Raúl Zamudio is a New York-based independent

curator A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the parti ...

art critic An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogue ...

art historian Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today ...

and educator.

Background

Zamudio was born in

Tijuana Tijuana ( ,"Tijuana"
(US) and < ...

, Mexico. He was raised in

San Diego San Diego ( , ; ) is a city on the Pacific Ocean coast of Southern California located immediately adjacent to the Mexico–United States border. With a 2020 population of 1,386,932, it is the List of United States cities by population, eigh ...

, California and moved to

New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...

where he currently lives and works. He received undergraduate and graduate degrees in art history from the

City University of New York The City University of New York ( CUNY; , ) is the Public university, public university system of Education in New York City, New York City. It is the largest urban university system in the United States, comprising 25 campuses: eleven Upper divis ...

, and also studied at the following institutions: Vassar College, Université Laval, Columbia University, and the Institute of Fine Arts, New York University. He is an alumnus of the Whitney Museum Independent Study Program in Critical Studies.

Curatorial work

He was Curator-at-Large, Pristine Galerie, Monterrey, Mexico; International Art Director, Other Gallery, Beijing, Shanghai; Director of Exhibitions, White Box, New York, NY; and Curator-at-Large, the:artist:network, New York, NY. He has curated or co-curated over 100 exhibitions in the Americas, Asia and Europe including solo shows of

Dennis Oppenheim Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photographer. Dennis Oppenheim's early artistic practice is an epistemological questioning about the nat ...

, Javier Téllez, Miguel Angel Rios, Bik Van der Pol, Gordon Cheung, Riiko Sakkinen, Wojtek Ulrich, Shahram Entekhabi, Sun Yao, and Lui Lei, as well as group exhibitions including ''

The Twilight of the Idols ''Twilight of the Idols, or, How to Philosophize with a Hammer'' (german: link=no, Götzen-Dämmerung, oder, Wie man mit dem Hammer philosophiert) is a book by Friedrich Nietzsche, written in 1888, and published in 1889. Genesis ''Twilight of th ...

'' (Madrid), ''

The Metamorphosis ''Metamorphosis'' (german: Die Verwandlung) is a novella written by Franz Kafka which was first published in 1915. One of Kafka's best-known works, ''Metamorphosis'' tells the story of salesman Gregor Samsa, who wakes one morning to find himsel ...

'' (Shanghai), ''

Body Double In filmmaking, a double is a person who substitutes FOR another actor such that the person's face is not shown. There are various terms associated with a double based on the specific body part or ability they serve as a double for, such as stunt ...

'' (Wrocław), ''

The Picture of Dorian Gray ''The Picture of Dorian Gray'' is a philosophical fiction, philosophical novel by Irish writer Oscar Wilde. A shorter novella-length version was published in the July 1890 issue of the American periodical ''Lippincott's Monthly Magazine''.''Th ...

'' (Mexico City), ''Under Your Skin'' (New York City), ''The

Phantom Limb A phantom limb is the sensation that an amputated or missing limb is still attached. Approximately 80 to 100% of individuals with an amputation experience sensations in their amputated limb. However, only a small percentage will experience painf ...

'' (Chicago), ''The Crystal Land Revisited'' (Newark), ''

That Obscure Object of Desire ''That Obscure Object of Desire'' (french: Cet obscur objet du désir; es, Ese oscuro objeto del deseo) is a 1977 comedy-drama film directed by Luis Buñuel, based on the 1898 novel '' The Woman and the Puppet'' by Pierre Louÿs. It was Buñuel's ...

'' (Monterrey, Mexico), ''The

Bermuda Triangle The Bermuda Triangle, also known as the Devil's Triangle, is an urban legend focused on a loosely defined region in the western part of the North Atlantic Ocean where a number of aircraft and ships are said to have disappeared under mysterio ...

'' (Miami), ''

Under the Volcano ''Under the Volcano'' is a novel by English writer Malcolm Lowry (1909–1957) published in 1947. The novel tells the story of Geoffrey Firmin, an alcoholic British consul in the Mexican city of Quauhnahuac, on the Day of the Dead in November ...

'' (San Jose, Costa Rica) and '' Theater of Cruelty'' (New York City). Raúl Zamudio's curatorial work is distinguished by an expansive approach underscored, for example, in the following exhibitions:'' Rayuela'', which used the structuralist configuration of the similarly titled novel by the writer

Julio Cortázar Julio Florencio Cortázar (26 August 1914 – 12 February 1984; ) was an Argentine, nationalized French novelist, short story writer, essayist, and translator. Known as one of the founders of the Latin American Boom, Cortázar influenced an ent ...

as curatorial framework; '' The Passenger'', based on the film by the director

Michelangelo Antonioni Michelangelo Antonioni (, ; 29 September 1912 – 30 July 2007) was an Italian filmmaker. He is best known for directing his "trilogy on modernity and its discontents"—''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962 ...

;'' The Crystal Land Revisited,'' which was conceptually organized around an essay by the artist

Robert Smithson Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. His work has been internationally exhibited in galleries and m ...

;'' In the Future the Curator Will Point and Say, "Those Objects Over There is an Exhibition",'' based on an aphorism by

Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso ...

; ''The Pavilion of Realism ,'' based on

Gustave Courbet Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and t ...

