History
_Music
_Ideologies
_Fashion
_Gender_and_gender_expression
_Body_and_appearance
For_some_punks,_the_body_was_a_symbol_of_opposition,_a_political_statement_expressing_disgust_of_all_that_was_"normal"_and_socially_accepted._The_idea_was_to_make_others_outside_of_the_subculture_question_their_own_views,_which_made_gender_presentation_and_gender_identity_a_popular_factor_to_be_played_with._In_some_ways,_punk_helped_to_tear_apart_the_normalised_view_of_gender_as_a_dichotomy._There_was_a_notable_amount_of_cross-dressing_in_the_punk_scene;_it_was_not_unusual_to_see_men_wearing_ripped-up_skirts,_fishnet_tights,_and_excessive_makeup,_or_to_see_women_with_shaved_heads_wearing_oversized_plaid_shirts_and_jean_jackets_and_heavy_combat_boots._Punk_created_a_new_cultural_space_for_androgyny_and_all_kinds_of_gender_expression. In_trying_to_reject_societal_norms,_punk_embraced_one_societal_norm_by_deciding_that_strength_and_anger_was_best_expressed_through_masculinity,_defining_masculine_as_the_"default",_where_gender_did_not_exist_or_had_no_meaning._Riot_grrrl
Riot_grrrl_is_an__Visual_art
Punk_aesthetics_determine_the_type_of_art_punks_enjoy,_usually_with__Dance
_Literature
_Film
_Perspectives_on_drugs_and_alcohol
_Inhalable_solvents
" sniffing">luesniffing_was_adopted_by_punks_because_public_perceptions_of_sniffing_fitted_in_with_their_self-image._Originally_used_experimentally_and_as_a_cheap_high,_adult_disgust_and_hostility_encouraged_punks_to_use_glue_sniffing_as_a_way_of_shocking_society."_Model_airplane_glue_and_contact_cement_were_among_the_numerous_solvents_and_inhalants_used_by_punks_to_achieve_euphoria_and_intoxication._Glue_was_typically_inhaled_by_placing_a_quantity_in_a_plastic_bag_and_"huffing"_(inhaling)_the_vapour._Liquid_solvents_were_typically_inhaled_by_soaking_a_rag_with_the_solvent_and_inhaling_the_vapour._While_users_inhale_solvents_for_the_intoxicating_effects,_the_practice_can_be_harmful_or_fatal._Straight_edge
_Lifestyle_and_community
_Authenticity
In_the_punk_and_hardcore_subcultures,_members_of_the_scene_are_often_evaluated_in_terms_of_the__Interactions_with_other_subcultures
Some_of_the_first_hip_hop_ MCs_called_themselves_punk_rockers,_and_some__Persecution
_East_Germany
The_punk_scene_began_to_emerge_in_socialist__Global_perspectives
The_punk_subculture_has_spread_to_many_countries_around_the_world._The_fluidity_of_musical_expression_in_particular_makes_it_an_ideal_medium_for_this_cross-cultural_interpretation._Mexico
In_Mexico,_punk_culture_is_primarily_a_phenomenon_among_the_upper-middle_class,_many_of_whom_were_first_exposed_to_punk_music_through_travel_to_England,_but_rapidly_shifted_to_the_lower-class_youth._South_Africa
Punk_arrived_slowly_in_South_Africa_during_the_1970s_when_waves_of_British_tradesmen_welcomed_by_the_then-Apartheid_in_South_Africa, apartheid_government_brought_cultural_influences_like_the_popular_British_music_magazine_''NME'',_Peru
In_Peru_punk_traces_its_roots_to_the_band_Los_Saicos,_a_Lima_group_that_played_the_unique_blend_of_garage_and_break_dance_music_that_would_later_be_labeled_punk_as_early_as_the_1960s._The_early_activity_of_Los_Saicos_has_led_many_to_claim_that_punk_originated_in_Lima_instead_of_the_UK,_as_is_typically_assumed._Cuba
A_punk_subculture_originated_in_Cuba_in_the_1980s,_referred_to_as_Los_Frikis._As_Cuban_radio_stations_rarely_played_rock_music,_Frikis_often_listened_to_music_by_picking_up_radio_frequencies_from_stations_in_nearby_Florida._See_also
_References
_Bibliography
*_ *_ *_ *_ *_ * *___Further_reading_
*_ *_Savage,_Jon._''England's_Dreaming:_The_Sex_Pistols_and_Punk_Rock''._Faber_and_Faber,_1991.__External_links
*_ {{Authority_control Underground_culture, * 1970s_in_the_United_Kingdom Australian_culture Motorcycling_subculture Music_and_politics Musical_subcultures Punk Stereotypes Youth_culture_in_the_United_Kingdom].html" "title="Punk]. Retrieved 18 April 2009. The punk subculture influenced other underground music scenes such as alternative rock, indie music, crossover thrash, and the extreme subgenres of Heavy metal music, heavy metal (mainly thrash metal, death metal, speed metal, and theMusic
Ideologies
Fashion
Gender and gender expression
Body and appearance
