Pentax Auto 110
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The Pentax Auto 110 and Pentax Auto 110 Super were fully automatic single-lens reflex cameras manufactured by Asahi
Pentax is a brand name used primarily by the Japanese multinational imaging and electronics company Ricoh for DSLR cameras, lenses, sport optics (including binoculars and rifle scopes), and CCTV optics. The Pentax brand is also used by Hoya Corporatio ...
for use with Kodak
110 film 110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturized version of Kodak's earlier 126 film format. Each frame is , with one registration hole. Cartridges with 12, ...
cartridges. The Auto 110 was introduced with three interchangeable, fixed focal length lenses in 1978. A further three lenses (including one zoom lens) were added in 1981 to coincide with the release of the Auto 110 Super the following year. The camera system was sold until 1985. The complete system is sometimes known as the Pentax System 10, apparently for its official Pentax name, although most Pentax advertising only uses the camera name or Pentax-110. This model represented the only complete ultraminiature SLR system manufactured for the 110 film format, although several fixed-lens 110 SLRs were sold. The camera system also claims to be the smallest interchangeable-lens SLR system ever created. The cameras and lenses were very small (the camera fits in the palm of a hand easily).


Auto 110

The Pentax Auto 110 features fully automatic exposure, with no user-settable exposure compensation or adjustments. Metering is TTL (through-the-lens) and center-weighted. Unlike 35 mm SLRs, the system's
lenses A lens is a transmissive optical device which focuses or disperses a light beam by means of refraction. A simple lens consists of a single piece of transparent material, while a compound lens consists of several simple lenses (''elements''), ...
do not have a built-in iris to control the aperture. Instead, an iris is mounted inside the camera body, and functions as both an aperture control and a shutter. This mechanism is capable of programmed exposures between 1/750 s at f/13.5; and 1 s at f/2.8. To ensure that light travelling past the diaphragm blades could not get through to the film over time, the camera's mirror system also functions as a light-tight seal when in the viewing and focusing position. Since the iris is part of the camera, all of the system's lenses had to be constructed with an f/2.8 aperture. The lens' designs, based upon the film dimensions, result in the 24 mm lens being the 'normal' focal length (i.e. equivalent angle of view to a 50 mm lens on a 135 format camera), while lenses of wider angles or longer focal lengths were larger.


Film speed detection

The camera detects the
film speed Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system. A closely related ISO system is used to describe the relation ...
by the presence or absence of a ridge on the cartridge, as specified in the Kodak 110 film standard. Since there is no official specification of what the film speeds should actually be—they were just "low" and "high"—film and camera manufacturers had to decide for themselves the meaning. Pentax chose ISO 80 and 320 as their settings, but commercially available films at ISO 100 and 400 are close enough to work in practice. A film with an ISO 200 speed would result in either under- or over-exposure. The exposure latitude of color print films is about 2 f/stops (meaning that a photographer could expose either 2 f/stops under or 2 f/stops over the exposure set by the camera). Unfortunately, some recently produced 110 film is rated at ISO 400, but is packaged with the ridge indicating "low". If this is the case, the ridge must be removed (by filing or cutting with a sharp blade) for the camera to expose correctly. Since only a few 110 cameras ever supported the ISO auto-selection, this does not affect the majority of cameras using the format but does affect the Pentax Auto 110. In 2012/2013 ISO 100 film has been produced and marketed under the Lomography label, and gives excellent results, without the need to modify the cartridge casing. The camera was offered in a special edition "Safari" model, identical to the Auto 110 except for the brown-and-tan color scheme.


Auto 110 Super

Introduced in late 1982, the Super is identical in basic shape and size to the previous model and accepts the same lenses. Many improvements and changes were included to make this model arguably a better camera than the previous Auto 110. Film winding is improved with a single-stroke film advance lever that advances the film and cocks the shutter in one winding (the Auto 110 takes two strokes to advance the film). A switch around the shutter release button enables a new ten-second self-timer mode and a shutter lock; the self-timer activates a red light on the pentaprism housing, which flashes during the 10-second shutter release count-down. A button on the front on the user's left hand side gives a +1.5 EV (exposure value) backlit scene exposure compensation. The optional winder offers an improved battery cover, a well-known weak component in the Auto 110. The shutter button is protected from accidental tripping by an altered casing around the button. The flash synchronization socket cover on the Super is permanently attached to the camera in an attempt to prevent loss, though many still get lost when the plastic tether breaks. The viewfinder screen has a split image rangefinder center, surrounded by a microprism collar, whereas the Auto 110 has the split image rangefinder center only. The low light warning activates at 1/45 s (the Auto 110 activates at 1/30 s).