's rejection from the 1855 Exposition Universelle, which Zamudio presented in Shanghai during the 2010

World's Fair A world's fair, also known as a universal exhibition or an expo, is a large international exhibition designed to showcase the achievements of nations. These exhibitions vary in character and are held in different parts of the world at a specif ...

; another exhibition that incorporated a medical condition as thematic; and ''Art After Dark And After'', a talk show in which he served as host that was both an interview program with artists and an art exhibition masked as dialogue and discussion. Apart from organizing exhibitions in galleries, art fairs, art festivals, alternative art spaces, academic and museum institutions, Zamudio was co-curator, "Here Is Where We Jump!," La Bienal 2013,

El Museo del Barrio El Museo del Barrio, often known simply as El Museo (the museum), is a museum at 1230 Fifth Avenue in Upper Manhattan, New York City. It is located near the northern end of Fifth Avenue's Museum Mile, immediately north of the Museum of the Cit ...

, New York, NY; co-curator, "City Without Walls," 2010 Liverpool Biennial; co-curator, ''Constellations'': 2009 Beijing 798 Biennial; artistic director/curator, ''Garden of Delights'': 2008 Yeosu International Art Festival; co-curator, ''Turn and Widen'': 2008 Media_City Seoul International Media Art Biennial; and co-curator of an official collateral exhibition titled ''Poles, Apart, Poles Together'' presented at the 2005

Venice Biennial The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of ...

. His exhibitions have been reviewed in numerous periodicals including ''Art in America'', ''Art Nexus'' ''Art Notes'', ''Diario ABC'', ''L Magazine'', ''New York Art World'', ''New York Times'', ''Randian'', and the ''Village Voice''.

Criticism and writing

As an art critic, Raúl Zamudio has written over 200 published texts of which many have been translated into Chinese, Finnish, German, Italian, Japanese, Korean, Polish, Portuguese, and Spanish. He is author, co-author, or contributor to more than 70 art-related books and exhibition catalogs, and some of the artists he has written essays on include

Francis Alys Francis may refer to: People *Pope Francis, the head of the Catholic Church and sovereign of the Vatican City State and Bishop of Rome *Francis (given name), including a list of people and fictional characters *Francis (surname) Places *Rural Mu ...

, Waltercio Caldas,

Lygia Clark Lygia Pimentel Lins (23 October 1920 – 25 April 1988), better known as Lygia Clark, was a Brazilian artist best known for her painting and installation work. She was often associated with the Brazilian Constructivist movements of the mid-20t ...

, Gordon Cheung,

Lucio Fontana Lucio Fontana (; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He is mostly known as the founder of Spatialism. Early life Born in Rosario, to Italian immigrant parents, he was t ...

Julio Galán Julio Galán (1958 or 1959 – August 4, 2006) was a Mexican artist and architect. Galán was one of Latin America's neo-expressionist painters of the end of the last century and the beginning of this one.. His paintings and collages are full ...

Damien Hirst Damien Steven Hirst (; né Brennan; born 7 June 1965) is an English artist, entrepreneur, and art collector. He is one of the Young British Artists (YBAs) who dominated the art scene in the UK during the 1990s. He is reportedly the United Kingd ...

Rebecca Horn Rebecca Horn (born 24 March 1944, in Michelstadt, Hesse) is a German visual artist, who is best known for her installation art, film directing, and her body modifications such a''Einhorn'' (Unicorn) a body-suit with a very large horn projecting ve ...

, Teresa Margolles,

Cildo Meireles Cildo Meireles (born 1948) is a Brazilian conceptual artist, installation artist and sculptor. He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, en ...

Ana Mendieta Ana Mendieta (November 18, 1948 – September 8, 1985) was a Cuban-American performance artist, sculptor, painter and video artist who is best known for her "earth-body" artwork. Born in Havana, Mendieta left for the United States in 1961. Earl ...

Gabriel Orozco Gabriel Orozco (born April 27, 1962) is a Mexican artist. He gained his reputation in the early 1990s with his exploration of drawing, photography, sculpture and installation. In 1998, Francesco Bonami called Orozco "one of the most influenti ...

Helio Oiticica Helio may refer to: * Helio AU-24 Stallion * Helio (wireless carrier), a defunct American wireless communications provider (2005–2010); originally a joint venture between SK Telecom and EarthLink, purchased by Virgin Mobile USA in 2008 * He ...

Santiago Sierra Santiago Sierra (born 1966) is a Spanish artist, known for performance art and installation art. Much of his work deals with the topic of social inequities. He lives in Madrid. Career Sierra's most well-known works involve hiring laborers to co ...

, Jesús Rafael Soto, Javier Téllez, and Teresa Serrano. He is corresponding editor for

Art Nexus ''ArtNexus'' is the leading magazine to cover the contemporary art of Latin America. From its documentation center in Bogota, the magazine covers visual art and architecture. By publishing in both Spanish and English, the magazine fulfilled its go ...

, and his texts have appeared in numerous periodicals including

Contemporary Contemporary history, in English-language historiography, is a subset of modern history that describes the historical period from approximately 1945 to the present. Contemporary history is either a subset of the late modern period, or it is o ...

