Rio 2 (soundtrack)
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''Rio 2 (Music from the Motion Picture)'' is the
soundtrack album A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television show. The first such album to be commercially released was Walt Disney's ''Snow White and the Seven Dwarfs'' ...
to the film '' of the same name'', the sequel to the 2011 film ''Rio'', directed by
Carlos Saldanha Carlos Saldanha (; born 24 January 1965) is a Brazilian animator, director, producer, and voice actor of animated films who worked with Blue Sky Studios until its closure in 2021. He was the director of '' Ice Age: The Meltdown'' (2006), '' Ice ...
. Featuring contributions from Brazilian and American artists, the album is produced by the film's composer John Powell and Brazilian musician Sérgio Mendes. Like the first film, the soundtrack for the sequel also incorporates Brazilian music, while infusing pop, latin and hip hop genres into the album. It is preceded by the single "What is Love" performed by Janelle Monáe, that was released on March 4, 2014 and the album was released by
Atlantic Records Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over its first 20 years of operation, Atlantic earned a reputation as one of the most i ...
and Fox Music, on March 25. ''Rio 2 (Original Motion Picture Score)'' consisting the film's score by Powell, was released on April 15, 2014.


Development

Like the first film's soundtrack, composer John Powell collaborated with Brazilian musician Sérgio Mendes, to produce the album, and also co-write the film's songs with Carlinhos Brown, who also worked in the predecessor. Brown and Mendes write rhythmic and melody songs, and once the song took shape, Powell would fine tune songs and score to fit together. Mendes wanted the music of the sequel, to be different than its predecessor, and to show the diversity of Brazilian music by bringing different textures and instruments. According to Mendes, "the movie starts on New Year’s Eve in Rio. It’s a very celebratory and international and a great time to go to Brazil to experience that", hence he wanted to bring Janelle Monáe onboard as she had "a very unique voice and a young sound but has that international ppealas well". Mendes collaborated with Monáe at the '' Rock in Rio'' concert soon after the first film's release in 2011, and discussed about the film's music "When we spoke with Janelle we wanted a fun, festive song with a message of love and of hope. It had to convey the energy of Rio, something everyone could dance to, and when we heard it we could see it playing anywhere." For the song "O Vida", Mendes went to
Brazil Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area ...
, and collaborated with Uakti for few songs, where they could bring their home-made instruments to
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, and Powell could incorporate the song through the soundtrack. He added "Carlos inspired all of us because the music follows the story. And also the music is mostly for children so it has to be simple and catchy with no complicated harmonically or melodically, but we want the parents to enjoy as well. But the visual part is so beautiful." Carlos Saldanha, the film's director had said on Powell's contribution, adding "John is so curious, so passionate, that he immersed himself in Brazilian music. Every year we went to Brazil. He helped me shape the movie in a way that I would never have imagined. I have never seen somebody work so well and so collaboratively with such a diverse group of artists, from will.i.am and Janelle Monae to Sergio Mendes and Carlinhos Brown; he maneuvered through all those worlds." Danielle Diego, the executive vice president of Fox Music praised Powell's contribution and added that "the songs and score are seamlessly interwoven. It’s a cohesive experience, and so sophisticated musically."


Release

Atlantic Records Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over its first 20 years of operation, Atlantic earned a reputation as one of the most i ...
announced the film's soundtrack on February 13, 2014, and was released in digital formats on March 25. It was promoted by the single "What Is Love", performed by Janelle Monáe, released on March 4 as a music video in
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. The full song was released digitally on March 11. It was promoted at
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's ''
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'', NBC's '' Today'' and
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's ''
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'', with Monáe appearing the song for performance. The album was exclusively promoted at ''Billboard'', which revealed the digital track list, a day before its release. The album was later released to physical formats on April 1. Barbatuques performed the song "Beautiful Creatures" as part of the
closing ceremony An opening ceremony, grand opening, or ribbon-cutting ceremony marks the official opening of a newly-constructed location or the start of an event.
of the
2016 Summer Olympics The 2016 Summer Olympics ( pt, Jogos Olímpicos de Verão de 2016), officially the Games of the XXXI Olympiad ( pt, Jogos da XXXI Olimpíada) and also known as Rio 2016, was an international multi-sport event held from 5 to 21 August 20 ...
in Rio de Janeiro.


