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''Portrait of Madame Récamier'' is an 1800 portrait of the Parisian socialite
Juliette Récamier Jeanne Françoise Julie Adélaïde Récamier (; 3 December 1777 – 11 May 1849), known as Juliette (), was a French socialite whose salon drew people from the leading literary and political circles of early 19th-century Paris. As an icon of ...
by
Jacques-Louis David Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away f ...
showing her in the height of Neoclassical fashion, reclining on a
Directoire style Directoire style () was a period in the decorative arts, fashion, and especially furniture design in France concurrent with the Directory (November 2, 1795–November 10, 1799), the later part of the French Revolution. The style uses Neoclassica ...
sofa in a simple
Empire line Empire silhouette, Empire line, Empire waist or just Empire is a style in clothing in which the dress has a fitted bodice ending just below the bust, giving a high-waisted appearance, and a gathered skirt which is long and loosely fitting but ski ...
dress with almost bare arms, and short hair " à la Titus." The work is unfinished.


Description

The work is notable for the distance that it establishes between viewer and subject. The setting is a sparsely decorated interior, featuring a tall bronze candelabrum fixed with an oil lamp, which has been extinguished and whose smoke drifts into the blackness of the space. A light from above provides some illumination, highlighting her perfectly spotless white dress. There is not much variation in color; only muted earthy tones of brown, green, and grey are present aside from the draperies of the model. Madame Récamier appears separate and distinct in her own space, a sparsely decorated setting with Classical furniture in the
Pompeian Gnaeus Pompeius Magnus (; 29 September 106 BC – 28 September 48 BC), known in English as Pompey or Pompey the Great, was a leading Roman general and statesman. He played a significant role in the transformation of ...
style. The woman reclines on her French méridienne sofa, also known as a fainting couch, popular in the 19th century. Her pose suggest grace and elegance through the curvature delineated by the lines of her legs, back, and arm. The horizontal portrait format was innovative for its time, when vertical compositions were most common. The composition is unfinished, as indicated in the communications between the artist and Madame Récamier, as well as in undeveloped areas of the work. In letters that survive between Mme. Recamier and David, she says ‘je serai à vos ordres pour la séance,” meaning “I will be at your service for the session.” However she was consistently late for her sittings and rather spoiled, leading to a quarrel between the model and artist, and the work was never retouched. Only Récamier's head is completely finished, with great detail given to each lock of hair, which has been finely styled and arranged, as well as her porcelain cheeks dabbed with rouge. Yet her dress lacks any highlights, and the accompanying furniture, floor, and background are rendered in loose brushstrokes. In some areas, the priming layer is visible.


Background

Madame Juliette Récamier was a Neoclassical French icon, salon hostess, and influential Parisian socialite in elite French circles of the time. Wife of a French banker and daughter of a banker from Lyon, she was considered to be among the most beautiful socialites of her time. She was rarely seen without an entourage of male suitors. and was renowned for both her wit and romantic affairs. The esteemed French poet and dramatist
Théophile Gautier Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and rema ...
wrote of her “indescribable attraction, like the poetry of the unknown.” Prominent authors, such as Mme. de Stael, modeled some of her protagonists on Récamier. It was at the age of 23 that she began to model for various artists of the early 19th century in France, including David.Her likeness was captured in David’s Neoclassical portrait, yet was abandoned, much to the subject's dismay. Originally, he intended to capture not only her appearance, but also the ideals of femininity and charm. David began the painting in May 1800 but may have left it unfinished when he learned that Récamier, having grown impatient with David, commissioned his student
François Gérard François Pascal Simon Gérard (, 4 May 1770 – 11 January 1837), titled as Baron Gérard in 1809, was a prominent French painter. He was born in Rome, where his father occupied a post in the house of the French ambassador, and his mother was I ...
to paint her portrait ( Gerard's portrait was completed in 1805). David's painting was acquired by the
Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central ...
in 1826, over twenty years after it was begun. Yet it was warmly welcomed, and according to Scottish painter and art critic, D.S. MacColl, “from 1826 his unfinished ''Madame Recamier'' has spoken for something better in the Louvre, and since then a whole series of portraits have accrued which will prove his lasting security when ‘Horatii,’ ‘Sabines,’ and the rest have gone the dusty way to respectable oblivion.” In ''Creatures in an Alphabet'',
Djuna Barnes Djuna Barnes (, June 12, 1892 – June 18, 1982) was an American artist, illustrator, journalist, and writer who is perhaps best known for her novel ''Nightwood'' (1936), a cult classic of lesbian fiction and an important work of modernist litera ...
wrote of the subject as:
The Seal, she lounges like a bride, Much too docile, there's no doubt; Madame Récamier, on side, (if such she has), and bottom out.