, TRANS> Arts Culture Media, Estilo, Art in Culture, Art Map, Zingmagazine, Art Notes, Laboratory, Framework: The Finnish Journal of Contemporary Art, Journal of the West, Tema Celeste, La Tempestad, Public Art, and

Flash Art ''Flash Art'' is a contemporary art magazine, and an Italian and international publishing house. Originally published bilingually, both in Italian and in English, since 1978 is published in two separate editions, Flash Art Italia (Italian) and Fl ...

. Raúl Zamudio's writing has been cited by Reed Johnson of the

Los Angeles Times The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the Un ...

in Johnson's article on war and beauty.Johnson, Reed
War in All its Awful Beauty

, April 20, 2003.

Teaching and lecturing

He currently teaches at

John Jay College The John Jay College of Criminal Justice (John Jay) is a public college focused on criminal justice and located in New York City. It is a senior college of the City University of New York (CUNY). John Jay was founded as the only liberal arts co ...

, and

Parsons School of Design Parsons School of Design, known colloquially as Parsons, is a private art and design college located in the Greenwich Village neighborhood of New York City. Founded in 1896 after a group of progressive artists broke away from established Manhatt ...

. He has been a visiting critic/curator at Ehwa Women's University, Seoul; Sogang University, Seoul; Cheonam University, Cheonam; Royal College of Art, London; Tampere Polytechnic, Tampere; FRAME, Helsinki; Centrum Cultura Zamek, Wrocław; Oaxaca Museum of Contemporary Art; Escuela de Artes Plasticas, San Juan, Puerto Rico; Museum of Contemporary Canadian Art, Toronto; Szamzie Space, Seoul; Art Omi, Ghent, New York; Newark Museum; and Location One, New York City. He has lectured, presented papers, delivered talks and participated on panels at universities, museums, galleries and art fairs including Harvard Divinity School, U.C. Berkeley, Stanford University, University of Southern California, University of Washington, CAM/New York University, Universidad de las Americas, Puebla, Mexico, Academy of Art, Wroclaw, Poland, Royal College of Art, Museum of Fine Arts, Boston, Cleveland Museum of Art, Whitney Museum of American Art, Guggenheim Museum, Drawing Center, PS 1 Museum/Clock Tower Gallery, National Museum of American History, Mexican Cultural Institute, Washington, D.C., the Americas Society, NY, The Cervantes Institute, NY, Seoul Museum of History, Other Gallery, Shanghai, Yan Yan Club, Beijing, Yeosu City Hall, MACO/Mexico City, Espacio Trapezio, Madrid, Spain, Carriage House, New York, NY, White Box, New York, NY, and Elizabeth Foundation for the Arts, New York, NY.