For some punks, the body was a symbol of opposition, a political statement expressing disgust of all that was "normal" and socially accepted. The idea was to make others outside of the subculture question their own views, which made gender presentation and gender identity a popular factor to be played with. In some ways, punk helped to tear apart the normalised view of gender as a dichotomy. There was a notable amount of cross-dressing in the punk scene; it was not unusual to see men wearing ripped-up skirts, fishnet tights, and excessive makeup, or to see women with shaved heads wearing oversized plaid shirts and jean jackets and heavy combat boots. Punk created a new cultural space for androgyny and all kinds of gender expression. In trying to reject societal norms, punk embraced one societal norm by deciding that strength and anger was best expressed through masculinity, defining masculine as the "default", where gender did not exist or had no meaning. However, the main reasoning behind this argument equates femininity with popular conceptions of beauty. Everything that was normally supposed to be hidden was brought to the front, both literally and figuratively. This could mean anything from wearing bras and underwear on top of clothing to wearing nothing but a bra and underwear. Although that act can seem sexualised, to punks it was just a way of self-expression. Punk seemed to allow people to sexualize themselves and still be taken seriously. The nature of punk allowed many to create a non-gender-conforming style. Punks could be free to use femininity or masculinity to make what they were doing even more shocking to their audience. It became popular for some punks to accentuate societal norms. At one concert, Donita Sparks, lead singer of the band L7 (band), L7, pulled out her tampon and threw it into the audience.Riot grrrl
Riot grrrl is an underground music, undergroundVisual art
Punk aesthetics determine the type of art punks enjoy, usually withDance
Literature
Film
Perspectives on drugs and alcohol
Inhalable solvents
"Intoxicative inhalant, [Glue] sniffing was adopted by punks because public perceptions of sniffing fitted in with their self-image. Originally used experimentally and as a cheap high, adult disgust and hostility encouraged punks to use glue sniffing as a way of shocking society." Model airplane glue and contact cement were among the numerous solvents and inhalants used by punks to achieve euphoria and intoxication. Glue was typically inhaled by placing a quantity in a plastic bag and "huffing" (inhaling) the vapour. Liquid solvents were typically inhaled by soaking a rag with the solvent and inhaling the vapour. While users inhale solvents for the intoxicating effects, the practice can be harmful or fatal.Straight edge
Lifestyle and community
Authenticity
In the punk and hardcore subcultures, members of the scene are often evaluated in terms of the authenticity (philosophy), authenticity of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet ''Interactions with other subcultures
Some of the first hip hop MCs called themselves punk rockers, and some punk fashions have found their way into hip hop dress and vice versa. Malcolm McLaren played roles in introducing both punk and hip hop to the United Kingdom. Hip hop later influenced some punk and hardcore punk, hardcore bands, such as the Beastie Boys, Hed PE, Blaggers I.T.A., Biohazard (band), Biohazard, E.Town Concrete, The Transplants, andPersecution
East Germany
The punk scene began to emerge in socialist East Germany in the late 1970’s. It shared many similarities with that of the West and was considered by the ruling authorities to be a spread of an international youth sub-culture which had its roots in the U.S.A. and Western Europe. Indeed, this was an assessment many East German punks shared themselves. According to one, Mario Schulz, "The start was that I liked the music. I did not quite understand the English texts, but this ostentatious experience as an outsider, this capacity to shock, that pleased me. I was already- someone else would probably express it differently- an awkward sod." By the authorities, punk was seen as representing a way of life which was contrary in nature to existing social conventions and values. Punks were, however, not the only youth sub-culture to be considered ‘negative decadent’ and a threat to the stability of socialist society: heavy metallers, skinheads, and goths were also targeted. Whilst it is hard to ascertain an exact figure, the punk scene in East Germany in the early 1980s was still relatively small. For example, ‘In 1981, theGlobal perspectives
The punk subculture has spread to many countries around the world. The fluidity of musical expression in particular makes it an ideal medium for this cross-cultural interpretation.Mexico
