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The phrase pathetic fallacy is a literary term for the attribution of human emotion and conduct to things found in nature that are not human. It is a kind of
personification Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their ...
that occurs in poetic descriptions, when, for example, clouds seem sullen, when leaves dance, or when rocks seem indifferent. The British cultural critic
John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and pol ...
coined the term in the third volume of his work ''
Modern Painters ''Modern Painters'' (1843–1860) is a five-volume work by the Victorian art critic, John Ruskin, begun when he was 24 years old based on material collected in Switzerland in 1842. Ruskin argues that recent painters emerging from the tradition o ...
'' (1856).


History of the phrase

Ruskin coined the term ''pathetic fallacy'' to attack the sentimentality that was common to the poetry of the late 18th century, and which was rampant among poets including Burns, Blake, Wordsworth, Shelley, and
Keats John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculos ...
. Wordsworth supported this use of personification based on emotion by claiming that "objects ... derive their influence not from properties inherent in them . . . but from such as are bestowed upon them by the minds of those who are conversant with or affected by these objects." However Tennyson, in his own poetry, began to refine and diminish such expressions, and introduced an emphasis on what might be called a more scientific comparison of objects in terms of sense perception. The old order was beginning to be replaced by the new just as Ruskin addressed the matter, and the use of the pathetic fallacy markedly began to disappear. As a critic, Ruskin proved influential and is credited with having helped to refine poetic expression.''Princeton Encyclopedia of Poetry and Poetics'', Alex Preminger, Ed., Princeton University Press, 1974 The meaning of the term has changed significantly from the idea Ruskin had in mind. Ruskin's original definition is 'emotional falseness', or the falseness that occurs to one's perceptions when influenced by violent or heightened emotion. For example, when a person is unhinged by grief, the clouds might seem darker than they are, or perhaps mournful or perhaps even uncaring. There have been other changes to Ruskin's phrase since he coined it: The particular definition that Ruskin used for the word ''fallacy'' has since become obsolete. The word nowadays is defined as an example of flawed reasoning, but for Ruskin and writers of the 19th century and earlier, ''fallacy'' could be used to mean simply a 'falseness'. In the same way, the word ''pathetic'' simply meant for Ruskin "emotional" or "pertaining to emotion." Setting aside Ruskin's original intentions, and despite this linguistic "rocky road," the two-word phrase has survived, though with a significantly altered meaning.


Examples of Ruskin's original meaning

In his essay, Ruskin demonstrates his original meaning by offering lines of a poem:
They rowed her in across the rolling foam— The cruel, crawling foam . . .
Ruskin then points out that "the foam is not cruel, neither does it crawl. The state of mind which attributes to it these characters of a living creature is one in which the reason is unhinged by grief"—yet, Ruskin did not disapprove of this use of the pathetic fallacy:
Now, so long as we see that the feeling is true, we pardon, or are even pleased by, the confessed fallacy of sight, which it induces: we are pleased, for instance, with those lines . . . above quoted, not because they fallaciously describe foam, but because they faithfully describe sorrow.Ruskin, J., "Of the Pathetic Fallacy", Modern Painters vol. III part 4. (185

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Ruskin intended that pathetic fallacy may also refer to any untrue quality: as in the description of a
crocus ''Crocus'' (; plural: crocuses or croci) is a genus of seasonal flowering plants in the family Iridaceae (iris family) comprising about 100 species of perennials growing from corms. They are low growing plants, whose flower stems remain under ...
as "gold," when the flower is, according to Ruskin, saffron in colour. The following, a stanza from the poem "Maud" (1855) by
Alfred, Lord Tennyson Alfred Tennyson, 1st Baron Tennyson (6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his ...
, demonstrates what John Ruskin, in ''Modern Painters'', said was an "exquisite" instance of the use of the pathetic fallacy:
There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate. The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." (Part 1, ''XXII'', 10)


Science

In science, the term ''pathetic fallacy'' is used in a pejorative way in order to discourage the kind of figurative speech in descriptions that might not be strictly accurate and clear, and that might communicate a false impression of a natural phenomenon. An example is the metaphorical phrase " nature abhors a vacuum," which contains the suggestion that nature is capable of abhorring something. There are more accurate and scientific ways to describe nature and vacuums. Another example of a pathetic fallacy is the expression, "Air hates to be crowded, and, when compressed, it will try to escape to an area of lower pressure." It is not accurate to suggest that air "hates" anything or "tries" to do anything. Air does not have an
intent Intentions are mental states in which the agent commits themselves to a course of action. Having the plan to visit the zoo tomorrow is an example of an intention. The action plan is the ''content'' of the intention while the commitment is the ''a ...
. Thus, the fallacy is assigning a mental state to an inanimate object that does not have one. One way to express the ideas that underlie that phrase in a more scientific manner can be found and described in the
kinetic theory of gases Kinetic (Ancient Greek: κίνησις “kinesis”, movement or to move) may refer to: * Kinetic theory, describing a gas as particles in random motion * Kinetic energy, the energy of an object that it possesses due to its motion Art and ent ...
: effusion or movement towards lower pressure occurs because unobstructed gas molecules will become more evenly distributed between high- and low-pressure zones, by a flow from the former to the latter.Encyclopædia Britannica online
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See also

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Animism Animism (from Latin: ' meaning ' breath, spirit, life') is the belief that objects, places, and creatures all possess a distinct spiritual essence. Potentially, animism perceives all things— animals, plants, rocks, rivers, weather syst ...
*
Anthropocentrism Anthropocentrism (; ) is the belief that human beings are the central or most important entity in the universe. The term can be used interchangeably with humanocentrism, and some refer to the concept as human supremacy or human exceptionalism. ...
*
Anthropomorphism Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics t ...
*
Figure of speech A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use in order to produce a rhetorical effect. Figures of speech are traditionally classified into '' schemes,'' which vary the ordinary ...
*
Morgan's Canon Morgan's Canon, also known as Lloyd Morgan's Canon, Morgan's Canon of Interpretation or the principle or law of parsimony, is a fundamental precept of comparative (animal) psychology, coined by 19th-century British psychologist C. Lloyd Morgan. In ...
*
List of narrative techniques A narrative technique (known for literary fictional narratives as a literary technique, literary device, or fictional device) is any of several specific methods the creator of a narrative uses to convey what they want —in other words, a st ...
*
Hypallage Hypallage (; from the el, ὑπαλλαγή, ''hypallagḗ'', "interchange, exchange") is a figure of speech in which the syntactic relationship between two terms is interchanged, or – more frequently – a modifier is syntactically linked to an ...


References


Further reading

* Abrams, M. H. ''A Glossary of Literary Terms'', 7th edition. Fort Worth, Texas: Harcourt Brace College Publishers, 1999. . * Groden, Michael, and Martin Kreiswirth (eds.). ''The Johns Hopkins Guide to Literary Theory and Criticism''. Baltimore: Johns Hopkins University Press, 1994. . * Ruskin, J.
"Of the Pathetic Fallacy"
''Modern Painters'' Vol. III (1856). {{Authority control 1843 introductions Anthropomorphism Figures of speech Literary criticism Neologisms 1850s neologisms