Select bibliography

2014 *Zamudio, Raúl and Anne Strauss. ''Claudia Baez: Paintings After Proust.'' Brooklyn and Hong Kong: Art 3 Gallery, and DK Art Books. *Zamudio, Raúl et al. ''Contempo: 2014 International Contemporary Art Festival.'' Varna: Contempo International Art Festival. *Zamudio, Raúl et al. ''Daniel Silvo: Casa, Bunker, Ruina.'' Madrid: Arte y Desarollo. *Zamudio, Raúl. ''Koh Sang Woo: Join Me There.'' Amsterdam: Wanrooij Gallery. *Zamudio, Raúl et al. ''Last Exit Project. Moving Trienniale: Made in Busan.'' Busan: Moving Triennale. *Zamudio, Raúl. ''Lucero Gonzalez Jameson: Angelus Novus.'' Hong Kong: DK Art Books. *Zamudio, Raúl. “The 2014 Whitney Biennial,” ''Art Nexus'' no. 93 vol. 13 (June-August): pp.60-64. 2013 *Zamudio, Raúl. ''A Bomb, With Ribbon Around It.'' New York: SAWCC. *Zamudio, Raúl et al. ''Geometric Abstraction in Latin America, An Anthology of Texts.'' Edited by Ivonne Pini. Miami and Bogota: Art and Art; Art Nexus. *Zamudio, Raúl, Riiko Sakkinen, and Katja Tukiainen. ''Katja Tukiainen: Works, Part Two.'' Helsinki: Parves. *Zamudio, Raúl et al. ''Stefano Cagol: The Ice Monolith Platform.'' Venezia: Gerzani Foundation. *Zamudio, Raúl. “The Colossus of East Harlem,” ''Here Is Where We Jump!: La Bienal 2013.'' New York: El Museo del Barrio. 2012 *Zamudio, Raúl et al., ''Mookie Tenembaum: Paranoia.'' Buenos Aires: Panta Rhei. *Zamudio, Raúl et al., ''Generaciones 2012.'' Madrid: Caja Madrid. *Zamudio, Raúl. “The 2012 Whitney Biennial,” ''Art Nexus'' no. 85 vol. 11 (June August): 40-44. 2011 *Zamudio, Raúl, and Adolfo Doring. ''Adolfo Doring: Nomenclature.'' Hong Kong: DK Art Books. *Zamudio, Raúl. “Cinema de la Crueldad.” ''La Tempestad'' (July–August): 126-129. *Zamudio, Raúl. ''Fernando Martin Godoy: Capitulo.'' Madrid: Caja Madrid. *Zamudio, Raúl, and Joe Pollitt. ''Lui Lei: Floating Ice Biography.'' Beijing: Other Gallery. *Zamudio, Raúl, Sophia Schultz, and Ilka Tödt. ''Shahram Entekhabi: Nothing Gold Can Stay.'' Beijing: Other Gallery. *Zamudio, Raúl, and Ricardo Cisneros. ''Ricardo Cisneros: Between Two Worlds.'' New York: Two Leaves Editions. http://twoleaveseditions.com/BETWEEN-TWO-WORLDS-RICARDO-CISNEROS-2011 *Zamudio, Raúl et al., ''Stefano Cagol: Public Opinion.'' Eds. Iara Boubnova, Gregor Jansen, Michele Robecchi and Andrea Viliani. Milan and New York: Charta. *Zamudio, Raúl. ''The Third Eye/I.'' Shanghai: Other Gallery. *Zamudio, Raúl, Martha Gehman, and Howard Mean.''Winslow McCagg: Recent Paintings.'' Winchester, VA: Two Streams Press. *Zamudio, Raúl, and Wojtek Ulrich. ''Wojtek Ulrich.'' Wroclaw: GREG. *Zamudio, Raúl, and Wojtek Ulrich. ''Wojtek Ulrich.'' Beijing: Other Gallery. 2010 *Zamudio, Raúl, and Laura Rutkute. ''City Without Walls.'' 2010 Liverpool Biennial. Vilnius: Galerija Vartai. *Zamudio, Raúl. ''Damian Ontiveros: Towards a Relational Turn in Art.'' Nuevo León: Autonomous University of Nuevo León. . *Zamudio, Raúl. “Gabriel Orozco.” ''Art Nexus'' no. 76, vol. 9 (March–May): 56-58. *Zamudio, Raúl. ''Gordon Cheung: The Sleeper Awakes.'' Shanghai: Other Gallery. *Zamudio, Raúl. ''Gorka Mohamed: Tautologies.'' Seoul: Bright Treasure Art Projects. *Zamudio, Raúl, Carol Becker, Edwin Ramoran, and Sarah Reisman. ''Imageless: Jaye Rhee.'' Seoul: Specter Press. *Zamudio, Raúl. ''The Metamorphosis.'' Shanghai: Other Gallery. *Zamudio, Raúl, and Maarten Betheaux.''The Pavilion of Realism.'' Shanghai: Other Gallery. *Zamudio, Raúl. “Public Art in South Korea.” ''Public Art'' (March–April): 86-90. *Zamudio, Raúl. “Rune Olsen.” ''MAG'' (August): np. *Zamudio, Raúl, and Yao Sun. ''Sun Yao: Topographies of the Self.'' Shanghai: Other Gallery. *Zamudio, Raúl. ''Suspensions of Disbelief.'' Shanghai: Other Gallery. 2009 *Zamudio, Raúl. ''Abdul Vas: Anything Goes.'' Madrid: La Fresh Gallery. *Zamudio, Raúl, “All The World is a Screen: Soon Choi’s APT.” In ''Soon Choi: APT,'' Seoul: Brain Factory. *Zamudio, Raúl. “APT.” ''EYEBALL'' (September): np. *Zamudio, Raúl. "As Above So Below: From Plato’s Cave to Hitler’s Bunker.” ''Art Map'' no. 27 (October): 46–49. *Zamudio, Raúl. “Cildo Meireles.” ''Art Nexus'' no. 73, vol. 8 (June–August): 76-78. *Zamudio, Raúl. “David Maljkovic.” ''Flash Art'' vol. XLII, no. 265 (March–April): 83. *Zamudio, Raúl. ''Eternal Recurrence: The Art of Claudia Doring Baez.'' New York: Chelsea Art Museum. *Zamudio, Raúl. ''Eternal Recurrence: The Art of Lucero.'' New York: Chelsea Art Museum. *Zamudio, Raúl et al., ''Constellations: 2009 Beijing 798 Biennale.'' Beijing: Art Map. *Zamudio, Raúl et al., ''For You.'' Zurich: Daros Collection. *Zamudio, Raúl. “The Genie of History in Three Acts.” ''FRAMEWORK: The Finnish Journal of Contemporary Art'' no. 10 (June): 74-75. *Zamudio, Raúl. “Guthrie Lonergon: Text. Image. Sound. (Singular in Focus, not a Faggy Short Film)." ''EYEBALL'' (July): np. *Zamudio, Raúl et al., ''Janet Belloto: Wave.'' New York: The Lab. *Zamudio, Raúl. “Latin American Art, an Art that is neither Latin nor American.” ''Art Map'' no. 26 (September): 43-47. *Zamudio, Raúl, Henri-François Debailleux, Phillipe Piguet, and Kwang Sui Oh. ''Lee Bae.'' Beijing: Today Art Museum. *Zamudio, Raúl. “Marina Zurkow: The Poster Children and Other Heroes of the Revolution.” ''EYEBALL'' (September): np. *Zamudio, Raúl. “Marco Maggi: Between Drawing and Withdrawing.” ''Art Nexus'' no. 75, vol. 8 (December 2009-February 2010): 60-6