Track listing


Reception

''
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'' wrote "Powell's score once again shares melodic structures with the original songs, some of which cast ensemble pieces that Powell contributed to. Those songs are not included on the score-only album for ''Rio 2'', which does, though, open with a samba rendition of the 20th Century Fox theme certain to keep Alfred Newman turning over in his grave. The score album features fewer of these truly intolerable comedic moments, making ''Rio 2'' a more palatable overall experience apart from the film. Don't expect too much from the music in this franchise, however, especially if you're anything near Alfred Newman's generation." James Southall of ''Movie Wave'' wrote "The familiar, sweet main theme from the first film returns, as does the typical Powell orchestral derring-do, as he almost always uses in these animations.  What’s different is that there’s a slightly higher emphasis this time on Brazilian rhythms, the composer employing the services of the native band Uakti, who inject a wonderful sense of fun and a great energy whenever they appear.  There’s a great set of themes here, too, memorable and magical, Powell throwing them around a huge number of variations over the course of the score.  It’s a lovely album – full of charm, wit, terrific orchestral music; a very pleasurable way of spending an hour.  There’s adventure in spades, moments of wit (I just love the woodwind impersonations of bird calls), an occasional bout of 60s-style “light music”; above all, just the most wonderful fun – music with a smile on its face whose infectious spirit quickly passes on to the listener." James Christopher Monger of ''
AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
'' said the soundtrack "offers up a predictably colorful set of originals and bossa nova-tinged Brazilian pop classics from a bevy of talented artists, and a star-studded cast of voice actors". Melissa Redman of '' Renowned for Sound'' wrote "The ''Rio 2'' album is filled with vibrant, uplifting tracks as well as the sadder, softer songs that must come in any children’s movie. The songs also take into account the fact that the movie is set is Rio de Janeiro/the Amazon rainforest and inject a bit of cultural flair into the tunes. The ''Rio 2'' soundtrack and all the songs that come with it are perfect to accompany the ''Rio 2'' film."


Charts


Personnel

Credits adapted from CD liner notes. * Soundtrack producer – John Powell, Sergio Mendes * Digital production – Beth Caucci, Victor Chaga * Recording – "Big Juice" Delaine, Brad Haehnel, Janelle Monáe, Joe Fitz, John Traunwieser, Nate Wonder, Roman GianArthur, Erik Swanson, Kevin Globerman * Mixing – "Big Juice" Delaine, Brad Haehnel, Joe Fitz, Robert Orton * Mastering – Fernando Lee, Stephen Marsh * Music editor – Tom Carlson * Executive producer – Sergio Mendes * Musical assistance – Andrew Jordan, Brandon Cudequest, John Aspinall, Michael Christofi, Michael Matthews, Michael Nisbet, Michael Srisuwan * Vocals – Ayana Layli Williams, Baraka May Williams, Beth Andersen, Bill Cantos, Carla Rigolin Hassett, Carlinhos Brown, Clydene Jackson, Edie Lehmann-Boddicker, Eric Andrew Nicolau, Felipe Fraga, Fletcher Sheridan, Gracinha Leporace, Jessica Kahn Variba, Joe Pizzulo, Joseph Williams, Katie Hampton, Kleber Jorge, Kudisan Kai, Moma de Freitas, Monique Donnelly, Paul Mounsey, Randy Crenshaw, Raquel Jacobs, Renni Flores, Roberto Montero, Siedah Garrett, Suzanne Waters, Sergio Mendes, Taura Stinson, Taylor Graves


Score album

An album featuring John Powell's original score was released on April 8, 2014 by
Atlantic Records Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over its first 20 years of operation, Atlantic earned a reputation as one of the most i ...
and Fox Music. The score was recorded at the Newman Scoring Stage, in 20th Century Fox Studios, where the 108-piece ensemble from
Hollywood Studio Symphony The Hollywood Studio Symphony (sometimes the Hollywood Freelance Studio Symphony) is the credited name of the symphony orchestra behind many major soundtracks, including '' The Chronicles of Narnia: The Lion, the Witch and the Wardrobe'', ''Suck ...
, performed the score, which was conducted by Jose Serebier.


