include the pre-Islamic Janūb Ukht ‘Amr dhī-l-Kalb, Laylā al-Akhyaliyya (d. 706 CE), and Laylā bint Ṭarīf (d. 815 CE). Their style was characterised by 'uninhibited expression of sorrow coupled with praise for the deceased'. 'Most of the elegy composed by men, however, resembled the eulogistic '' qaṣīdah'' in general pattern'.''Arabic Literature to the End of the Umayyad Period'', ed. by A. F. L. Beeston, T. M. Johnstone, R. B. Serjeant and G. R. Smith, The Cambridge History of Arabic Literature (Cambridge: Cambridge University Press, 1983)See also
* '' Rithā’ al-Andalus''References
Arab culture Literary genres Arabic and Central Asian poetics Pakistani poetics Arabic poetry forms Love in Arabic literature Women in pre-Islamic Arabia {{poetry-stub