*Zamudio, Raúl. ''My Mother's Garden.'' Seoul: Kim Hung Sun and Gallery 101 Space. *Zamudio, Raúl. “Toralth Knobloch.” ''Flash Art'' vol. XLII, no. 266 (May–June): 109. *Zamudio, Raúl. “Total Asshole Compression: Cory Arcangel’s Digital Detournement.” ''EYEBALL'' (January): np. 2008 *Zamudio, Raúl. “5th Seoul International Media Biennial.” ''Flash Art'' vol. XLI, no. 259 (March–April): 145. *Zamudio, Raúl. “Adrian Piper.” ''Flash Art'' vol. XLI, no. 260 (May–June): 152. *Zamudio, Raúl. ''An Woong Chul:Sky Pictures.'' Seoul: Art and Dream. *Zamudio, Raúl. “Andro Wekua.” ''Flash Art'' vol. XLI, no. 260 (May–June): 151. *Zamudio, Raúl. “Edgar Orlaineta.” ''Flash Art'' vol. XLI, no. 259 (March–April): 81. *Zamudio, Raúl. ''Garden of Delights.'' Yeosu: Jinnam Cultural Center, and Chonnam University. *Zamudio, Raúl, and Donald Kuspit. ''Jorge Talca, Pinturas/Paintings.'' Santiago, Chile: Quebecor. . *Zamudio, Raúl. “Michael-Bell Smith.” ''Flash Art'' vol. XLI, no. 259 (March–April): 79. *Zamudio, Raúl. “Paul McCarthy.” ''Flash Art'' vol. XLI, no. 262 (October–November): 134. *Zamudio, Raúl. “Playing Dead: Joe Delappe’s Virtual Wars.” ''EYEBALL'' (May): np. *Zamudio, Raúl, Boggi Kim, Phoebe Hoban, and Richard Vine. ''Oh Chi Gyun: Defining Landscapes.'' Manchester, VT: Hudson Hills. . *Zamudio, Raúl. “Remembrance of a Bitmapped Past: Michael Bell-Smith's Media Art.” ''EYEBALL'' (April): np. *Zamudio, Raúl. “Sang Nam Lee.” ''Flash Art'' vol. XLI, no. 261 (Summer issue): 259. *Zamudio, Raúl. “Shadow Boxing: Notes on Rafael Lozano-Hemmer’s Shadow Box Series.” ''EYEBALL'' (October): np. *Zamudio, Raúl, Maarten Bertheux, Andreas Broeckman, and Ilho Park. ''Turn and Widen: 5th Seoul International Media Art Biennale.'' Seoul: Seoul Museum of Art. . *Zamudio, Raúl. “The 2008 Whitney Biennial.” ''Art Nexus'' no. 69, vol. 7 (June–August): 70-74. 2007 *Zamudio, Raúl. “Aaron Hank.” ''Art Nexus'' no. 63, vol. 6 (January–March): 166. *Zamudio, Raúl. “Art Basel/Miami Beach.” ''Art Nexus'' no. 64, vol. 6 (April–June): 98-101. *Zamudio, Raúl. “Benjamin Torres.” ''Art Nexus'' no. 64, vol. 6 (April–June): 14-15. *Zamudio, Raúl. “Christopher Jankowski.” ''Flash Art'' vol. XL, no. 254 (June–July): 133. *Zamudio, Raúl. “Dan Topor.” ''Flash Art'' vol. XL, no. 256 (October–November): 124. *Zamudio, Raúl. “Jonas Mekas.” '' rt Notes' (January): 89. *Zamudio, Raúl. “Pedro Reyes.” ''Art Nexus'' no. 66, vol. 6 (October—November): 154. *Zamudio, Raúl. “Stefan Brüggerman.” ''Flash Art'' vol. XL, no. 252 (January–February): 115-116. *Zamudio, Raúl, and Marc Hungerbuhler. ''SURGE.'' Beijing: Artist Network, and OCT Contemporary Art Terminal. *Zamudio, Raúl. “Terence Koh.” ''Flash Art'' vol. XL, no. 253 (March–April): 123. *Zamudio, Raúl. ''The Sweet Hereafter.'' Chicago and New York: Gosia Koscielak Gallery. *Zamudio, Raúl et al., ''Turn and Widen: Media Art Now and Future.'' Seoul: Seoul Museum of Art. *Zamudio, Raúl. ''Wojtek Ulrich: SCUM.'' New York: White Box. 2006 *Zamudio, Raúl. “(212)-911.” In ''(212)-911,'' New York: White Box. *Zamudio, Raúl. “Art Basel/Miami Beach.” ''Art Nexus'' no. 60, vol. 5 (March–May): 110-113. *Zamudio, Raúl. “Cesar Cervantes: Collecting Art and the Art of Collecting.” ''Contemporary'' (special issue on contemporary art collections) no. 80 : 40-44. *Zamudio, Raúl. “Darkness Ascends.” ''Flash Art'' vol. XXXIX, no. 250 (September–October): 57. *Zamudio, Raúl, and Elżbieta Kościelak. ''Dubler/Body Double.'' Wroclaw: Polish Ministry of Culture, and Centrum Kultury Zamek Wroclaw-Lesnica. . *Zamudio, Raúl. “Oreet Ashery: Venus/Penis Envy?” ''Akrylic'' (February): np. *Zamudio, Raúl et al., ''Presente Perfecto/Present Perfect.'' Austin: Volitant Gallery. *Zamudio, Raúl. “Seth Price.” ''Flash Art'' vol. XXXIX, no. 251 (November–December): 116. *Zamudio, Raúl. “Sex and Death: The Art of Svai & Paul Stanikas.” ''NYARTS'' vol. 11, no.1/2 (January/February): 18. *Zamudio, Raúl. “Stephen Shore.” ''Flash Art'' vol. XXXIX, no.247 (March–April): 109-110. *Zamudio, Raúl. “Tamy Ben-Tor.” ''Flash Art'' vol. XXXIX, no.247(March–April): 111 *Zamudio, Raúl. “The 2006 Whitney Biennial.” ''Art Nexus'' no. 62, vol. 5 (October–December): 72-75. *Zamudio, Raúl. “Tomas Saraceno.” ''Flash Art'' vol. XXXIX, no. 250 (September–October): 115. 2005 *Zamudio, Raúl. “Ana Patricia Palacios.” ''Art Nexus'' no. 57, vol. 3 (July–August):148-149. *Zamudio, Raúl. “Cristian Silva.” ''Art Nexus'' no. 59, vol. 4 (December 2004-February 2005): 173-174. *Zamudio, Raúl. “Eel Kwon Kim: A Day in the Life of a Painting.” ''Arts in Culture'' no. 9: 116-117. *Zamudio, Raúl et al., ''The Encyclopedia of Twentieth-Century Photography.'' 3 vols., ed. Lynne Warren. London and New York: Routledge. . *Zamudio, Raúl. “Gabriel Orozco.” ''Art Nexus'' no. 59, vol. 4 (December 2004-February 2005):170-171. *Zamudio, Raúl. “Kazumi’s Transmigration and other Adventures.” In ''Transmigration,'' Tokyo: T & S Gallery. *Zamudio, Raúl. “The New MOMA.” ''Art Nexus'' no. 58 vol. 4, (September/November): 76. *Zamudio, Raúl. “The Pleasure Dome.” In ''The Pleasure Dome,'' New York: Bureau of Curatorial Affairs. *Zamudio, Raúl. “Retratos: 2000 years of Latin American Portraiture.” ''Art Nexus'' no. 58, vol. 4 (September–November): 162-164. *Zamudio, Raúl. “Sarah Lucas.” ''Flash Art'' vol. XXXVIII, no. 242 (May–June): 145. *Zamudio, Raúl, “Tania Bruguera.” ''Contemporary'' (special issue on Venice Biennial) vol. 74: 42-4

