Right Back Where We Started From (album)
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''Right Back Where We Started From'' is the debut album by British R&B and soul music singer Maxine Nightingale recorded and released in 1976 by United Artists.


Background and recording

The title track was released as a single in the summer of 1975 reaching #8 in the UK: subsequent to its year-end US release the track would reach #5 in Adult Contemporary, #9 in Dance Music/Club Play, #46 in R&B singles and #2 on the ''Billboard'' Hot 100. Nightingale, spending time with her husband in Japan at the time her single gained popularity, ignored advisements from United Artists that she return to London to cut an album, accepting that advice only as the single moved up the upper half of the ''Billboard'' Hot 100 in March 1976.''Los Angeles Times'' (''Calendar'') 2 September 1979 "Unlike Peers, Singer Blasts Big Business" by Dennis Hunt p.74 The initial recording of the "Right Back Where We Started From" single had been in a session at Central Sound a small demo studio on Denmark Street in
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: the basic track had then been augmented at London studios Olympic Sound, Morgan Studios, and
Basing Street Studios Basing Street Studios was a recording studio in a former 17th century chapel at 8–10 Basing Street, in Notting Hill, London, England. Originally established in 1969 as Island Studios by Chris Blackwell, the founder of Island Records, the studi ...
. The tracks to complete the ''Right Back Where We Started From'' album were recorded at Eden Studios in
Chiswick Chiswick ( ) is a district of west London, England. It contains Hogarth's House, the former residence of the 18th-century English artist William Hogarth; Chiswick House, a neo-Palladian villa regarded as one of the finest in England; and Full ...
. (Maxine Nightingale quote:)"The ...album had to be completed in two weeks - - they wanted to rush release it in America. I chose all the songs but I would have made a few production changes had I been there all the time."


Critical reception

Released in June 1976 - concurrent with the single "Gotta Be the One" - , the ''Right Back Where We Started From'' album drew little evident critical notice.
Dave Marsh Dave Marsh (born March 1, 1950) is an American music critic, and radio talk show host. He was an early editor of ''Creem'' magazine, has written for various publications such as ''Newsday'', ''The Village Voice'', and ''Rolling Stone (magazine), ...
of '' Rolling Stone'' in his syndicated
capsule review A capsule review or mini reviewThe Word, 1976, issue 12, page 1Google Books/ref> is a form of appraisal, usually associated with journalism, that offers a relatively short critique of a specified creative work (movie, music album, restaurant, pa ...
column, while praising the title cut as "one of the most engaging singles of the current Top 40", opined that the album overall "fumbles through mild, unexciting ballads (a little like those Natalie Cole does so well) and the xpectedlistless disco forays. Lynn Short of the ''Morristown Daily Record'' agreed: "'Right Back Where We Started From' is definitely a cut above the average Top 40 song. Unfortunately it's also a cut above...the rest of the album hich consists ofuninspired upbeat tunes ('I Think I Wanna Possess You') and semi-ballads which range from not bad (' Reasons') to definitely bad ('Life Has Just Begun'). It's fairly clear this is an album that was quickly assembled to cash in on a hit single."''Morristown Daily Record'' 18 July 1976 "This is Soul? Some Music We Could Do Without" by Lynn Short p.J16 The single "Gotta Be the One" would prove to be a Top 40 shortfall peaking at #53 on the ''Billboard'' Hot 100 (and faring less well in the other US music trade magazines: the '' Cashbox'' singles chart afforded "Gotta Be the One" a #84 peak while the track failed to reach the top 100 Singles Chart in ''
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'' peaking at #102 on the Singles Chart 101–150. Another album track: "(I Think I Wanna) Possess You", had an unsuccessful single release in September 1976. Without the momentum of a current major hit single, the ''Right Back Where We Started From'' album rose no higher than #65 on the ''Billboard'' album charts. Nightingale herself would later state (in 1979) that the ''Right Back Where We Started From'' album (Maxine Nightingale quote:)"came out too long after the itlesingle and hereforewas unsuccessful."


Track listing

;Side 1 #"(I Think I Wanna) Possess You" ( Tim Moore) – 3:29 #"
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" ( John Lennon) – 4:30 #" Right Back Where We Started From" ( Pierre Tubbs, Vince Edwards) – 3:11 #"In Love We Grow" ( Dennis Belfield) – 3:35 (Timed @ 2:39 on LP) #"Gotta Be the One" ( Pierre Tubbs) – 2:50 #"One Last Ride" (Pierre Tubbs) – 2:33 #" Reasons" (
Maurice White Maurice White (December 19, 1941 – February 4, 2016) was an American singer, musician, songwriter, and record producer. He was best known as the founder, leader, main songwriter, and producer of the band Earth, Wind & Fire, and served as the ...
, Charles Stepney, Philip Bailey) – 4:23 ;Side 2 #"If I Ever Lose This Heaven" ( Leon Ware, Pam Sawyer) – 3:59 #"Love Enough" (Tim Moore) – 3:35 #" You Got the Love" (
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, Ray Parker Jr.) – 4:35 #"Life Has Just Begun" (Glenn Nightingale) – 3:38 #"Everytime I See a Butterfly" (Tiny Barge) – 3:37 #"Good-Bye Again" (Pierre Tubbs, Vince Edwards) – 3:27 Original album sleeve notes


Charts


Personnel

*Mick Barker - Guitars *Glenn Nightingale - Guitars, Cabasa * Pierre Tubbs - Guitars, Elka Synthesizer, Percussion, Retzina, Vocals * Mike de Albuquerque - Bass *Theo Thunder - Drums *Pete Kershaw - Drums *Bob Andrews - Clavinet, Piano, Roland Synthesizer, Fender Rhodes, Percussion, Vocals *Lynton Naiff - Piano, Fender Rhodes, Clavinet, Marimba, Mellotron *Dave Ulm - Percussion, Congas, Bongos, Tambourine * Raphael Ravenscroft, Bill Skeat - brass arrangements * Tony Rivers, John Perry, Ken Gold, Vince Edwards, Al Matthews, Pete Kershaw, Pierre Tubbs, Maxine Nightingale, Liza Strike, Helen Chappell - backing vocals * Frank Ricotti - Vibraphone * Gerry Shury, Wilf Gibson - strings Arrangements, Conducted *Wilf Gibson- Violin *Peter Hughes - Baritone Saxophone *Vince Edwards: Percussion, Vocals *Raphael “Earl” Ravenscroft - Baritone Saxophone, Flute Saxophone *Ronji Southern - Percussion, Vocals *Kenny Wheeler - Flugelhorn, Trumpet *Bernado Ball - timbales *Ian Harrison - Percussion *Jeff Seopardie - Drums *Tony Wolbrom - Piranas


Production

*Produced by: Pierre Tubbs *Recorded and Mixed at: Eden Studios (except side 1, track 3), Chiswick, London & Central Sound, Olympic Sound, Morgan Studios, Island Studios (side 1, track 3) *Engineers: Mike Gardner assisted by Roger Bechirian *Rhythm Tracks disorganised by Lynton Naiff *Album cover concept: Pierre Tubbs, Derek Richards *Album art direction: Dave Murphy *Album photography: Derek Richards *Album design: Bob Searles


References

{{Authority control 1976 albums Maxine Nightingale albums United Artists Records albums Albums recorded at Morgan Sound Studios