In Mexico, punk culture is primarily a phenomenon among the upper-middle class, many of whom were first exposed to punk music through travel to England, but rapidly shifted to the lower-class youth. Because of low fees at public universities in Mexico, a significant majority of Mexican punks are university students. It is estimated approximately 5,000 young people are active punks in Mexico City, hosting two or three underground shows a week. These young people often form chavos banda—youth gangs—that organized subculture activity by creating formal meeting spaces and rituals and practices. Oral nicknames are a distinguishing feature of Mexican punk, where the tradition of oral culture has influenced the development of nicknames for almost all Mexican punks. Patches are widely used as an inexpensive way to alter clothing and express identity. Though English-language bands like the Dead Kennedys are well known in Mexico, punks there prefer Spanish-language music or covers translated into Spanish. The slam dance style common in the California punk scene of the early 1980s is thoroughly adopted as part of the movement and continues to be the most popular dancing style among punks. Performance and ideology practices often reflect the socioeconomic circumstances of Mexican punks. Live shows, called "Tocadas" are generally held in public spaces like basketball courts or community centers instead of places of business like venues, bars, and restaurants, as is more common in the United States and Europe. They usually take place in the afternoon and end early to accommodate the two or three hours it takes many punks to return home by public transit. Mexican punk groups rarely release vinyl or CD recordings, usually cassettes are the preferred format. Though Mexican punk itself does not have an explicit political agenda, Mexican punks have been active in the Zapatistas (Mexican Revolution), Zapatista,South Africa
Punk arrived slowly in South Africa during the 1970s when waves of British tradesmen welcomed by the then-Apartheid in South Africa, apartheid government brought cultural influences like the popular British music magazine ''NME'', sold in South Africa six weeks after publication. South African punk developed separately in Johannesburg, Durban, and Cape Town and relied on live performances in Township (South Africa), townships and streets as the multi-racial composition of bands and fan bases challenged the legal and social conventions of the apartheid regime. Political participation is foundational to punk subculture in South Africa. During the apartheid regime, punk was second only to Rock music in its importance to multi-racial interactions in South Africa. Because of this, any involvement in the punk scene was in itself a political statement. Police harassment was common and the government often censored explicitly political lyrics. Johannesburg-based band National Wake was routinely censored and even banned for songs like "International News," which challenged the South African government's refusal to acknowledge the racial and political conflict in the country. National Wake guitarist Ivan Kadey attributes the punk scene's ability to persevere despite the legal challenges of multi-racial mixing to punk subculture'sPeru
In Peru punk traces its roots to the band Los Saicos, a Lima group that played the unique blend of garage and break dance music that would later be labeled punk as early as the 1960s. The early activity of Los Saicos has led many to claim that punk originated in Lima instead of the UK, as is typically assumed. Though their claim to be the first punk band in the world can be disputed, Los Saicos were undoubtedly the first in Latin America and released their first single in 1965. The group played to full houses and made frequent television appearances throughout the 1960s. Throughout the 1970s, the band was completely forgotten. Years later, a plaque that declares "here the global punk-rock movement was born" was placed at the corner of Miguel Iglesias and Julio C. Tello Streets in Lima. By the 1980s the punk scene in Peru was highly active. Peruvian punks call themselves ''subtes'' and appropriate the subversive implications of the English term "underground" through the Spanish term ''subterraneo'' (literally, subterranean). In the 1980s and 1990s subtes made almost exclusive use of cassette recording as a means of circulating music without participating in formal intellectual property and musical production industries. The current scene relies on digital distribution and assumes similar anti-establishment practices. Like many punk subcultures, subtes explicitly oppose the Peruvian state and advocate instead an anarchic resistance that challenges the political and mainstream cultural establishment.Cuba