Track listing


Personnel

Credits adapted from CD liner notes. * Composer, producer – John Powell * Recording – John Traunwieser, Brad Haehnel, Carlinhos Brown * Mixing – John Traunwieser, Brad Haehnel * Sound design – Carlinhos Brown * Score editor – Whitney Martin, David Channing * Additional music – Anthony Willis, Paul Mounsey * Arrangements, programming – Anthony Willis, Paul Mounsey, Germaine Franco ; Orchestra * Orchestra – Hollywood Studio Symphony * Orchestration – Andrew Kinney, Brad Dechter, Dave Metzger, Germaine Franco, Greg Jamrok, Jeff Atmajian, John Ashton Thomas, José Serebrier, Mark Graham, Nicholas Pike, Randy Kerber, Rick Giovinazzo, Victor Pesavento * Concertmaster – Bruce Dukov * Score conductor – José Serebrier * Score contractor – Gina Zimmitti * Assistant score contractor – Whitney Martin * Choir (5 Cat Studios) – Baraka May Williams, Beth Anderson, Bill Cantos, Clydene Jackson, Edie Lehmann Boddicker, Elin Carlson, Fletcher Sheridan, Joseph Williams, Kudisan Kai, Monique Donnelly, Paul Mounsey, Randy Crenshaw, Suzanne Waters * Choir (Hollywood Studio Symphony) – Arthur Andrés, Dani Zulu, Décio Ramos, Fernando Barba, Flavia Maia, Giba Alves, Helô Ribeiro, Marco Antônio, Paulo Santos, Renato Epstein * Vocal conductor and contractor – Edie Lehmann-Boddicker * Copyist – Joann Kane Music Service, Mark Graham ; Instrument * Accordion – Nick Ariondo * Bass – Bruce Morgenthaler, Drew Dembowski, Ed Meares, Ian Walker, Mike Valerio, Oscar Hidalgo, Steve Dress, Sue Ranney * Bassoon – Damian Montano, Ken Munday, Samantha Duckworth * Cello – Tony Cooke, Armen Ksajikian, Cecilia Tsan, Dennis Karmazyn, Giovanna Clayton, Laszlo Mezo, Paul Cohen, Steve Erdody, Steve Richards, Tim Loo, Trevor Handy, Vanesa Freebairn Smith * Clarinet – Dan Higgins, Greg Huckins, Ralph Williams * Flute – Jenni Olson, Sara Weisz, Steve Kujala * Flute – Pedro Eustache * French Horn – Allen Fogle, Andrew Bain, Dan Kelley, Danielle Ondarza, Dylan Hart, Jim Thatcher, Jenny Kim, John Johnson, Mark Adams, Phil Yao, Steve Becknell * Guitar – George Doering, Kleber Jorge, Marcel Camargo, Roberto Montero * Harp – Katie Kirkpatrick, Marcia Dickstein * Oboe – Bernadette Avila, David Weiss, Lara Wickes * Piano, celesta, harpsichord – Randy Kerber * Percussion – Bernie Dresel, Bob Zimmitti, Brian Kilgore, Dan Greco, Don Williams, Germaine Franco, Wade Culbreath, Felipe Fraga, Leo Costa * Trombone – Alex Iles, Phil Keen, Steve Holtman, Bill Booth, Garrett Smith * Trumpet – Dan Fornero, Harry Kim, Jon Lewis, Rick Baptist * Tuba – Doug Tornquist * Viola – Alma Fernandez, Andrew Duckles, Brian Dembow, Carolyn Riley, Darrin McCann, David Walther, Keith Green, Matt Funes, Robert Brophy, Thomas Diener, Vicki Miskolczy * Violin – Darius Campo, Eun Mee Ahn, Irina Voloshina, Jackie Brand, Joel Derouin, Josefina Vergara, Julie Gigante, Julie Rogers, Katia Popov, Kevin Connolly, Kevin Kumar, Lily Ho Chen, Marc Sazer, Natalie Leggett, Neel Hammond, Paul Henning, Phil Levy, Richard Altenbach, Roger Wilkie, Sara Parkins, Sarah Thornblade, Serena Mckinney, Songa Lee, Tammy Hatwan, Tereza Stanislav, Yelena Yegoryan ; Management * Executive producer (Twentieth Century Fox) – Danielle Diego * Executive producer (Atlantic Records) – Kevin Weaver * Soundtrack co-ordinator (Atlantic Records) – Joseph Khoury * Business affairs administration (Atlantic Records) – Craig Rosen * Business affairs (Twentieth Century Fox) – Tom Cavanaugh * Legal affairs (Atlantic Records) – Marc Joaquin, Margo Scott * Licensing (Atlantic Records) – Margo Scott * Marketing (Atlantic Records) – Tony Corey * Music clearance (Twentieth Century Fox) – Ellen Ginsburg * Product management (Twentieth Century Fox) – Johnny Choi * Music production supervisor (Twentieth Century Fox) – Rebecca Morellato


References

{{Authority control 2014 soundtrack albums Rio (franchise) Atlantic Records soundtracks John Powell (film composer) soundtracks Pop soundtracks Latin pop soundtracks Alternative hip hop albums Soundtracks by Brazilian artists