Rhampsinit
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Rhampsinit (also called Rhampsinitos, Rhampsinitus, Rampsinitus, Rampsinit, derived from
Herodotus Herodotus ( ; grc, , }; BC) was an ancient Greek historian and geographer A geographer is a physical scientist, social scientist or humanist whose area of study is geography, the study of Earth's natural environment and human society ...
' Greek Ῥαμψίνιτος ''Rhampsínitos'') is the
hellenized Hellenization (other British spelling Hellenisation) or Hellenism is the adoption of Greek culture, religion, language and identity by non-Greeks. In the ancient period, colonization often led to the Hellenization of indigenous peoples; in th ...
name of a fictitious king (
pharaoh Pharaoh (, ; Egyptian: '' pr ꜥꜣ''; cop, , Pǝrro; Biblical Hebrew: ''Parʿō'') is the vernacular term often used by modern authors for the kings of ancient Egypt who ruled as monarchs from the First Dynasty (c. 3150 BC) until the ...
) from Ancient Egypt. He is named by the ancient Greek
historian A historian is a person who studies and writes about the past and is regarded as an authority on it. Historians are concerned with the continuous, methodical narrative and research of past events as relating to the human race; as well as the st ...
Herodotus as a literary figure in his Historiae. There it is told that Rhampsinit was the predecessor of the legendary king Kheops. The first tale of Rhampsinit is about two
thieves Theft is the act of taking another person's property or services without that person's permission or consent with the intent to deprive the rightful owner of it. The word ''theft'' is also used as a synonym or informal shorthand term for some ...
who rob the king until one of them dies. His brother tries to rescue the corpse and then manages to fool the king to avoid arrest. The second tale is about Rhampsinit's visit to Hades.


Tales

The stories of Rhampsinit are told in book 2 (chapter 121–124) and today known as ''Rhampsinit and the masterthief'' and ''Rhampsinit's visit to Hades''. Herodotus starts the story in chapter 121 with a short introduction of the king: “After
Proteus In Greek mythology, Proteus (; Ancient Greek: Πρωτεύς, ''Prōteus'') is an early prophetic sea-god or god of rivers and oceanic bodies of water, one of several deities whom Homer calls the "Old Man of the Sea" ''(hálios gérôn)''. ...
, they told me, ''Rhâmpsinitós'' received in succession the kingdom, who left as a memorial of himself that gateway to the
temple A temple (from the Latin ) is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity (whose temples are typically called churches), Hinduism (whose temples ...
of
Hephaistos Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burk ...
which is turned towards the West.” Then he tells the two tales of king Rhampsinit:


Rhampsinit and the masterthief

The king was obviously a well-behaved and gifted business-man, he had hoarded a great treasure of
gold Gold is a chemical element with the symbol Au (from la, aurum) and atomic number 79. This makes it one of the higher atomic number elements that occur naturally. It is a bright, slightly orange-yellow, dense, soft, malleable, and ductile me ...
,
silver Silver is a chemical element with the symbol Ag (from the Latin ', derived from the Proto-Indo-European ''h₂erǵ'': "shiny" or "white") and atomic number 47. A soft, white, lustrous transition metal, it exhibits the highest electrical ...
and
jewelry Jewellery ( UK) or jewelry ( U.S.) consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a w ...
like never seen or heard about before. To hide and control his treasury the king orders his treasure keeper to build him a secure and well-guarded room, in which the king wishes to store his goods. But the treasure keeper secretly leaves one brick stone loose, so that it could be removed at any time. When on his deathbed, the treasure keeper tells his two sons about the loose stone. The brothers decide to sneak into the treasury house frequently and fill their pockets with loots. After some time has passed, Rhampsinit becomes aware that his treasury is decreasing and he gets upset. No one can tell him who stole the goods. Mysteriously, the royal seals are still intact and the doors are well guarded as always. After the third incident the king decides to set traps in the room between the vessels. One night the brothers sneak into the treasury room and one of them gets snared in a hidden loop. Recognizing that he cannot escape anymore, he begs his own brother to decapitate him, so that no one could ever identify him. The brother does as wished and with the head of his kinsman he runs to his mother. Meanwhile, king Rhampsinit throws a tantrum when he discovers the body of the trapped thief without head. He orders the guardians to impale the body and display it in town at the enclosure wall of the palace. Anyone who would stop before the corpse in grief should be arrested at once. The mother of the
thief Theft is the act of taking another person's property or services without that person's permission or consent with the intent to deprive the rightful owner of it. The word ''theft'' is also used as a synonym or informal shorthand term for some ...
urges her son to find a way to retrieve the body of his brother. Should he refuse, she would immediately go to the king and tell him the truth. The thief has no other choice than obey and so he creates a plan. On a very hot day he charges his two donkeys with full
wine Wine is an alcoholic drink typically made from fermented grapes. Yeast consumes the sugar in the grapes and converts it to ethanol and carbon dioxide, releasing heat in the process. Different varieties of grapes and strains of yeasts are m ...
skins and guides them along the palace wall, close to the impaled body of his brother. When arriving, he deliberately makes the wineskins rip open. The guardians become curious when the thief laments and scolds his donkeys and the ruckus lures many bystanders who try to calm him down. The thief acts as if he was grateful for the guardian's help and gives them wine from his wineskins. Late that evening, the guards are completely drunk and fall asleep. The thief takes the body and binds it on the donkeys, then he shaves the right cheek of both guards in attempt to humiliate them. Then he flees. Rhampsinit is baffled when he hears about the clever thief. He wants the thief, no matter what the cost. In an attempt to catch him, the king orders his daughter to pretend to be a "maid" in the royal brothel. The princess is ordered to sweet-talk every lover in telling her his most sinister deed. Whoever would tell her the story of the manipulated treasure room, should be arrested by the royal guards. The masterthief visits the princess, too, but smelling a rat he tricks her: He brings the right arm of his deceased brother and then tells her about his deed. When the princess tries to hold him by the arm, he releases the dead arm and flees. King Rhampsinit is so impressed by the cleverness and ability of the masterthief that he sends out a harbinger to invite him to make peace. He promises his daughter for marriage to the one who could prove he was the masterthief. The hero accepts the invitation and Rhampsinit keeps his word. The masterthief and the princess marry and the story ends happily.


