Pyrrhic Dance
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The Pyrrhichios or Pyrrhike dance ("Pyrrhic dance";
Ancient Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic peri ...
: πυρρίχιος or πυρρίχη, but often misspelled as πυρρίχειος or πυρήχειος) was the best known
war dance A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare. Martial arts in various cultures can be performed in dance-like settin ...
of the Greeks. It was probably of Dorian origin and practiced at first solely as a training for war. According to ancient sources, it was a
weapon dance A weapon, arm or armament is any implement or device that can be used to deter, threaten, inflict physical damage, harm, or kill. Weapons are used to increase the efficacy and efficiency of activities such as hunting, crime, law enforcement, s ...
.Pyrrhic Dance and Female Pyrrhic Dancers, Vol. 21, No. 1 (Spring 1996), p. 3
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Overview

Plato Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
(''
Leges Leges (plural of Latin lex: ''law'') may refer to: Literature * ''Laws'' (dialogue) Plato's last and longest dialogue Ancient Roman law * Leges regiae, early Roman laws introduced by the Kings of Rome * Lex Julia (Leges Juliae), ancient Roman la ...
'', 815a) describes it as imitating by quick movements the ways in which blows and darts are to be avoided and also the modes in which an enemy is to be attacked. It was danced to the sound of the
aulos An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usu ...
; its time was quick and light, as is also shown by the metric foot called pyrrhic.The Cambridge Series for Schools and Training Colleges: Xenophon, ''Anabasis'' VI with vocabulary It was described by
Xenophon Xenophon of Athens (; grc, wikt:Ξενοφῶν, Ξενοφῶν ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Anci ...
in his work the ''
Anabasis Anabasis (from Greek ''ana'' = "upward", ''bainein'' = "to step or march") is an expedition from a coastline into the interior of a country. Anabase and Anabasis may also refer to: History * ''Anabasis Alexandri'' (''Anabasis of Alexander''), a ...
''. In that work he writes that the dance was performed at a festival held in
Trapezus Trabzon (; Ancient Greek: Tραπεζοῦς (''Trapezous''), Ophitic Pontic Greek: Τραπεζούντα (''Trapezounta''); Georgian: ტრაპიზონი (''Trapizoni'')), historically known as Trebizond in English, is a city on the Bl ...
to celebrate the arrival of the troops in the city. The following is the part in which the pyrrhic dance is mentioned:
Homer Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the ...
refers to the Pyrrichios and describes how
Achilles In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's ''Iliad''. He was the son of the Nereid Thetis and Peleus, k ...
danced it around the burning funeral of
Patroclus In Greek mythology, as recorded in Homer's ''Iliad'', Patroclus (pronunciation variable but generally ; grc, Πάτροκλος, Pátroklos, glory of the father) was a childhood friend, close wartime companion, and the presumed (by some later a ...
. The dance was loved in all of Greece and especially by the Spartans, who considered it light war training. This belief led the Spartans to teach the dance to their children while they were still young. Athenian youth performed the dance in the
palaestra A palaestra ( or ; also (chiefly British) palestra; grc-gre, παλαίστρα) was any site of an ancient Greek wrestling school. Events requiring little space, such as boxing and wrestling, took place there. Palaestrae functioned both indep ...
as part of training in gymnastics. The dance was also performed in the
Panathenaic Games The Panathenaic Games ( grc, Παναθήναια) were held every four years in Athens in Ancient Greece from 566 BC to the 3rd century AD. These Games incorporated religious festival, ceremony (including prize-giving), athletic competitions, a ...
. There were three classes of competitors: men, youth, and boys.


See also

*
Korybantes According to Greek mythology, the Korybantes or Corybantes (also Corybants) (; grc-gre, Κορύβαντες) were the armed and crested dancers who worshipped the Phrygian goddess Cybele with drumming and dancing. They are also called the ''Ku ...
*
Pyrrichos Pyrrichos ( el, Πύρριχος; called "Πούρρχο", ''Pourcho'' by local Maniots) is one of the oldest towns in Mani peninsula, Laconia, Greece. It is part of the municipal unit East Mani. It was promised to Achilles by the Achaeans if he ...
*
Serra (dance) Serra ( pnt, Σέρρα) is a Pontic Greek war dance of ancient Greek origin, from the Pontus region of the Black Sea. Its name comes from the Serra river, in the region of Trapezounda. It is also called Pyrrhichios ( el, Πυρρίχιος). Th ...


References

{{DEFAULTSORT:Pyrrhichios (Dance) Ancient Greek dances Greek war dances Anabasis (Xenophon)