Lenses

The line of lenses consisted of these three at launch: * 18 mm f/2.8
wide-angle lens In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the ...
(equivalent angle of view to a 35 mm lens on a 135 format camera). * 24 mm f/2.8
normal lens In photography and cinematography, a normal lens is a lens that reproduces a field of view that appears "natural" to a human observer. In contrast, depth compression and expansion with shorter or longer focal lengths introduces noticeable, and som ...
(equiv. 50 mm). The optical design meant that this was the smallest lens on the system. * 50 mm f/2.8
telephoto lens A telephoto lens, in photography and cinematography, is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a ''telephoto ...
(equiv. 100 mm) In 1981, three more lenses were included: * 18 mm "Pan Focus" lens was a compact lens of fixed focus set to the
hyperfocal distance In optics and photography, hyperfocal distance is a distance beyond which all objects can be brought into an "acceptable" focus. As the hyperfocal distance is the focus distance giving the maximum depth of field, it is the most desirable dista ...
; the short focal length and wide aperture meant that its depth of field stretched from 1.75 m (5.7 ft) to infinity. The camera aperture needed to be set at f/6.3 for this lens to work as intended. * 70 mm f/2.8 telephoto lens (equiv. 140 mm) * 20–40 mm f/2.8 zoom lens (equiv. 40–80 mm). This lens extended for wider focal lengths and shortened towards the telephoto end. The three later lenses are much rarer. Soligor also made a 1.7x
teleconverter A teleconverter (sometimes called tele extender) is a secondary lens mounted between a camera and a photographic lens which enlarges the central part of an image obtained by the lens. For example, a 2× teleconverter for a 35 mm camera enl ...
. Lens hoods were available for all of the lenses, and Pentax sold add-on close-up lenses for macro photography and a range of filters. The 110 lenses have found a new life with the Pentax Q system, which will accept them with an adapter, albeit with a 5.6x
crop factor In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital ca ...
(effective increase in focal length). The lenses can also be mounted on Panasonic/Olympus Micro Four Thirds cameras with an adapter, and the crop factor is only 2x, the same as on the original Pentax 110 body. Wherever adapted, the lenses still require manual focusing. Image:Pentax Auto 110 18mm lens.jpg, Pentax-110 f/2.8 18 mm Image:Pentax Auto 110 24mm lens.jpg, Pentax-110 f/2.8 24 mm Image:Pentax Auto 110 20-40mm lens.jpg, Pentax-110 f/2.8 20~40 mm Zoom Image:Pentax Auto 110 50mm lens.jpg, Pentax-110 f/2.8 50 mm Image:Pentax Auto 110 70mm lens.jpg, Pentax-110 f/2.8 70 mm


Winders

Two models of motor winder were produced. The original ''110 Winder'' took 2
AA batteries AA, Aa, Double A, or Double-A may refer to: Arts, entertainment and media * '' America's Army'', a 2002 computer game published by the U.S. Army * '' Ancient Anguish'', a computer game in existence since 1992 * Aa!, a J-Pop musical group * D ...
and could wind through 100 cartridges of 110 film with one set of batteries. It works only in single-shot mode. It takes about 1.5 s to wind a frame. The ''110 Winder II'', introduced in 1982, adds a continuous shooting mode and improves the battery cover door, which was fragile on the original.


Flash

A custom electronic flash unit, the AF130P, was part of the original Auto 110 system, and was produced until the camera ceased being manufactured. Pentax responded to criticism that this electronic flash unit was too large by introducing the smaller AF100P electronic flash unit in 1980. This unit, however, was never part of the Pentax camera kits and became rare.


Other accessories

Pentax produced a range of various camera-carrying cases and also a belt-clip for the cameras.


See also

* Minolta 110 Zoom SLR


References

{{Reflist


External links


Pentax110.co.uk
a very complete but unofficial reference to these cameras
archived here


at CameraQuest.

Auto 110 110 film cameras