Rhampsinit's visit to Hades

After leaving the royal throne to the masterthief, Rhampsinit travels alive to the underworld, which is called “Hades” by the Hellenes. There he plays dice with the goddess Demeter. After defeating her, the king is allowed to return to the realm of the living, and Demeter gives him a golden towel as his prize. As soon as Rhampsinit returns home, all
priest A priest is a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities. They also have the authority or power to administer religious rites; in partic ...
s of Egypt celebrate a feast; Herodotus says that this feast was still celebrated in his lifetime. Herodotus closes his stories in chapter 124, where Rhampsinit is followed by a king ''Kheops'', whom the author describes as "cruel" and "evil."


Further sources about Rhampsinit

Rhampsinit is also mentioned by the late
Roman Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a lette ...
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Medit ...
ian historian
John of Nikiû John of Nikiû (fl. 680-690) was an Egyptian Coptic bishop of Nikiû (Pashati) in the Nile Delta and general administrator of the monasteries of Upper Egypt in 696. He is the author of a ''Chronicle'' extending from Adam to the end of the Muslim ...
, who evidently took his information from Herodotus. However, John of Nikiû confused Rhampsinit partly with king Khufu and additionally reports that Rhampsinit built three temples (the pyramids) and that he closed all temples of the country.


Modern evaluations

The story of Rhampsinit is today evaluated as some sort of
satire Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming ...
, in which a king is fooled by a humble citizen. The tale shows great similarities to other
demotic Demotic may refer to: * Demotic Greek, the modern vernacular form of the Greek language * Demotic (Egyptian), an ancient Egyptian script and version of the language * Chữ Nôm, the demotic script for writing Vietnamese See also * * Demos (disa ...
fairy tales, in which Egyptian kings are depicted as being dimwits and their deeds are negligent or cruel. It is also typical for those
fable Fable is a literary genre: a succinct fictional story, in prose or verse (poetry), verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are Anthropomorphism, anthropomorphized, and that illustrat ...
s to depict mere servants or citizens as superior to the king. Herodotus´ stories fit perfectly into that schema. In all of his anecdotes he somehow manages to draw a negative or, at least, sinister character picture of any Egyptian ruler. Morris Silver points to similarities of Herodotus´ story to that of ''Trophónios and Agamedes and the treasury of Hyreus'', written by
Pausanias Pausanias ( el, Παυσανίας) may refer to: *Pausanias of Athens, lover of the poet Agathon and a character in Plato's ''Symposium'' *Pausanias the Regent, Spartan general and regent of the 5th century BC * Pausanias of Sicily, physician of t ...
in 200 A.D.. The story of Rhampsinit playing dice with Demeter in Hades is seen as an
allusion Allusion is a figure of speech, in which an object or circumstance from unrelated context is referred to covertly or indirectly. It is left to the audience to make the direct connection. Where the connection is directly and explicitly stated (as ...
to the old tradition to throw dice in attempt to clear up economical and/or political decisions, such as division of conquered lands or allocations of estates. In
folkloristics Folklore studies, less often known as folkloristics, and occasionally tradition studies or folk life studies in the United Kingdom, is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms, gained currenc ...
, the story of Rhampsinitus is classified in the Aarne-Thompson-Uther Index as tale type ATU 950.Thompson, Stith (1977). ''The Folktale''. University of California Press. pp. 171-172. .


References


Bibliography

* * Katharina Wesselmann: ''Mythische Erzählstrukturen in Herodots "Historien"''. de Gruyter, Berlin 2011, , page 282–286. * Alexandra von Lieven: ''Fiktionales und historisches Ägypten (Das Ägyptenbild der Odysee aus ägyptologischer Sicht)'' In: Andreas Luther: ''Geschichte und Fiktion in der homerischen Odyssee (interdisziplinäre Tagung, Oktober 2003 an der Freien Universität in Berlin)''. Beck, München 2006, , page 61–76. * William F. Hansen: ''Ariadne's Thread: A Guide to International Tales Found in Classical Literature''. Cornell University Press, 2002, , page 358–262. * Morris Silver: ''Taking Ancient Mythology Economically''. BRILL, Leiden 1992, , page 33–35. * Wiedemann, Alfred. ''Altägyptische Sagen und Märchen''. Leipzig: Deutsche Verlagsactiengesellschaft. 1906. pp. 146-153.


External link

* {{Authority control Kings of Egypt in Herodotus Fictional kings ATU 850-999