*Zamudio, Raúl et al., ''Transcultural New Jersey: Diverse Artists Shaping Culture and Communities.'' Vol. II, eds. Marianne Ficarra, Isabel Nazario, and Jeffrey Wechsler. Rutgers: The State University of New Jersey. *Zamudio, Raúl. “Video Fair or Video Fare?” ''Contemporary'' vol. 73: 49. *Zamudio, Raúl et al., ''Women in Love.'' New York: Tenri Cultural Institute. 2004 *Zamudio, Raúl. “AAF Contemporary Art Fair,” ''Art Nexus'' no. 58, vol. 5 (December–January): 136-138 *Zamudio, Raúl. “Alejandro Mazon.” ''Art Nexus'' no. 55, vol. 3 (December 2003-January 2004): 158-159. *Zamudio, Raúl. “America as Myth and Realty.” ''Framework: The Finnish Art Review,'' Double Issue (no. 1): 123-124. *Zamudio, Raúl, and Shin-Eui Park. ''Airan Kang, Digital Book Project.'' Seoul: A & A. . *Zamudio, Raúl. “Carlos Amorales.” ''Art Nexus'' no. 53, vol. 3 (July–September): 89-90. *Zamudio, Raúl, and Rocio Aranda Alvarado. ''Chakaia Booker: Jersey Ride.'' Jersey City: Jersey City Museum. *Zamudio, Raúl. “Damien Hirst.” In ''The Encyclopedia of Sculpture,'' 3 vols., ed. Antonia Boström, 753-755. London and New York: Routledge . *Zamudio, Raúl et al., ''Eel Kwon Kim.'' New York: John Jay Gallery, John Jay College, C.U.N.Y. *Zamudio, Raúl. “Eugenio Dittborn.” ''Art Nexus'' no. 54, vol.3 (October–November): 118-119. *Zamudio, Raúl. “Flash Mobsters.” ''Framework: The Finnish Journal of Contemporary Art'' (No. 3): 115-116. *Zamudio, Raúl. “

Gregor Schneider Gregor Schneider (born 1969 in Rheydt) is a German artist. His projects have proven controversial and provoked intense discussions. In 2001, he was awarded the Golden Lion at the Venice Biennale for his infamous work ''Totes Haus u r'' exhibited ...

