Post-conceptual, postconceptual, post-conceptualism or postconceptualism is an

art theory Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed thr ...

that builds upon the legacy of

conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called instal ...

contemporary art Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic c ...

, where the

concept Concepts are defined as abstract ideas. They are understood to be the fundamental building blocks of the concept behind principles, thoughts and beliefs. They play an important role in all aspects of cognition. As such, concepts are studied by sev ...

(s) or

idea In common usage and in philosophy, ideas are the results of thought. Also in philosophy, ideas can also be mental representational images of some object. Many philosophers have considered ideas to be a fundamental ontological category of being. ...

(s) involved in the work takes some precedence over traditional

aesthetic Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed th ...

and material concerns. The term first came into art school parlance through the influence of

John Baldessari John Anthony Baldessari (June 17, 1931 – January 2, 2020) was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California. Initially a painter, ...

at the

California Institute of the Arts The California Institute of the Arts (CalArts) is a private art university in Santa Clarita, California. It was incorporated in 1961 as the first degree-granting institution of higher learning in the US created specifically for students of bot ...

in the early 1970s. The writer Eldritch Priest, specifically ties John Baldessari's piece ''Throwing four balls in the air to get a square (best of 36 tries)'' from 1973 (in which the artist attempted to do just that, photographing the results, and eventually selecting the best out of 36 tries (with 36 being the determining number as that is the standard number of shots on a roll of 35mm film) as an early example of post-conceptual art. It is now often connected to

generative art Generative art refers to art that in whole or in part has been created with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that wo ...

and

digital art Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process, or more specifically computational art that uses and engages with digital media. Since the 1960s, various names ...

production.

As art practice

Post-conceptualism as an art practice has also been connected to the work of Robert C. Morgan, specifically his ''Turkish Bath'' installation at

Artists Space Artists Space is a non-profit art gallery and arts organization first established at 155 Wooster Street in Soho, New York City. Founded in 1972 by Irving Sandler and Trudie Grace and funded by the New York State Council on the Arts (NYSCA), Artist ...

in 1976, and in Morgan's writing in ''Between Modernism and Conceptual Art: A Critical Response '' from 1997. It has been connected to the work of

Robert Smithson Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. His work has been internationally exhibited in galleries and mu ...

, Mel Bochner, Robert Barry,

François Morellet François Morellet (30 April 1926 – 10 May 2016) was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical a ...

, Jennifer Bolande,

Yves Klein Yves Klein (; 28 April 1928 – 6 June 1962) was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein w ...

Piero Manzoni Piero Manzoni di Chiosca e Poggiolo, better known as Piero Manzoni (July 13, 1933 – February 6, 1963) was an Italian artist best known for his ironic approach to avant-garde art. Often compared to the work of Yves Klein, his own work anticip ...

Lygia Clark Lygia Pimentel Lins (23 October 1920 – 25 April 1988), better known as Lygia Clark, was a Brazilian artist best known for her painting and installation work. She was often associated with the Brazilian Constructivist movements of the mid-2 ...

Roy Ascott Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott ...

Joseph Nechvatal Joseph Nechvatal (born January 15, 1951) is an American post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Life and work Joseph ...

Allan McCollum Allan McCollum (born 1944) is a contemporary American artist who lives and works in New York City. In 1975, his work was included in the Whitney Biennial, and he moved to New York City the same year. In the late 1970s he became especially well kn ...

, Harold Cohen, Mary Kelly,

Annette Lemieux Annette Lemieux (born 1957 in Norfolk, Virginia) is an American artist who emerged in the early 1980s along with the “picture theory” artists (David Salle, Jack Goldstein, Cindy Sherman, Barbara Kruger, Richard Prince). Lemieux brought to ...

Matt Mullican Matt Mullican (born September 18, 1951) is an American artist and educator. He is the child of artists Lee Mullican and Luchita Hurtado. Mullican lives and works in both Berlin and New York City. Early life and education Matt Mullican was ...

, and the

intermedia Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe various interdisciplinarity art activities that occur between genres, beginning in the 1960s. It was also used by John Brockman to refer to works ...

concept employed in the mid-sixties by Fluxus artist

Dick Higgins Dick Higgins (15 March 1938 – 25 October 1998) was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement (and community). Inspired by John Cage, Higgins was an ...