A punk subculture originated in Cuba in the 1980s, referred to as Los Frikis. As Cuban radio stations rarely played rock music, Frikis often listened to music by picking up radio frequencies from stations in nearby Florida. While many Frikas in the early-1990s entered AIDS clinics by knowingly injecting HIV-positive blood into them, others began congregating at ''El patio de María'', a community centre in Havana that was one of the few venues in the city that allowed rock bands to play. Some Frikis also participate in squatting as an act of political defiance. In its beginning, the subculture was seen as a threat to the Collectivism and individualism, collectivism of Cuban society, leading to Frikis becoming victims of discrimination and police brutality. According to the New Times Broward-Palm Beach some Frikis were "rejected by family and often jailed or fined by the government", the 1980s Friki woman Yoandra Cardoso, however, has that argued that much of the response was verbal harassment from law enforcement. Dionisio Arce, lead vocalist of Cuban heavy metal music, heavy metal band Zeus spent six years in prison due to his part in the Frikis. Some schools would forcibly shave the heads of young Frikis as a form of punishment.See also
References
Bibliography
* * * * * * *Further reading
* * Savage, Jon. ''England's Dreaming: The Sex Pistols and Punk Rock''. Faber and Faber, 1991.External links
* {{Authority control Underground culture, * 1970s in the United Kingdom Australian culture Motorcycling subculture Music and politics Musical subcultures Punk Stereotypes Youth culture in the United Kingdom]">Punk Punk or punks may refer to: Genres, subculture, and related aspects * Punk rock, a music genre originating in the 1970s associated with various subgenres * Punk subculture, a subculture associated with punk rock, or aspects of the subculture s ...Music
Ideologies
Fashion
Gender and gender expression
Body and appearance
For some punks, the body was a symbol of opposition, a political statement expressing disgust of all that was "normal" and socially accepted. The idea was to make others outside of the subculture question their own views, which made gender presentation and gender identity a popular factor to be played with. In some ways, punk helped to tear apart the normalised view of gender as a dichotomy. There was a notable amount of cross-dressing in the punk scene; it was not unusual to see men wearing ripped-up skirts, fishnet tights, and excessive makeup, or to see women with shaved heads wearing oversized plaid shirts and jean jackets and heavy combat boots. Punk created a new cultural space for androgyny and all kinds of gender expression. In trying to reject societal norms, punk embraced one societal norm by deciding that strength and anger was best expressed through masculinity, defining masculine as the "default", where gender did not exist or had no meaning. However, the main reasoning behind this argument equates femininity with popular conceptions of beauty. Everything that was normally supposed to be hidden was brought to the front, both literally and figuratively. This could mean anything from wearing bras and underwear on top of clothing to wearing nothing but a bra and underwear. Although that act can seem sexualised, to punks it was just a way of self-expression. Punk seemed to allow people to sexualize themselves and still be taken seriously. The nature of punk allowed many to create a non-gender-conforming style. Punks could be free to use femininity or masculinity to make what they were doing even more shocking to their audience. It became popular for some punks to accentuate societal norms. At one concert, Donita Sparks, lead singer of the band L7 (band), L7, pulled out her tampon and threw it into the audience.Riot grrrl
Riot grrrl is an underground music, undergroundVisual art
Punk aesthetics determine the type of art punks enjoy, usually withDance
Literature
Film
Perspectives on drugs and alcohol
Inhalable solvents