.” ''Flash Art'' vol. XXXVII, no. 234 (January–February): 88. *Zamudio, Raúl, Marek Bartelik, Yongwoo Lee, and Thalia Vrachopoulos. ''Haesook Kim: Weltanschauung.'' Seoul and New York: Tenri Cultural Institute. *Zamudio, Raúl. “Jainana Tschape.” ''Art Nexus'' no. 53, vol. 3 (July–September): 90-91. *Zamudio, Raúl. “Jesus Rafael Soto.” In ''The Encyclopedia of Sculpture,'' 3 vols., ed. Antonia Boström, 1590-1592. London and New York: Routledge . *Zamudio, Raúl. “Lucio Fontana.” In ''The Encyclopedia of Sculpture,'' 3 vols., ed. Antonia Boström, 575-577. London and New York: Routledge . *Zamudio, Raúl. “Melik Ohanian.” ''Flash Art'' vol. XXXVII, no. 236 (May–June): 83. *Zamudio, Raúl, and Donald Kuspit. ''Norma Bessout: The Journey.'' Boston: Arden Gallery. *Zamudio, Raúl et al. ''POOL: Art Addict Underground Art Fair.'' New York: FRERE. *Zamudio, Raúl. “Rebecca Horn.” In ''The Encyclopedia of Sculpture,'' 3 vols., ed. Antonia Boström, 759-761. London and New York: Routledge . *Zamudio, Raúl. “Skin Deep and Bad to the Bone.” ''NYARTS'' vol. 9, no. 9/10 (September/October): 54. *Zamudio, Raúl. “Some Notes on Censorship and Art After 9/11.” ''Laboratory'' (March): np. *Zamudio, Raúl et al., ''Sylvia Wald.'' New York: Tenri Cultural Institute. *Zamudio, Raúl. “To Be Political It Doesn’t Have To Be Stereotypical.” ''Latinart,'' np. 2003 *Zamudio, Raúl. “Adriana Varejao.” ''Flash Art'' vol. XXXVI, no. 230 (May–June): 90-91. *Zamudio, Raúl. “Architectonics of Painting.” ''NYARTS'' vol. 8, no. 6-8 (June/August): 51-52. *Zamudio, Raúl. “Energy and Entropy.” ''NYARTS'' vol. 8, no.9/11 (September/October): 55-56. *Zamudio, Raúl. "The Ear-Eye Problem." ''Berlinerkunst'' vol. 2, no. 3 (March): 46. *Zamudio, Raúl. "The Flaneur as Botanist." ''Berlinerkunst'' vol 2, no. 4 (April): 44. *Zamudio, Raúl et al., ''Going Public: Politics, Subjects, Place.'' Modena and Sassulo: MAST, 2003. *Zamudio, Raúl. Javier Telléz: Naming the Unnamble." ''Latinart'' (July): 1-3

*Zamudio, Raúl. “Jorge Tacla: Expanding the Field of Painting.” ''Art Nexus'' no. 49 (July/September): 48-5

*Zamudio, Raúl. “Latin American Geometry.” ''Art Nexus'' no. 50, vol. 1 (October–December): 88-89. *Zamudio, Raúl. “Maria Elena Gonzalez.” ''Art Nexus'' no. 48, vol. 1 (April–June): 134-135. *Zamudio, Raúl. “Miami's Vice.” ''NYARTS'' vol. 8, no. 11/12 (November/December): 67-68. *Zamudio, Raúl. “The Missing: The Photography of Andrea Frank and Cleverson.” In ''Absences: Urban Alienation in Contemporary Photography,'' New York: Tenri Cultural Institute. *Zamudio, Raúl. “Rubens Gerchman.” ''Art Nexus'' no. 47, vol. 1 (January–March): 131-132. *Zamudio, Raúl. “Sylvia Wald.” ''NYARTS'' vol. 8, no. 6-8 (June–August): 14- 15. 2002 *Zamudio, Raúl. “A New Touch of Evil.” ''Berlinerkunst'' vol 1, no. 12 (December): 6-7. *Zamudio, Raúl. “Apocalypse Forever: Dominic McGill’s Chaos Aesthetics.” ''NYARTS'' vol. 7, no. 4 (April): 8-9. *Zamudio, Raúl. "Art & Violence: Poetry after Auschwitz, Art after 9/11" ''NYARTS'' vol. 7, no. 2 (February): 38-39. *Zamudio, Raúl. “Architecture of Confinement.” In ''Javier Telléz: Blind Data,'' New York: Art in General. *Zamudio, Raúl. “Atelier Morales.” ''Flash Art'' vol. XXXV, no. 232 (October–November): 111. *Zamudio, Raúl. ''Blue on the Track.'' New York: Generous Miracles Gallery. *Zamudio, Raúl. “Breaking Alberti’s Window.” ''Berlinerkunst'' vol. 1, no. 11 (November): 21-22. *Zamudio, Raúl. “Daniel Senise.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 560-562. Detroit, MI: St. James Press. . *Zamudio, Raúl. "Enoc Perez." ''Art Nexus'' no. 45 (July–September): 117-118. *Zamudio, Raúl. “Francis Alÿs.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 19-20. Detroit, MI: St. James Press. . *Zamudio, Raúl. “Hélio Oiticica.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 423-424. Detroit, MI: St. James Press. . *Zamudio, Raúl. “Javier Telléz.” In ''Art Basel/Miami Art Fair,'' Basel and Miami: Art Basel/Miami Art Fair. *Zamudio, Raúl. “Javier Telléz: Institutionalized Aesthetics.” ''Flash Art'' vol. XXXV, no. 231 (July/September): 85-86