Influence

Despite David's opinion, shared by most at the time, that portraiture was a lesser genre of painting, his works in the genre were widely celebrated among his contemporaries, many of whom posed as his subjects. Other portraits made in David's circle during the period exemplify the Neoclassical approach to portraiture. ''Portrait of a Young Woman in White'' depicts a fair, young Frenchwoman in Roman dress, adorned with a Roman pillar, sumptuous royal maroon draperies, and other historic elements offset by contemporary feminine qualities that would have been recognized by viewers. This piece is visually and thematically consistent with the techniques used in the 1800 painting of Madame Récamier. Because of her prominence in French society, Madame Récamier was painted by many artists.
François Gérard François Pascal Simon Gérard (, 4 May 1770 – 11 January 1837), titled as Baron Gérard in 1809, was a prominent French painter. He was born in Rome, where his father occupied a post in the house of the French ambassador, and his mother was I ...
created several portraits of her, including an 1805 portrait and an 1829 crayon noir. The 1805 portrait bears similarities to David's composition, yet is more saccharine and feminine, and emphasizes the Roman influences with a background of such architecture and garments.The work is not as coyly coquettish as David's; Récamier directly addresses her audience, gazing into the viewer's eyes with a downturned, sweet smile that radiates the gracefulness of her soft demeanor. Additionally,
Antoine-Jean Gros Antoine-Jean Gros (; 16 March 177125 June 1835) was a French painter of historical subjects. He was given title of Baron Gros in 1824. Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French ...
produced a portrait of her later in life, from the year 1825, wherein she is depicted in the Romantic style in elaborate costume and coy position, consistent with previous portraits of her yet respecting her graceful aging. David, Gros, and Gerard were not the only artists to use Madame Récamier as a subject; the terracotta bust by Joseph Chinard of the Parisian socialite from 1801 similarly captures her elegance. Here, she conceals her left breast while exposing her right, evoking a coquettishly feminine demeanor. The juxtaposition established here between the figure of the classical nude and the suggestion of sexual behavior is the essence of this Neoclassical revival.


Legacy

The work has had substantial implications in the art world. The sofa on which Madame Récamier reclines is now known as a récamier, a backless couch with a high curved headrest and low footrest. Récamier had such seats in her own Salon, now housed at the Louvre. The notable form and iconography of David's work has rendered it a staple in the history of art, and many artists have taken inspiration from the composition. The pose of a reclining figure looking back over her shoulder was adopted in 1814 by
Ingres Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the a ...
for his '' Grande Odalisque''. Twenty-first century artist
Meredith Frampton George Vernon Meredith Frampton (17 March 1894 – 16 September 1984) was a British painter and etcher, successful as a portraitist in the 1920s–1940s. His artistic career was short and his output limited because his eyesight began to f ...
directly borrowed the position of Madame Récamier for the pose of Marguerite Kelsey, a British model, in her 1928 portrait. ''The British Art Journal''compares the two works: "The rtist’sportrait of Marguerite Kelsey likewise encapsulates classical qualities of order and calm, the model’s white dress and presentation on the sofa recalling the celebrated neoclassical Portrait of Madame Recamier by Jacques-Louis-David (1800, Louvre). Prominent surrealist painter
René Magritte René François Ghislain Magritte (; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and bound ...
also parodied David's painting in his ''Perspective: Madame Récamier by David'', showing a coffin reclining, now in the
National Gallery of Canada The National Gallery of Canada (french: Musée des beaux-arts du Canada), located in the capital city of Ottawa, Ontario, is Canada's national art museum. The museum's building takes up , with of space used for exhibiting art. It is one of the ...
. The series features several works, all based on David's painting. Magritte recreates David’s composition, but the model is a coffin, not a fair-skinned Parisian beauty. Both death and laughter are recurrent themes in Magritte’s series, in which the original individual is replaced by the macabre. This sense of morbidity is counteracted with the humor of the piece, hinting at the inevitability of death and the ephemerality of life—a far cry from David’s intended message with his original portrait. The series nonetheless conveys a powerful allegory of the delicate nature of human life, through intense visual contrast and typical surrealist darkness.


References

{{DEFAULTSORT:Portrait of Madame Recamier Paintings in the Louvre by French artists Recamier 1800 paintings Recamier Recamier Portraits of women