Phyllis Neilson-Terry (15 October 1892 – 25 September 1977) was an English actress. She was a member of the third generation of the theatrical dynasty the Terry family. After early successes in the classics, including several leading William Shakespeare, Shakespearean roles, she spent more than four years in the US, in generally lightweight presentations. Returning to England in 1919 she pursued a varied career, including cabaret, pantomime and variety as well as returning to Shakespeare and other classics. One of her last major roles was in Terence Rattigan's ''Separate Tables'' (1954) in which she played in the West End theatre, West End and on Broadway theatre, Broadway.

Biography

Early years

Neilson-Terry was born in London, the daughter of the actress Julia Neilson and her husband, the actor Fred Terry. The couple's other child was Phyllis's younger brother, Dennis Neilson-Terry, Dennis, who also went on the stage. She was educated first at Westgate-on-Sea,Gaye, pp. 1008–1010 and then in Paris, and after that at the Royal Academy of Music in London, where she studied to be a singer. In 1909 Neilson-Terry made her first stage appearance, in her parents' stage company on tour in Blackpool; she played Marie de Belleforêt in ''Henry of Navarre'', under the stage name Phillida Terson. The attempt to disguise her membership of the Terry dynasty was unsuccessful and the following year she abandoned it and reverted to her own name."Obituary – Miss Phyllis Neilson-Terry", ''The Times'', 26 September 1977, p. 14 Her London debut was in the same role, at the Noël Coward Theatre, New Theatre in January 1910. The following month, when her mother was unwell, she took over the leading role of Marguerite de Valois. The drama critic of ''The Observer'' commented that her performance in such a heavy role "must be pronounced very promising indeed". Phyllis Neilson–Terry as Trilby - 1915

In April 1910, she played ''Viola'' in ''Twelfth Night'' in Herbert Beerbohm Tree, Sir Herbert Tree's company at Her Majesty's Theatre, His Majesty's in a cast that included Tree as Malvolio and her father as Viola's twin brother, Sebastian, a role he had formerly played to the Viola of his sister, Ellen Terry, Ellen."His Majesty's – Twelfth Night", ''The Observer'', 10 April 1910, p. 8 Her reviews were enthusiastic; ''The Observer'' said that expectations were extremely high but "she proved able to justify all, and more than all, the expectations which her effort had aroused," and ''The Times'' said that she "won everybody's heart from the first moment of her appearance. Tree, in a post-curtain speech, predicted that she would "add fresh honours to the honoured name of Terry for many a long year." From 1910 to 1914, Neilson-Terry played a wide range of parts; in the classics her roles included Rosalind in ''As You Like It'' (1911), Juliet in ''Romeo and Juliet, Desdemona in ''Othello'' and Portia in ''The Merchant of Venice (all 1912). She also appeared in modern plays, including a revival of ''Trilby (play), Trilby'' opposite Tree's Svengali. She continued to play the role in revivals in many parts of the world in later years. In 1914, she went to the US, and, having signed a long-term contract, did not return to Britain until 1919. In America she reprised her Trilby, appeared in vaudeville giving songs, recitations and excerpts from Shakespeare, and played Nora Marsh in W. Somerset Maugham, Somerset Maugham's ''The Land of Promise''.

Later career

In the'' Oxford Dictionary of National Biography'' J. C. Trewin, J C Trewin wrote that it was "unfortunate" that Fred Terry seldom extended himself by taking the great classic roles for which his talent fitted him. ''The Times's'' obituarist of Terry's daughter made a similar point about her, commenting that after returning from the US she did not regain the outstanding position she had won for herself as a young actress. As in America, she toured with light variety programmes, and in ephemeral crowd-pleasing plays. Among the latter was ''The Wheel'' by J. B. Fagan, J B Fagan, in which she gave her young cousin John Gielgud his first paid acting role, in 1922. During the 1920s Neilson-Terry toured in South Africa, and appeared in Britain in a range of performance from cabaret to pantomime at Theatre Royal, Drury Lane, Drury Lane. She played in William Shakespeare, Shakespeare at the Open Air Theatre, Regent's Park and on tour with Donald Wolfit. In the 1930s she played Lady Macbeth and Queen Katherine in ''Henry VIII (play), Henry VIII'' at the Royal Shakespeare Theatre, Shakespeare Memorial Theatre, Stratford-upon-Avon. In Gielgud's view, her most notable role of the inter-war years was Elizabeth I of England, Queen Elizabeth in Ferdinand Bruckner's ''Elizabeth of England'': "In this play she showed unexpected tragic power in the scene in which Essex bursts into her presence to find her wigless and dishevelled."Gielgud, John. "Miss Phyllis Neilson-Terry", ''The Times'', 30 September 1977, p. 19 During the 1940s her roles included Miss Moffat in ''The Corn is Green'' in which Gielgud said she acted "with undiminished grace." In the 1950s her most notable role was Mrs Railton-Bell, the tyrannical matriarch in Terence Rattigan, Rattigan's ''Separate Tables''. She later played the role on Broadway theatre, Broadway. Her final stage performances were as Lady Bletchley in Frederick Lonsdale's ''Let Them Eat Cake'' (1959) and Lady Godolphin in Robert Kemp (playwright), Robert Kemp's ''Off a Duck's Back'' (1960).

Personal life

Neilson-Terry was twice married. Both her husbands were actors: Cecil King and Heron Carvic.Gielgud, p. 223 She died in London at the age of 84.

Filmography

* ''Trilby (1915 film), Trilby''; (1915 Hollywood version, directed by Maurice Tourneur; not the Trilby (1914 film), 1914 British version starring Tree). * ''The Call of the Blood (1920 film), The Call of the Blood'' (1921, Western film) as Hermione Lester * ''Tense Moments with Great Authors'' (1922, Short) as Trilby (novel), Trilby * ''Boadicea (film), Boadicea'' (1927) as Queen Boadicea * ''One Family'' (1930, British Empire film) as 'Australia' * ''Rx Murder'' (1958) as Lady Lacy * ''The Enchanted April'' (1958, ITV Play of the Week) as Mrs Fisher * ''Ivanhoe (1958 TV series), Ivanhoe'' (1958, TV Series) as Eleanor of Aquitaine, Queen Eleanor * ''Pride and Prejudice (1958 TV series), Pride and Prejudice'' (1958, TV series) as Lady Catherine de Bourgh * ''Look Back in Anger (1959 film), Look Back in Anger'' (1959) as Mrs. Redfern * ''Conspiracy of Hearts'' (1960) as Sister Elizaveta (final film role)

Notes

References

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External links

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Phyllis Neilson-TerryImage of Phyllis Neilson-TerryPhyllis Neilson-Terry
colour lithograph 1915 ''The Theatre'' magazine {{DEFAULTSORT:Neilson-Terry, Phyllis 1892 births 1977 deaths Actresses from London English film actresses English silent film actresses English stage actresses English Shakespearean actresses 20th-century English actresses Terry family