"Intoxicative inhalant, [Glue] sniffing was adopted by punks because public perceptions of sniffing fitted in with their self-image. Originally used experimentally and as a cheap high, adult disgust and hostility encouraged punks to use glue sniffing as a way of shocking society." Model airplane glue and contact cement were among the numerous solvents and inhalants used by punks to achieve euphoria and intoxication. Glue was typically inhaled by placing a quantity in a plastic bag and "huffing" (inhaling) the vapour. Liquid solvents were typically inhaled by soaking a rag with the solvent and inhaling the vapour. While users inhale solvents for the intoxicating effects, the practice can be harmful or fatal.Straight edge
Lifestyle and community
Authenticity
In the punk and hardcore subcultures, members of the scene are often evaluated in terms of the authenticity (philosophy), authenticity of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet ''Interactions with other subcultures
Some of the first hip hop MCs called themselves punk rockers, and some punk fashions have found their way into hip hop dress and vice versa. Malcolm McLaren played roles in introducing both punk and hip hop to the United Kingdom. Hip hop later influenced some punk and hardcore punk, hardcore bands, such as the Beastie Boys, Hed PE, Blaggers I.T.A., Biohazard (band), Biohazard, E.Town Concrete, The Transplants, andPersecution
East Germany
The punk scene began to emerge in socialist East Germany in the late 1970’s. It shared many similarities with that of the West and was considered by the ruling authorities to be a spread of an international youth sub-culture which had its roots in the U.S.A. and Western Europe. Indeed, this was an assessment many East German punks shared themselves. According to one, Mario Schulz, "The start was that I liked the music. I did not quite understand the English texts, but this ostentatious experience as an outsider, this capacity to shock, that pleased me. I was already- someone else would probably express it differently- an awkward sod." By the authorities, punk was seen as representing a way of life which was contrary in nature to existing social conventions and values. Punks were, however, not the only youth sub-culture to be considered ‘negative decadent’ and a threat to the stability of socialist society: heavy metallers, skinheads, and goths were also targeted. Whilst it is hard to ascertain an exact figure, the punk scene in East Germany in the early 1980s was still relatively small. For example, ‘In 1981, theGlobal perspectives
The punk subculture has spread to many countries around the world. The fluidity of musical expression in particular makes it an ideal medium for this cross-cultural interpretation.Mexico
In Mexico, punk culture is primarily a phenomenon among the upper-middle class, many of whom were first exposed to punk music through travel to England, but rapidly shifted to the lower-class youth. Because of low fees at public universities in Mexico, a significant majority of Mexican punks are university students. It is estimated approximately 5,000 young people are active punks in Mexico City, hosting two or three underground shows a week. These young people often form chavos banda—youth gangs—that organized subculture activity by creating formal meeting spaces and rituals and practices. Oral nicknames are a distinguishing feature of Mexican punk, where the tradition of oral culture has influenced the development of nicknames for almost all Mexican punks. Patches are widely used as an inexpensive way to alter clothing and express identity. Though English-language bands like the Dead Kennedys are well known in Mexico, punks there prefer Spanish-language music or covers translated into Spanish. The slam dance style common in the California punk scene of the early 1980s is thoroughly adopted as part of the movement and continues to be the most popular dancing style among punks. Performance and ideology practices often reflect the socioeconomic circumstances of Mexican punks. Live shows, called "Tocadas" are generally held in public spaces like basketball courts or community centers instead of places of business like venues, bars, and restaurants, as is more common in the United States and Europe. They usually take place in the afternoon and end early to accommodate the two or three hours it takes many punks to return home by public transit. Mexican punk groups rarely release vinyl or CD recordings, usually cassettes are the preferred format. Though Mexican punk itself does not have an explicit political agenda, Mexican punks have been active in the Zapatistas (Mexican Revolution), Zapatista,South Africa
