Relative Values (film)
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''Relative Values'' is a 2000 British comedy film adaptation of the 1950s
play of the same name Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Pla ...
by
Noël Coward Sir Noël Peirce Coward (16 December 189926 March 1973) was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what ''Time'' magazine called "a sense of personal style, a combination of cheek and ...
. It stars
Julie Andrews Dame Julie Andrews (born Julia Elizabeth Wells; 1 October 1935) is an English actress, singer, and author. She has garnered numerous accolades throughout her career spanning over seven decades, including an Academy Award, a British Academy Fi ...
,
Colin Firth Colin Andrew Firth (born 10 September 1960) is an English actor and producer. He was identified in the mid-1980s with the " Brit Pack" of rising young British actors, undertaking a challenging series of roles, including leading roles in '' A M ...
, William Baldwin, Edward Atterton, Stephen Fry and Jeanne Tripplehorn, and was directed by Eric Styles. It was filmed on location in the Isle of Man, mainly at
The Nunnery The Nunnery is an estate outside of Douglas on the Isle of Man, named after a religious foundation on the site, at . The Nunnery is located on Old Castletown Road, Braddan. In 1999, the estate was acquired for the Isle of Man International Busin ...
, with scenes at Kirk Braddan.


Plot

There is unrest brewing in the upper class Marshwood household, following the announcement of Nigel, The Earl of Marshwood's engagement to glamorous 'American' film actress, Miss Miranda Frayle - having proposed after just two months. Many members of his family and society friends disapprove of the match, fearing Nigel would be marrying below his class. Meanwhile the Hollywood studio gossip magazines are full of her former on and off-screen love affair with fellow film star - Don Lucas, and other members of the household are overwhelmed with the excitement of having a famous film star marrying into the family. Lord Marshwood brings Miranda home to his country estate to meet his mother - Felicity, Lady Marshwood. The visit prompts Lady Marshwood's personal maid - 'Moxie', to reveal that Miranda is in fact her estranged sister and after twenty years of faithful service, she must leave to avoid the 'social timebomb' should it become known. Unable to do without her, Lady Marshwood and her nephew Peter devise a charade (with the help of the butler) so that Moxie may meet her sister as an equal. Moxie is subsequently moved from 'below stairs' (with the servants) to 'upstairs' (with the family) and is transformed with make-up, wearing some of Lady Marshwood's clothes and jewellery for dinner with the family - pretending to be an independent lady of means (keeping her real identity secret). However, during dinner Miranda lies about her past (stating she was born a cockney, had a difficult childhood living in a
slum A slum is a highly populated urban residential area consisting of densely packed housing units of weak build quality and often associated with poverty. The infrastructure in slums is often deteriorated or incomplete, and they are primarily inh ...
and that her only sister ill-treated her when she was drunk and was in fact dead). Moxie finds it harder and harder to hide her identity and during dinner (not used to alcohol) she gets more and more drunk, to the amusement of Peter (who has a crush on Lucas) and the horror of Lady Marshwood. Meanwhile, Miranda's ex-boyfriend - the handsome and dashing film star Don Lucas arrives at Marshwood House, wanting Miranda back. Lucas contrives a secret meeting with Miranda in the garden, but Lady Marshwood surprises them and catches them kissing. Realising that he is still in love with Miranda and his presence may break up her son's relationship with Miranda - she invites Lucas to stay the night. In a fit of jealousy, Lord Marshwood announces that he and Miranda are to be married within days, prompting Moxie to announce (during an argument under the influence of alcohol) her true identity: that Miranda was in fact called 'Freda Birch' and was born in Sidcup, Kent and she broke their late mother's heart by running off to America with her then lover - to the horror of Miranda and Lord Marshwood. The next morning (Sunday), Lady Marshwood tells Lucas that Miranda is still in love with him, and that his cause is not a hopeless one. She then tells her son that he should ask Lucas to be his best man, but he tells his mother that he now has doubts about marrying Miranda. Lady Marshwood subsequently admits to Miranda that she doesn't want her to marry her son and sows the seed that Lord Marshwood may no longer be entirely in love with her. Moxie apologises to Miranda, telling her that she went too far and has decided to leave Marshwood House. Once again in the garden, Lady Marshwood catches Miranda kissing Lucas as she finally agrees to leave with him, and she says farewell to Lord Marshwood, ending their engagement. With Miranda finally gone, Moxie is told she can now stay and the family head off to church (as if nothing had happened) - where Lord Marshwood meets a local well-dressed attractive local lady at the door, who Lady Marshwood gracefully smiles approvingly at, as he goes into church with her instead of Miranda, as originally planned.


Cast


References


External links


Stage performances of Relative Values as listed at the Theatre Collection archive, University of Bristol
* * 2000 films 2000 comedy films British comedy films Plays by Noël Coward Films about families British films based on plays Films set in the 1950s Films scored by John Debney 2000s English-language films 2000s British films {{2000s-UK-comedy-film-stub