Perla (zarzuela)
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Perla is a one-act
zarzuela () is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of ...
by Miguel Marqués for a libretto (in verse) by . It was staged for the first time on 2 December 1871 at the
Teatro de la Zarzuela The Teatro de la Zarzuela is a theatre in Madrid, Spain. The theatre is today mainly devoted to zarzuela (the Spanish traditional musical theatre genre), as well as operetta and recitals. History The theatre was designed by architect Jerónimo ...
in
Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...
.As indicated in the autograph maniscript of the libretto.


Roles


Synopsis

The action takes place in a square of a 17th century
Sevillian Seville (; es, Sevilla, ) is the capital and largest city of the Spanish autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the River Guadalquivir, in the southwest of the Iberian Peninsula ...
suburb. A young nobleman Olmedo pays ''mare'' Clara to help him arrange a date with the beautiful gypsy girl Perla, who refuses all men. The severe Perchado has raised her without telling anybody who were her parents, and she is watched over by him. Clara demands that Olmedo go away for the moment, but he hides himself in the nearby. A group of gypsies comes to the square praising Perla, who performs a song (
bolero Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has ...
) about the birth of love in her heart. Olmedo approaches her and lets to read his hand. She says that his love is shared by the girl he loves. Full of happiness, Olmedo invites the whole company to his house (which is also in this square). Perchado insists that Perla stay outside with Clara. Olmedo promises Perla to return. Clara tells the girl that the young man is a
Valencian Valencian () or Valencian language () is the official, historical and traditional name used in the Valencian Community (Spain), and unofficially in the Carche, El Carche comarca in Región de Murcia, Murcia (Spain), to refer to the Romance lan ...
count, who came to Sevilla to gather some inheritance. She assumes that he owes his wealth to an accident passed years ago: El Chato, a gypsy, kidnapped a girl and vanished. Perla protests to this insinuations. Though not interested in richness, she has visions of luxurious being, like memories of another life. Olmedo comes back, and Clara leaves the two in order to look if Perchado approaches: the count is worried about him. The lovers express their feelings in a duo. Clara gives them a signal with cough, and they part. Perchado scolds her, as she has inverted her office. She objects that if Perla gets married with count Olmedo, he would be rich. He gets struck when learning the young man's name and speaks of "a brother", but soon pulls himself together and asks her to take the gypsies to the square. While alone, he sings of his doubts: conscience forces him to flee from Sevilla with Perla, but the count's money could transform his life completely, though this would lead him to hell. The girl comes to tell him about her love, but he condemns this relationship and announces their instant depart without explaining her the reason for such a fierce attitude towards Olmedo. The gypsies arriving, Perchado tells Perla she is now his prisoner. But Clara managed to notify Olmedo. In the following musical scene the gypsies turn out to be too drunk, and Perchado wants to go with the girl alone; but he is stopped by Olmedo, who comes with his men; he offers his wealth in exchange for Perla's hand; Perchado insists they abandon their relationship. The gypsies take the count's part. Perchado is compelled to make a revelation: when El Chato disappeared with the child, he fled with him; they were chased, and eventually the lad chose to throw the kid from a rock; Perchado had to kill him, and Perla is that girl, the sister of count Olmedo. Happily, Olmedo proves to be just a collateral descendant of the old count, and thus the problem is solved. Perchado praises the new countess and is joined by the others.


Musical numbersThe list of musical numbers is based on the libretto indications. The ''Waltz'' not mentioned there was published by Romero in a piano reduction.

*Prelude *''Aquí está la gitana'' (Perla, Perchado, mixed chorus) — Bolero. ''Yo soy el ave pura'' (Perla, with chorus) *Duo. ''¡Enlazar nuestra suerte...!'' (Perla, Olmedo) *''Si yo dijera mi sentimiento'' (Perchado) *Waltz (instrumental) *''No pretendas que haya fares'' (Perla, Clara, Olmedo, Perchado, mixed chorus) *Final. ''Con mis hechizos y con mis danzas'' (Perla, chorus)


References


External links

* {{Miguel Marqués Spanish-language operas 1871 operas Zarzuelas Operas by Miguel Marqués Libretti by Juan José Herranz Operas set in Spain