*Zamudio, Raúl. “Julio Galan.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 219-221. Detroit, MI: St. James Press. . *Zamudio, Raúl et al., ''Kim Dae Won: Mountain Vistas and Guardian Spirits.'' New York: Tenri Cultural Institute. *Zamudio, Raúl. “Lucio Fontana.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 210-212. Detroit, MI: St. James Press. . *Zamudio, Raúl. “Lygia Clarke.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 134-135. Detroit, MI: St. James Press. . *Zamudio, Raúl. “Marco Arce.” ''Art Nexus'' no. 44 (April–June): 122-123. *Zamudio, Raúl. “Miguel Angel Rios.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 501-503. Detroit, MI: St. James Press. . *Zamudio, Raúl. “ Monika Bravo.” ''Art Nexus'' no. 46 (October–December): 145. *Zamudio, Raúl, Jacob Fabricus, and Annie Fletcher. ''Op-Ed: Gerard Byrne.'' Dublin: Limerick City Gallery of Art, and The Douglas Hyde Gallery. . *Zamudio, Raúl “Stuart Croft: Mobius Trip.” ''NYARTS'' vol. 7, no. 1 (January): 6-7. *Zamudio, Raúl. "Sugar and Spice and Everything Nice.” ''NYARTS'' vol. 7, no. 6 (June): 88. *Zamudio, Raúl. “Waltercio Caldas.” In ''The St. James Guide to Hispanic Artists,'' ed. Thomas Riggs, 83-85. Detroit, MI: St. James Press.. *Zamudio, Raúl et al., ''(The World May Be) FANTASTIC.'' Sydney: 2002 Sydney Biennial. 2001 *Zamudio, Raúl. “Bik Van der Pol: Sculpture and its Double.” ''NYARTS'' vol 6, no. 2 (February): 12-13. *Zamudio, Raúl. “The Critic as Ethnographer.” ''NYARTS'' vol. 6, no.1 (January): 22-23. *Zamudio, Raúl. “Figures of Speech.” ''NYARTS'' vol. 6, no. 6 (June): 44-46. *Zamudio, Raúl. ''Guillermo Creus.'' New York: Cynthia Broan Gallery. *Zamudio, Raúl. “Javier Téllez.” ''Art Nexus'' no. 41 (August–October): 75-76. *Zamudio, Raúl. “Lygia Pape and Gerardo de Barros.” ''Art Nexus'' no. 42 (November–January): 87-88. *Zamudio, Raúl. “Rayuela.” In ''Hopscotch,'' Union, NJ: Kean University. *Zamudio, Raúl. “Miguel Angel Rios: Los ninos brotan de noche.” In ''Special Projects,'' Long Island City: PS1/MOMA. *Zamudio, Raúl. “Nature Denatured: Gabriel Orozco’s Recuperated Nature” ''NYARTS'' vol. 6, no. 7 (July/August): 46-48. *Zamudio, Raúl. “Rainer Ganahl.” ''Zingmagazine'' no. 15 (Summer): 105-106. *Zamudio, Raúl. “Randomly Shooting a Gun into a Crowd and Other Acts of Beauty.” In ''Bik van der Pol: Loompanics,'' New York: White Box. *Zamudio, Raúl. “Santiago Sierra’s Drifts and Detours.” ''NYARTS'' vol 6, no. 4 (April): 32-33. *Zamudio, Raúl. “Superimposition.” ''Tema Celeste'' (September–October): 84. *Zamudio, Raúl. ''Viva Cuba.'' New London, CT: Alva Gallery. 2000 *Zamudio, Raúl. “Adriana Arenas.” ''Art Nexus'' no. 38 (November–January): 64-65. *Zamudio, Raúl. “Bodies Without Organs.” ''NYARTS'' vol.5, no.9 (September): 15. *Zamudio, Raúl. “Cildo Meireles.” ''Art Nexus'' no. 36 (May–July): 147-148. *Zamudio, Raúl. "Cildo Meireles: Knowing Can Be Destroying.” ''TRANS>Art Cultures Media'' no.7 (Spring): 144-15

*Zamudio, Raúl. "Criminal Ornamentation." In ''Roberto Juarez: Taste in Home Decorating,'' Walla Walla: Whitman College of Art and Design. *Zamudio, Raúl et al., ''FRERE: Independent Art Fair.'' New York: FRERE. *Zamudio, Raúl et al., ''The Grey Painting XII,'' New York: Nikolai Fine Art. *Zamudio, Raúl. “Painting as Remodeling.” ''NYARTS'' vol.5, no.7 (July/August): 16-17. *Zamudio, Raúl. “The Parallax Hotel.” In ''The Parallax Hotel,'' New York: Bureau of Curatorial Affairs. *Zamudio, Raúl. "Platos’ Cave, Alberti’s Window, Bentham’s Panopticon.” ''NYARTS'' vol. 5, no. 5. (May): 44. *Zamudio, Raúl. “Vik Muniz: Operations with/in Photography.” ''NYARTS'' vol.5, no.6 (June): 23-24.

References

External links

2010 Liverpool Biennial, ''City Without Walls''Garden of Delights: 2008 Yeosu Art FestivalLa Bienal, 2013: ''Here is Where We Jump!''

''Poles Apart, Poles Together'', 2005 Venice Biennial''Turn and Widen'': 2008 Media_City Seoul International Media Art Biennialweblog
* Wikipedia entry in Spanish {{DEFAULTSORT:Zamudio, Raul Living people Year of birth missing (living people) American art critics American art curators American art historians People from Tijuana People from San Diego People from New York City City University of New York alumni John Jay College of Criminal Justice faculty Parsons School of Design faculty Mexican emigrants to the United States American people of Indigenous Mexican descent