Punk arrived slowly in South Africa during the 1970s when waves of British tradesmen welcomed by the then-Apartheid in South Africa, apartheid government brought cultural influences like the popular British music magazine ''NME'', sold in South Africa six weeks after publication. South African punk developed separately in Johannesburg, Durban, and Cape Town and relied on live performances in Township (South Africa), townships and streets as the multi-racial composition of bands and fan bases challenged the legal and social conventions of the apartheid regime. Political participation is foundational to punk subculture in South Africa. During the apartheid regime, punk was second only to Rock music in its importance to multi-racial interactions in South Africa. Because of this, any involvement in the punk scene was in itself a political statement. Police harassment was common and the government often censored explicitly political lyrics. Johannesburg-based band National Wake was routinely censored and even banned for songs like "International News," which challenged the South African government's refusal to acknowledge the racial and political conflict in the country. National Wake guitarist Ivan Kadey attributes the punk scene's ability to persevere despite the legal challenges of multi-racial mixing to punk subculture'sPeru
In Peru punk traces its roots to the band Los Saicos, a Lima group that played the unique blend of garage and break dance music that would later be labeled punk as early as the 1960s. The early activity of Los Saicos has led many to claim that punk originated in Lima instead of the UK, as is typically assumed. Though their claim to be the first punk band in the world can be disputed, Los Saicos were undoubtedly the first in Latin America and released their first single in 1965. The group played to full houses and made frequent television appearances throughout the 1960s. Throughout the 1970s, the band was completely forgotten. Years later, a plaque that declares "here the global punk-rock movement was born" was placed at the corner of Miguel Iglesias and Julio C. Tello Streets in Lima. By the 1980s the punk scene in Peru was highly active. Peruvian punks call themselves ''subtes'' and appropriate the subversive implications of the English term "underground" through the Spanish term ''subterraneo'' (literally, subterranean). In the 1980s and 1990s subtes made almost exclusive use of cassette recording as a means of circulating music without participating in formal intellectual property and musical production industries. The current scene relies on digital distribution and assumes similar anti-establishment practices. Like many punk subcultures, subtes explicitly oppose the Peruvian state and advocate instead an anarchic resistance that challenges the political and mainstream cultural establishment.Cuba
A punk subculture originated in Cuba in the 1980s, referred to as Los Frikis. As Cuban radio stations rarely played rock music, Frikis often listened to music by picking up radio frequencies from stations in nearby Florida. While many Frikas in the early-1990s entered AIDS clinics by knowingly injecting HIV-positive blood into them, others began congregating at ''El patio de María'', a community centre in Havana that was one of the few venues in the city that allowed rock bands to play. Some Frikis also participate in squatting as an act of political defiance. In its beginning, the subculture was seen as a threat to the Collectivism and individualism, collectivism of Cuban society, leading to Frikis becoming victims of discrimination and police brutality. According to the New Times Broward-Palm Beach some Frikis were "rejected by family and often jailed or fined by the government", the 1980s Friki woman Yoandra Cardoso, however, has that argued that much of the response was verbal harassment from law enforcement. Dionisio Arce, lead vocalist of Cuban heavy metal music, heavy metal band Zeus spent six years in prison due to his part in the Frikis. Some schools would forcibly shave the heads of young Frikis as a form of punishment.See also
References
Bibliography
* * * * * * *Further reading
* * Savage, Jon. ''England's Dreaming: The Sex Pistols and Punk Rock''. Faber and Faber, 1991.External links
* {{Authority control Underground culture, * 1970s in the United Kingdom Australian culture Motorcycling subculture Music and politics Musical subcultures Punk Stereotypes Youth culture in the United Kingdom