Rejoice In The Lord Alway
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"Rejoice in the Lord alway" (c. 1683–1685), Z. 49, sometimes known as the Bell Anthem, is a verse anthem by
Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...
. It was originally scored for SATB choir, countertenor, tenor and bass soloists, and strings, though it is also sometimes performed with organ replacing the strings. It has always been one of Purcell's better-known works, and is today his most popular anthem and probably the most often performed of all verse anthems.


Text

The text of this anthem is the
epistle An epistle (; el, ἐπιστολή, ''epistolē,'' "letter") is a writing directed or sent to a person or group of people, usually an elegant and formal didactic letter. The epistle genre of letter-writing was common in ancient Egypt as par ...
for the Fourth Sunday of
Advent Advent is a Christian season of preparation for the Nativity of Christ at Christmas. It is the beginning of the liturgical year in Western Christianity. The name was adopted from Latin "coming; arrival", translating Greek ''parousia''. In ...
, Philippians 4: 4–7:


Music

"Rejoice in the Lord alway", like many of Purcell's anthems, begins with a
symphony A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning com ...
(here called a prelude), which has been acclaimed for its "luminous part-writing" and "wonderful sheen". This is based on a ten-beat descending scale
ostinato In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include ...
which, like the upper parts, imitates the pealing of bells. The three soloists introduce an eight-bar theme in triple time which is then repeated and developed by the strings. The soloists recapitulate their theme before moving to a second one, to which the choir responds joyfully, sometimes interrupted by the soloists singing "and again". This section ends with the strings playing the symphony again. In a passage of a more sober quality the bass sings "Be careful for nothing", then there is a homophonic evocation of "the peace of God which passeth all understanding", developed by the strings. The initial triple-time theme returns, being performed first by the soloists, then the strings, and finally the choir in "brilliantly climactic" fashion.


History

The anthem was written c. 1683–1685, when Purcell was in his mid-twenties. The scoring for stringed instruments shows that it must have been intended for the
Chapel Royal The Chapel Royal is an establishment in the Royal Household serving the spiritual needs of the sovereign and the British Royal Family. Historically it was a body of priests and singers that travelled with the monarch. The term is now also applie ...
, the only institution which used strings for services, where it would have been performed in the presence of the king. The fact that there are more than 50 surviving manuscripts of the score, some very early, suggests that it was a popular work from the first. One of the earliest calls it the Bell Anthem, a name by which it has continued to be known down to the present day. The Chapel Royal's abandonment of the use of strings in the 1690s, as also the adoption of this anthem by many English and Irish cathedrals, made necessary its arrangement in various non-instrumental versions. 47 manuscripts of these survive, as against seven of Purcell's original version. The popularity of "Rejoice in the Lord alway" has never faded: it is now the best-known of Purcell's many anthems, and probably the most frequently performed of all verse anthems.


Footnotes


References

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External links

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List of recordings
at
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{{Henry Purcell, state=collapsed 1680s compositions Anglican church music British anthems British church music Choral compositions Compositions by Henry Purcell