As specific condition

Programmed Machines installation by Maurizio Bolognini

Conceptual art focused attention on the idea behind the art object and questioned the traditional role of that object as the conveyor of meaning. Subsequently, those theories cast doubt upon the necessity of materiality itself as conceptual artists "de-materialized" the art object and began to produce time-based and

ephemeral Ephemerality (from the Greek word , meaning 'lasting only one day') is the concept of things being transitory, existing only briefly. Academically, the term ephemeral constitutionally describes a diverse assortment of things and experiences, fr ...

artworks. Although total dematerialization of the art object never occurred, the

art object A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature ...

became flexible –

malleable Ductility is a mechanical property commonly described as a material's amenability to drawing (e.g. into wire). In materials science, ductility is defined by the degree to which a material can sustain plastic deformation under tensile stres ...

– and that malleability, coupled with

semiotics Semiotics (also called semiotic studies) is the systematic study of sign processes (semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, ...

and

computer process In computing, a process is the instance of a computer program that is being executed by one or many threads. There are many different process models, some of which are light weight, but almost all processes (even entire virtual machines) are ro ...

ing, has resulted in the post-conceptual art object.

As general condition

Conceptual art at the end of the 20th Century spread to become a general tendency, a resonance within art practice that became nearly ubiquitous. Thus the widespread use of the term “post-conceptual” as a prefix to painting such as that of

Gerhard Richter Gerhard Richter (; born 9 February 1932) is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary Germa ...

and photography such as that of

Andreas Gursky Andreas Gursky (born 15 January 1955) is a German photographer and professor at the Kunstakademie Düsseldorf, Germany. He is known for his large format architecture and landscape colour photographs, often using a high point of view. His works ...

Benjamin Buchloh Benjamin Heinz-Dieter Buchloh (born November 15, 1941) is a German art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University. Education and ca ...

in ''Art After Conceptual Art'' points out that post-conceptual art is already emerging in the late 1970s and early 1980s in the photo-based

appropriation art Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts ...

Martha Rosler Martha Rosler (born 1943) is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. Rosler's work is centered on everyda ...

Louise Lawler Louise Lawler (born 1947) is a U.S. artist and photographer living in Brooklyn, New York.Louise Lawler ...

Cindy Sherman Cynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters. Her breakthrough work is often co ...

, Peter Nagy,

Barbara Kruger Barbara Kruger (born January 26, 1945) is an American conceptual artist and collagist associated with the Pictures Generation. She is most known for her collage style that consists of black-and-white photographs, overlaid with declarative captio ...

Sherrie Levine Sherrie Levine (born 1947) is an American photographer, painter, and conceptual artist. Some of her work consists of exact photographic reproductions of the work of other photographers such as Walker Evans, Eliot Porter and Edward Weston. Early ...

and

Dara Birnbaum Dara Birnbaum (born 1946) is an American video and installation artist. Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television’s ever-growing presence within the Amer ...

. The idea of post-conceptual art was clearly articulated by

Tricia Collins Tricia Collins is an American art critic, art gallerist and curator of contemporary art. She was half of the curatorial team Collins & Milazzo, with Richard Milazzo, who together co-published and co-edited '' Effects : Magazine for New Art Theory ...

and

Richard Milazzo Richard Milazzo is a critic, curator, publisher, independent scholar and poet from New York City. In the 1970s, he was the editor and co-publisher of ''Out of London Press''. He is the co-founding publisher and editor of Edgewise Press. In the 198 ...

in the early 1980s in New York City, when they brought to prominence a whole new generation of artists through their copious writings and curatorial activity. It was their exhibitions and writings that originally fashioned the theoretical context for a new kind of neo (or post)

; one that argued simultaneously against

Neo-Expressionism Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called '' Transavantgarde'', ''Junge Wilde'' or ''Neue Wilden'' ('The new wild ones'; 'Ne ...

and

The Pictures Generation ''The Pictures Generation, 1974–1984'' was an exhibition at The Metropolitan Museum of Art (The Met) in New York City that ran from April 29 – August 2, 2009. The exhibition took its name from ''Pictures'', a 1977 group show organized by art h ...

. British philosopher and theorist of conceptual art Peter Osborne makes the point that "post-conceptual art is not the name for a particular type of art so much as the historical-

ontological In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and reality. Ontology addresses questions like how entities are grouped into categories and which of these entities ex ...

condition for the production of contemporary art in general...." Osborne first noted that contemporary art is post-conceptual in a public lecture delivered at the Fondazione Antonio Ratti, Villa Sucota in

Como Como (, ; lmo, Còmm, label=Comasco , or ; lat, Novum Comum; rm, Com; french: Côme) is a city and ''comune'' in Lombardy, Italy. It is the administrative capital of the Province of Como. Its proximity to Lake Como and to the Alps has m ...

on July 9, 2010. Osborne's main thesis is that the convergence and mutual conditioning of historical transformations in the ontology of the artwork and the social relations of art space make contemporary art possible.

As art practice

As specific condition

As general condition

See also

Notes and references

Further reading